UES 


LIBRARY 


M. KNOEDLER & CO. 


556-8 FIFTH AVE. 
NEW YORK 


4 


ear. 


or 
5 CHEMM PICTURE SALE. 
he four evenings’ sale at auction 
week of the pictures, oils” and — 


na total of $185,305, which in- 


en, sold on Thursday evening for 
| $025, and returned, and which brought 
|only $850 Friday evening. — 


|: and only even fairly successful one of 
| pictures this season. 


‘the fact that many of the examples 


jwere of salable quality and averaged 


| well in merit. 

At the fourth and final: ee. March 18, 
|occurred the dramatic incident discussed 
elsewhere regarding the two Innesses with- 
drawn from the sale, and the auctioneer’s 


This apropos 
of the sale of a portrait of Lincoln from life 


s | by the aged artist, S. J. Conant, which was 


4 


, 


_ } Marshes,” 
| probably cost Mr. 


1“Dutch TLandscane,’ 


—|“Contented.” 


purchased by Mr. Thomas B. Clarke for 


$3,700. The total of this final sale was 


$102,800, a good one under the present 
business conditions. The highest figure 
| was $8,200, paid for a good Schreyer, “Wal- 
lachian Teamster Entangled in the 
by W. Sharpe Kilmer, which 
Schemm about $5,000. 
There were many surprises. 


brought $3,200 from Knoedler & Co. Mr. 


_| A. A. Healy paid $3,500 for Israels’ “Mother 
jand Son,” and M. W. L. Austin $5,600 for 
4 sold in. 
| 1902 in Felix Guard sale for $3, 500, a. high | 
_ | price even for this most important example. . 

|To the dealer McDonald went a Bruce) 


Rico’s * ‘Santa Maria della Salute,” 


| Crane for only $175, and Mr. Fuller secured 


| for $2,700 a Jacque that is said to have cost | 


Mr. Schemm $10,000. For Ziem’s “Fete 
Day—Venice,” for which Mr. James Elver- 
son, Jr., paid $3,900, Mr. Schemm is said to 
have paid $4,000 to ‘Knoedler & Co. in 1901. 

The titles of pictures sold, artists, buyers’ 


| names when obtainable, and price, follow: 


First Session. 

The 88 water colors sold on Mar. 14, 
brought $10,326. The majority brought very 
low prices. Limited space prevents pub- 
lishing same in detail. 

William Maris and Josef Israéls are as 
popular as ever. “The Drinking Pool,” by 
Maris went to N. A. Croven for $1,200. 
“Amusing the Baby,” by Israéls, was 


A Blommers went to G. Fliermans for $175 
and his contemporary Kever’s “Saying 
Grace,” sold to J. Wittman for $115. Mr. 
Fliermans also purchased Albert Neuhuys’s 
George Poggenbeck’s “Dutch 
Pasture and Cattle,” went to Knoedler & 
Co, for $410. A. J. Groenwegen was rep- 
resented by six paintings, of which his 
“Landscape with Cattle” got the best price, 
going to W. H. Johnson for $135. Weissen- 
bruch’s “Unloading the Fishing Boats,” 
went to Mir. Fliermans for $850. ‘Feeding 
the Pigs,” by Mari Ten Kate went to A. H. 
) Costien for $220. Tony Offermans’s “Cob- 
bler,” went to C. re. Ulmann for $205. 


knocked down to Knoedler & Co. for $1,300. | 


The sale was on the whole the best| 


Willem Maris’ | 
appraised at $1,600, . 


. Schemm, of ‘Philadelphia, re- fe 


This was due to] 


equally theatrical. relating of his having 

Se neon a spectator of the raising of the flag | 
5 on Independence Hall, Philadelphia, July 4, 
Beet by Abraham Lincoln. 


rk 


P SECOND § 
] sie NE sian abe 
andscape and ‘Cattle—L. 
7. S\C-Sy aha a Re ee 

|Landscape Study—Harpigii iieS ; E. Johns 
|Study of Farm House—Mauve; W. WwW. 


_|King of Desert—Gerome; E. vi Ser dia ole 475 
-|Contentment—E, Grutzner; A. H. : 450 
Work and Play—Bloomers; M. E. Migel..... 670 
The Gloaming—Bruce Crane; E. J. Cornish, 200 
Halt in Desert—C. T. Frere; Mrs. Frederick 
mea ONL SOM esse sais eminence ee «c's 818 wna Sam 175 
-|Monastery Cook—A. Tamburini; M. C. Ander- 

ie MRE R UR eter ee a eet eg OG, oc Se wipe ohanwiy ous 175 
The Cellarer—A. Tamburini; M. C. reneged 220 
Return of Flock—De Warville; O. ee Ness 
Still Life—Josef Wilms; E. O. Kopp......... 105 
Off the Coast—A, Stevens; Helland. Art Gallery 160 
Resting—Israels; C, Fliermans...........+-++ 1,075 

| The Ride—Artz; J. F.-Wittman..... 0c .eeees 420 
Oriental Girl—A. Asti; Miss A. R. Kolb..... 210 
Normandy Interior—H. Merle; A. J. Cameron 185 
Autumn, Shinnecock Hills—W. M. Chase; C. 
PARES DORVAL averenpiae nigh oes efi tiolp eyocw outer me eles phe TAS 
Winter Landscape—L. Munthe; S. S. Laird.. 200 
{Swamp Lands—W. B. Baker; Knoedler & Co. 220 
| Holland Windmill—Du Chattel; Kennedy & Co. 210 
| Scheveningen Fishing Boats—Mesdag; F. W. 

PAROS Hrs a ecw weary Ses waver nj Pere snehy bla sles 300 
On March; Battery Going Into Action— 

Sehpegersa We es ULMER oe sie phele see's we ole 1,050 
Village Postmaster—T. Offermans; M.C.Nugel 290 
Pet Goat—Willy Martens; Oscar Michels..... 500 
Red Drapery—Henner; Knoedler & Co....... 1,100 
Late Afternoon—G, Inness; Sen. W. A. Clark. 2,650 
Flowers of Field—J. C, Cave; Mrs, A. R. Kolb 525 
Summer Moon—Joseph H. Boston; W. 

TES UN y sta htop ae ea Ry ee NE 125 
The Antiquarian—J. A. B. Stroebel; W. L 

PRAT R EL IMs teratn eater ers laps hs pai opauste salar evenness: G18 aly 210 
Farm Yard, "Holiand—C. P.. Gruppe; As A, 

EXEC |S CAS ain eke Oat Ob. cto ree Cop aCe cioe 105 
eichergirio dy R. Knight; A. H. Cosden....., 450 
Landscape with Windmill—G. Michel; A. J. 

CALE MG catipicle ls qiswce Vsdsishgrie’s wat nia’ ale athe: siipf.smielar'd 130 
Near Veere—W. C. Rip; O. S, Loeb.......... 150 
Halt at Well—George Washington; Lanthier 

See Gin ty Mea ite an tere eA Mua teta Guetta letetete ve aces 200 
Gipsies by Sea— Wordsworth Thompson; A, A. 

Gane yaeeteietare esis ew suki avieapirne ne 3 onebetogate ral fen atest 130 
Lake Copake, N. Pej iwe ky, B. Bristol; M. 

CS NOU T Deeg Setsn ac meets ce autres aha (aig tes 210 
Picture Book—Kever; George A. Hearn....... 875 
Lucerne et Champ D’Avoine—J. Monchablon; 

Beript ea Pent) ao fer aati dear hak emaiae eas 500 
Discussion—Von Uhde; Ehrich Gallery, Agent. 900 
Calme—Batteaux Rhins—Clays; Harry Sachs: 825 
Ceramic Connoisseur—J. G. Brown; MacDonald 280 
Eventide—A. Hoeber; C. R. MacDougal...... 100 
Wrapt Audience—J. J. B. Brunet; Howard 

FREI PINP er ci. cce le ae pepe ostia5 aio aneuBiedatpra s-Ci phe 210 
Old Mill, Holland—G,. H. Bogert; Bernet, Agt. . 220 
Conn. Pasture—Allen B. Talcott; Bernet, Agt. 225 
Winter Scene—F, Thaulow; Bernet, Yt ee 625 
Love’s Young Dream—W. Rauber; Wm. G. 

Disp ATE oacw ore alk = aigreuaneanttan Seaaem ets we ange (oleia 8)'ps 140 
Carding Wool—D. De La Mar; A. J. Cameron 120 
Indian Summer—C. W, Eaton; W. J. Fuller... 225 
Wounded—Paul Grolleron; M. C. Anderson... 650 
In Full Sail—E. Moran; Seaman, Agent...... 900 
Cossacks Guarding Prisoners of War—Prof. ifs 

Brandes» Gate AOSD. as ae tanto eee tue lh slang 975 
Threading Needle—A. A. Crochepierre: J. F. 

Wiig ebtttATI;: gree ausietals pomtelers era bupeeyeees inte. cucr wie coe 600 
(Tailor Shop in Monastery—W. Dendy Sadler; 

Pehis, Mes lowitey: Gel cin «oes erkve aetweeiel ar elerncne a 380 
Sur La Vienne—P. Trouillebert; Seaman, Agt. 420 
Bird Seller—Carl Boeker; Henry Schultleis... 875 
Marine—F.. De Haven; F. H, Gotliebise..... 110 
Baby Asleep—C,. Fischer; J. E. Bauling...... 265 
Wind Swept Snows—W. Nettleton; W. W. 

BAGS 6G sols ot Sio.e atavera acahecbuarqldvaeeWaltvoneteraiaa ital a: sp 200 
Winter Landscape—W. E, Schofield; J. E. D, 
DEN ei leie srcri' ol 5 Wa dk toa fanalte Baa URGE IN ol euletels. oh, 150 
Departure of Herring Fisher—C. P. Gruppe; 
Me DonalasArt (Gellesva wc tate <7 sh cea 240 

Test al ve s-gicteaatatad SEMEN siels) na) 6.Wlake Sool View $25,875 
THIRD SESSION. 

Normandy Landscape—L, Richet; C. Weinberg $110 

Summer—Sanchez Perrier; Dr. P, J. Oettinger 370 
Landscape with Pond—L. V. Dupre; Bernet, 
| SPUR ARGLYE:-sielpie sr onprarareiuna nin pestis lol's liaise ww <fphboinite a 110 
Cardinal’s Siesta—Leo C. Herrmann; A. H. 

I asa HES Ch ANE <d. Fsaniphgalaregbeore i ora el sel. ip Su euaenls > Stplotated hac 450 
Military Sketches—Meissonier; C. W. Kraushaar 80 

fox Hounds—C. O. De Penne; P. W. Rouss. 100 

isit to Figaro—Vibert; George A. Hearn. 900 

he Old Suitor—Teniers, the Younger; W. a 

PLP EP Nes ta Slates, 0 Winle fe o.6.° 0% Gra aE NING ee sal wine's 290 | 
Jolly Tyrolean—G. Kotschenreiter; E. Frankel 200 
Halt of Caravan—C. Th. Frere; Mrs. A. R. Kolb 100 
Spanish Mandolin Player—Jules Worms; Al- 

oe RUN TER pei Pet be. 4 AIRE eee i er 135 
Harvest Time, Normandy—G. H. Smillie; N. 

SPR OM ERS ci arayesivinsn a dalelgeteaenangie Dwain ce eg oo be 100 
'iOn the Shore, Treport—A. Stevens; Seaman, 
|’ GE la ams, Katalatare vale qiece bl erscealMG hiety ey os v8 0 125 
\Vue de Treport—A. Stevens; C. A. Du Bosch 120 
‘Autumn Landscape—W. Whittredge; E. A. Copp 110 
Gray Day—Mesdag; George D. Horst........ 120 
On the Marne—H. ‘ad Delpy; George Elliott. 160 
Holland Landscape — Weissenbruch; C. W. 

TRS rc Re 9 RE ORE ee ee 440 
Me the Beach—Scheveningen—Mesdag; W. P. 
Balkey Se ae Pe ee Oe Oe ee ee 390, 


At... 


a 


, Te 


%. : a 
VV 


al wt 


[berg ; 


NWLroo p O a ke— a : : A 
Idle Moments—Jos. Bail; S. C. Hooker,...... 
Winter Landscape—C. Warren Eaton; G. R. 
| McDopeak ..-, Sen catn pa eGR oe 4 ocala 
Shepherdess and Flock—F. S. Brissot de War- 
ville Ui. WA, CORD: saceeee ances iinet ab.ahebe? Scere iene 
On the Mediterranean—Harpignies; Knoedler 


& Corse ee oe or 225 


H PRarcyard Corner—W. Bliss Baker; Knoedler 


3 Metcalf. 210 “Goose 


400 


Sheep and Ruins in Highlands—F. A on- 

heur; J. Metealf ....5. eater sd os aaa 2 UU 
/The Paddock—Mauve; W. W. Fuller...... weet POPS 
|Le Pont Royal, Paris—Jongkind; Ed. Brandus- 

for Geo, Petit Galleries......... PAs +s shih ee UOU 
Return of Fishing Boat, Brittany Coast—Isa- 

Bey LPL LORIE yun acqecams Suateiyse ss 5 550 


| Normandy Village—Cazin; Sen. W. A. Clark.. 2,800 


| Paris Salon, Opening Day—J. Beraud; P..W 


—— 


GUIS ib. cc. FReic aceon so cnio. tage c seme os 490 
Ideal Head—Henner; Knoedler & Co........ 1,750 
Hillside Pasture—C. E, Jacque; Martin Beck. 850) 

Me Venice—P. Zeim; E. Johns ............. HAG ritg scl ie, 
Normandy Landscape—D. M. Bunker; H. 

Schpltheis. cise gece seas SPOR aig nies soss «Sate ; 90 

| Still Life—W. M. Chase; D. M. Mencham 170 

| Meadows—W. L. Lathrop; Geo, A. Hearn.... 250] 

Clair de Lune, Holland—Clays =p. W. Rouss.. 625 

Game of Cards—E. Grutzner; H. Schultheis... 500 
Return of Fishing Boat—A. Hagborg; C. W. 

Kyatishaar 1.6 ws. esses Fah OS A aI =. 205 
Mussel Gatherer—D, R. Knight; E. A. Kopp.. 900 
Visite Domiciliaire—L. E. Lambert; W. L. : 

LADS BeGp GeO pe inocicc Ire ea enero serene 475) 
5 On the Lowlands—J. F. Murphy; Sen. Wi A. ‘ 

BO rss 5 oho pa a sek Er Oe 1,425\ 
| Apple Blossoms—A. Parton; M. C. Migel...;. 200 

Be Line for Camp—c, Schreyvogel; W. H 

POU MMERUNES Oia cha Fee oa ORE. eee ae 600 
Golden Sunset—Bruce Crane; C. W. Kraushaar 190 
| Stormy Day—G..Michel; Seaman, Agent... ve. 160 
Landscape, Brittany—J. Manchablon; Bernet, 

BS Cie eater Wether. v0/n5hs hess a abies < veh eee 500 
Vers Midi—Mastenbroek; N. C. KROSers cha cas 350 

irl Reading—E, A. Piot; A. J. Cameron..... 450 
Spanish Nobleman—F. Roybet; R. H, Lorenz, 

SOU on Ag seen ree a ons 2,000 
Neighbors Call—Israels; Knoedler & Co...... 3,800 
Drinking Place—A. Braith; Tooth & Sons.... 450 
Corner of Pasture—M. Marie Dieterle; Knoed- 

PERE romana. o. Dhea vec hocks. aes 2,000 
Milking Time—J. Dupre; George Elliott...... 550 
Beside the Cradle—Kever; O. Bernet ........ 775 | 
Prayer Mosque of Caid-Bey, Cairo—Gerome; 

WY wee AU Siitiperea el nee Ge ee ine ane 975 | 
The Reconnoitre—A, Schreyer; M. Beck...... 7,000 
Return of Flock—Ter Muelen; Knoedler & Co 625 
Landscape and Sheep—Verboeckhcven; M. C, 

LTE RS DR Rape * ane RMN DS Ss 925 
The Faggot Gatherer—C. P. Gruppe; C. A. 

C2: ere eer | o 280) 

Autumn—F, De Haven; C. W. Kraushaar.... 225} 

| Fetching Water—D. R. Knight; M. C. Anderson 1,000 | 
| Sheep Grazing—Van Der Weele; W C. Thomp- 

BN Ogle ox. 5.6 ooo cn us RE de vce gd 280 | 
Twilight Lake Siljansho, Sweden—W. Von 

Pepereet iG, Bb. Sewantae de als. ee 130 | 
| Last Gleam—G. H, Bogert; C. J. Cameron... 275 |i 

|| The Communicant—Breton; E. Brandus ..... 525 | 
| | Cattle in Holland—J. H. L, De, Haas; E. M. 

BRCKSIEC Ree ye ty cia Sih Ae A A 610} 
Start of Fishing Fleet—Mesdag; A. A. Healey 550 
The Farmyard—J. Scherrewitz ; EH. Schultheis.. 260 

SERV CMDS a charles c y's. sic ss". AMER G Sates Res $46,290 

FOURTH SESSION. 
Man Smoking—G. Kotschenreiter; E. M. Ma- 

SUM tee Be sine v's Lan ee EE Ae $65 
Landseape with Sheep—I. Pokitonow; George 

PEPTGAUAY aie gy -.<> ste tpt dine our | eee ok 320 | 
Vallee D’Enfouvelle—J. Monchablon; O. Bernet 450 
Little Washerwoman—F. Schlesinger; E. A. 

ENO DAM tate eyes ye ois has eee CR ete 210] 
Still Life—Vollon; Holland Art Gallery...... 270 
Weeding Time—C. E. Jacque: Martin Beek o.« 775) 
Head of Girl—Henner; W. S. Kilmer......... 500 
Love Letter—F, Defregger; E. D. Servos an 778 
Highland Cattlek—Rosa Bonheur: Geo. D. Horst 250) 

| The Harvesters—Cazin; C. D. Du Bosch... .: 925 | 
Teasing the Kitten -Joseph Bail; E. A Kopp = 475 
Marine—Jules Dupre; A. A PSS OY sii os eee 1,200 
Arab Encampment; Night in Desert—J. B.-P. 

Lazerges; W. H. Johnson ..............:.. 675 | 
Duteh Landscape—W. Maris; Knoedler & Co. 3,200 | 
Indian Summer—J. F. Murphy; Knoedler & Co. 1.325 

; Cattle by Sea—F. A. Bonheur; J.N. Culter.. 400 | 
Marine—A. Stevens; G. R MacDougal....... 1904 
|; Vue De Treport—A. Stevens; W. W. Seaman, 
Boa Ge 2). RR et 180 
| Landscape and Cottage—L, V, Dupre; A. F, | 

ort) a Re ae 250 
Landscape with Pool and Cows—L. V. Dupre; 

: Cornish | ois pays cee iu ook see 275 
November Day—H. B. Jones; H. A. Thorne... 250 
Landscape with Winding Road—G. Michel: G, 

KR, MacDougal .,..:., ashi: sc. One 150 
Boatman—A,. Koopman; Knoedler & Co. 170 
Old. Mill—W. Bliss Baker: H. A, “Chere fo. 175 { 
Mother and Son Twilight — Israels; A 

Healey... ... <5... + tubes os oe See 3,500 | 
\utumn Landscape and Pool; A. H. Wyant; 1 

Jernet, Agent ae es ae Bere ae 1,300 |} 
Vagdalen—J._ J, Hlenner ; E... J,..Comish...h.. 2,100 

on MT mon Tnwemlan. \'? Yo he hana 


EE 


gle Agent's... 0¢0e8 


Gathering Clouds—G. 


Be eee a 


DOY—V 


x Care 
INGEN. ses aus 
rich Gal- 


ad 


Bab Asleep—Blommers 

in Flanders—Cazin 
ce Way to Pasture—A aS 
“Holiand— 
‘Inness; Bernet, Agent. . 
Fortrait Abraham Lincoln—A. J. Conant; 
. Thomas B. Clarke tse eines swear sine s scene 
The Mill—F Thaulow; S. T. Gifford.......... 
Wet Day at Hague—C. P. Gruppe; C. E. 

Sehmidee Sow. cs sacra a een renee Wes vc staas 


ate House, Bosward, 


|W. L. Austin 


re oY 


Rehn; N.C 
RoOg@eRs radia aed esate cee rece et eee ee ne! 
Sepsile Flowers-—-W. M. Chase; W. L. Austin 


Finishing Touch—D, Col; A. A. Healey...... 
Erittany Farm—F. Thaulow; A, A. Healey... 
Mother and Child—F. Von Lenbach; Mrs. 

Frederick F. Thompson : 
Antiquarian—L. Brunin; Lanthier & Co...... 
La Place Clichy—G. Boldini; E. Brandus for 

Georges Petit Galerie ........... ae 
Near Rotterdam—Clays; J. Elverson, Jr...... 
Summer—Harpignies ; Beck 


ee ed 


Martin Becks sds ‘ovo « 
Morning Kiss—A. Neuhuys; Knoedler & Co.. 
Farly Morning—Kever; Berges ccs in totisew 
Family Meal—Blommers; A. .Tooth &.Sons... 
Pursuit—Gerome; W. Sharpe Kilmer......... 
The Veil—Bouguereau; M. C. Anderson 
Love Song—F. Domingo; Jas. Elverson, Jr... 
Fete Day, Venice—Ziem; J. Elverson, Jr 


snes 


| Ste. Maria Della Salute—Rico; W. L. Austin.. 


Watching and Waiting—Israels; Bernet, Agent 
Spanish Fishermen—F. Brangwyn; Gari Mel- 
Chews joensen lias «ce alee nba e aaa 
Valley Durdent—J. Dupre; A. S. Vernay...... 
Farmyard—C. E. Jacque; W. W.. Buller. oo; 
Wallachian Teamster; Entangled in Marshes— 
‘Schreyer; W. S. Kilmer ; 
Winter Day, Scheveningen—Mesdag; 
Hirsch. 


Ce a ee eer or ae? 


Hutt 6 80 oe eee eeeere ete messes ese ues cs 8s 


Truck Farming; Holland—De Bock; W. W. 


Fuller mee 
Humble Interior—De Hoog; A. S. Vernay... 
Italian Washerwomen—G. Inness; A. H. Schult- 

heis 


Cr oC ee ee ee ee ee ar ag 


0) ater im a (84) o16.@ 0 2 eels fo « » afets ew ee. 6 0 sae ee 


* % 
wi 
\ 

- ‘ 

5 aed 

4 Pe ee ig = 
a ae 

fae’ af ig 

Pi Sg 

_- ~ tals 

ie \4an 

‘ 

o 

ee 
al 
‘ 

ba 


Imann | 


Son = ote Pee and buyers | 


$105; FA a 
Keil for $115; De 
A. J. Came- 


‘SALE $36,200 SO FAR. 
| mator Clark Gets Janess'’s “Late 
iy at inftornoen » for $2,650. 

| The first section of the oil paintings in 
the collection of the late Peter A. Schemm 


f Philadelphia made up the offerings of 
f second session of the Schemm auction 
sohn Hall last evening, follow- 
‘eas of Mr. Schemm’s water color 
s at the American Art Galleries 
uesday evening. 
| Seventy-four paintings sold for $25,875, 
coe, with the water color sale amount- 
ling to $10,925, makes the total of the 
auction to date $36,200. The more in- 
teresting pictures come up this and coil 
morrow evenings. 


well distributed by the sale, for while 
some of the New York dealers and private 
buyers were in the announced list of 


A ee anolpnie, 
Speintinn (1) (61) Wh Rites 
150 to k 


a been pret for 


The paintings were apparently seul 


of the Pennsylvania Academy a ar Fine 


75. 
ner; Ai HL; Cosden., on 
yore. M. ©. 


$; Oscar Minas 500 


et Goat,” 
ae ate erie ae peaeaisy eS a 


aan’ ae i Hever er; G, Ft Cogan 
Fr aaene Teh ee fae ah osges,” Monchab- 


nt 
on Uhde; Ehrich 


Ss: Harry Sachs......... 
inter." Mets ow; O. Burnet, agent. 
“Full Sal, ” Grolleron; M: C. An erson.. 
”_ EB, Moran; W..W. Seaman, 


WERE SCHEMM SALE. 


op Price of the Evening $7,000 for. 
caf Schreyer’s ‘‘Reconnoitre.”’ 
Prices moved up at the Schemm pieture | 
lauction last evening in Mendelssohn Hall 
although most of the pictures went at 
‘low figures. The seventy-four canvases 
sold brought $46,200, which brings the 
‘receipts to date up to $82,490, with what 
are regarded as the most attractive or 
valuable paintings held until the final 
\session of the sale this evening. Number 
204 and 214 of last night’s list, catalogued 
‘respectively as Ba ead Storm,” by 
| George Inness and “Showery Weather,” 

| by George Inness; were announced as 

“passed,” without explanation. When 
the second one was passed without word 
of raf kind the audience began a buzz 
‘Of half-stippressed conversation, but Mr. 
Kirby. went on to the next picture. There 
te a good deal of interest in -Innesses these 

ays. 
{ Schreyer brought the: bigh price last 
evening, Martin Beck paying $7,000 for 
his “The Reconnoitre.”. Senator W. A. 
Clark bought J. Francis Murphy’s “On 
the Lowlands”. for $1,425 and Cazin’s 
“A Normandy Village” for $2,800. Jong- 
kind’s “Le Pont Royal, undid went to 
the Georges Petit es of Paris for 
$1,000 and Knoedler Gc. paid $8,800 
for “The Neighbor,” by Israéls. Other 
dealers of this city and elsewhere figured 
among the purchasers. 

Following is the hist of the fielded 
selling at $500 or over? 


169—“ A vie to’ Figaro.” Vibert; George 
PEACH ein te his ceca obiecxrgiys egies $900 
186—" On She Mediterranean,” Harpignies; 
PenGBOIer Osi. a is onde cow ede Coe uot Tté 
188—" ape Pallors, ” Biommers; Henry Rein- ia 
itt ce | ee iy US SPE e i? © yr W iced sph 
190" The Paddock,” Mative; W. W. Fuller... 672 
191—"“Le Pont Royal,, Paris,” Jongkind: 
Georges Pent Galery. ee ses ei ase 1,606 
192--“Retura of the Fishing Boat—Brittany 
Coast,” Isabex: J. Metca BSC 
me aera Normandy thee “Gauin: A Pe 
DPE ls SCO ea Not yen a hremiee hares ele BS 
ios ides Head,” Henner: Knoedier & Co. 1,75{ 
198—" 3 Hillside Pasture,” Jacaue; Martin ‘sai 
Pe wi 2 TNs AMIN site Zot Waka foe wy Waves wie ae 3) 
se enioe.” Belms BH. POBNS. hide is e's eet 57 
tO —“Oihir de Lure) Texel, ‘ei der Zee, 
Holland,” Clays; P. W. Rouss..... 000+. +45 62: 


pov-—A Game of. Cards,” Gritener: H: 
*Sebuihels SPORE LA: 10; Rt sna haley ba mieyale hs SANE 506 
205-—"The Musse) Gatherer,” Knight; B, A. 


WOM S15 sn wah bite Siting Aorta dh Sie vas BOC 
»o7--"On the Lowlands,” Murphy; Ws & 
a ho ee OHO Sere PU Poeun Een ata Gh getter ta 1,428 
| 209- —“Troopers Attacked by Indians,” 
| Sehreyvogel; W. H, Johnson... 60C 
212—" Panoramic Landscape- “Brittany,” 
Monchabion; Otto Burnet, agent.,......... 500 
aT Loe A baa Nobleman,”. Roybet; R. ° bbe 
Ve ede LOK ORZ, 20s ie 6 hg so $4 fv sss hee fies 8 ose ash , 
} 247—" The Neighbors,” Isra#is; Knoedier aia 
be Se MOO ny Poclu bch Ula e Ruleagabeeials of atyh's 5 guy > vipre bao BOC 
| 219—"A Gorner of the Pasture,” Diéterle; 
a ls 19 A Gonnes of ¥ Pees toes sued dei ee sin dy 2,000 


aarry WA ia ss WOR SLE 


; “The two paintings. 
| which were withdrawn last evening were 
| exhibited 
|opening day and press view of the ex-'! 


‘to the executors or Mr. 


new ole be 


Sean — oper ‘gana y 


pet eee eee vee e ee ages 


1,000 

Sethe  Communicant, * Breton: E. Bran- a 

eae 8 ae eC Le age st ae ee ve 
mutta es REN: Fleet,” * “Mesdag: 

We aH ren ee 530 


ese Bm 
| UNUSUAL INCIDENT. AT. LAST 


Painter’s Son Ruled Against Them and 
| Kirby Asked That They Be Destroyed 
—Sharp Bidding for Conant Por- 
trait of Linceoln—Some Good Prices: 


{ Last. night's sale -of pictures at Mow 
delssohn Hall developed a very unusual 
experience for the large audience. They 
heard the auctioneer, Thomas EH. Kirby 
of the, American Art Association, declare 
that two paintings in the collection of 
the late Peter A. Schemm of Philadelphia 
which had been catalogued as by the late 
George Inness had been withdrawn from 
the sale as not being the work of Mr. 
Inness. 

This in itself has scarcely ever happened 
before at a New York picture auction, 
but Mr, Kirby went further and indicated 
that the paintings will in all probability 
be destroyed. The two pictures were 
| those referred to in THE SuN of yesterday 

| morning as having been passed in Thurs- 
day’s auction without explanation, Nos. 
204 and 214 of the catalogue. 

After No. 268 of the catalogue, “Gather- 
ing Clouds,” by. Mr. Inness, had been sold 

\last evening for $2,500 Mr, Kirby made 

| this statement: 

Nos. 204 and 214, 


in our galleries during vhe 
hibition and thev were favoradvly com- 
mented upon by those who viewed them. 

| Toward the evening of the opening day 
(Mr. Geor ge Inness, Jr... who was Siswing 


| as to these two paintings weiss by his 
‘father. Accepting Mr. Inness’s opinion, 
iI immediately withdrey the paintings 
‘from the exhibition ar d ultimately from 
‘thesale. Andin furtherance of our efforts 
to prevent the pictures passing into the 
hands of other parties I have suggested 
Schemm that 
‘they obtain the consent of his heirs to 
| destroy the two canvases.” 

These two paintings had not only been 
‘favorably noticed by newspaper critics 
on the day after their exhibition in the 
Schemm collection, but they had been 
shown in many other exhibitions to which 
Mr. Schemm had lent them and so far 
as is known their authenticity has never 
before been questioned. 

Another interesting development of the 
evening was in the number of people 
who made efforts to ges the portrait of 


i 


sme Tar 
ie dae Beds ses Be 


“Hla esiers.” Gazin; C. al ay 


# Genie x 


Hew ee renee 


ea rs 
Ce ee ea ed 

a ee Ok ee a ry 

Oe 
es 


ee ee i ie eed 


rshlands,” Dearth; 


es 


278—" Despatch a Heine Belicedir 


Re ee ee en er 


Cee ee Ce Oe ee errs 


vs. FSF, ™m: Sal 
ear rhe Antiquarian,” Brunin; Lal As 
Be TAO SRE ae aS AE pega 17'S 


OSE NS RI, UREN 

24 "Near Pei” Cas: James 

NSS Ra So oh BI? | 
Bi ere Harpignies; Martin Beck.. 

“The Morning Rss,” Neuhuys; Knoed- 


6:9 @ Wise 9'4'6 Soho y en 8 le'Slb cs se eWhiecac 


Beet ak 9) * evvis adie & ba we e's baie Pals a6 2 o.nwisie e's 


oThe: Pursuit,” Géréme; W. S. Kilmer 
= aus Vell,” se oh N, C C, Ander- 


pea Hoar ie Don 


oer “4 : aoe igen 2 beige ce er a es 
2a ie igen’ Soi Wie,” Taras 
: ba istic Dh Nord pl tn Eanidseape aid ON aay 
putea ner: 8. Coraigh 
an Marcke; W 


1,825 


Se oe ok 
rae 


| ON FREE VIEW  —. 
AT THE AMERICAN ART GALLERIES | i 
BEGINNING FRIDAY, MARCH lors, 1911 : 


THE VALUABLE 


MODERN PAINTINGS AND 
WATER COLORS 


COLLECTED BY THE LATE 


PETER A. SCHEMM 


OF PHILADELPHIA 


EXECUTORS’ UNRESTRICTED PUBLIC SALE 


AT THE AMERICAN ART GALLERIES 


On THE EVENING OF TUESDAY, MARCH 14TH 


AND 


AT MENDELSSOHN HALL 


ON THE EVENINGS OF WEDNESDAY, THURSDAY AND FRIDAY 
MarkcuH 15TH, 16TH AND 17TH 


ILLUSTRATED CATALOGUE 
OF 


THE VALUABLE 
' MODERN PAINTINGS AND 
: WATER COLORS 


COLLECTED BY THE LATE 


PETER A. SCHEMM 


OF PHILADELPHIA 


TO BE SOLD 
AT UNRESTRICTED PUBLIC SALE 


BY ORDER OF J. HARPER DRIPPS, ARTHUR E. WEIL, AND THE NORTHERN 
TRUST COMPANY OF PHILADELPHIA, EXECUTORS 


ON THE DATES HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY, OF 
THE AMERICAN ART ASSOCIATION, ManaGers 
NEW YORK 
1911 


2 


187-189 East 25th Street, New York 


~ 


Press of THE Lent & Grarr Company 


CONDITIONS OF SALE 


1. The highest Bidder to be the Buyer, and if any dispute arises between 
two or more Bidders, the Lot so in dispute shall be immediately put up again 
and re-sold. 

2. The Auctioneer reserves the right to reject any bid which is merely 
a nominal or fractional advance, and therefore, in his judgment, likely to affect 
the Sale injuriously. 

3. The Purchasers to give their names and addresses, and to pay down 
a cash deposit, or the whole of the Purchase-money, if required, in default of 
which the Lot or Lots so purchased to be immediately put up again and re- 
sold. 

4. The Lots to be taken away at the Buyer’s Expense and Risk within 
twenty-four hours from the conclusion of the Sale, unless otherwise specified 
by the Auctioneer or Managers previous to or at the time of Sale, and the 
remainder of the Purchase-money to be absolutely paid, or otherwise settled 
for to the satisfaction of the Auctioneer, on or before delivery; in default of 
which the undersigned will not hold themselves responsible if the lots be lost, 
stolen, damaged, or destroyed, but they will be left at the sole risk of the 
purchaser. 

5. While the undersigned will not hold themselves responsible for the 
correctness of the description, genuineness, or authenticity of, or any fault 
or defect in, any Lot, and make no Warranty whatever, they will, upon re- 
ceiving previous to date of Sale trustworthy expert opinion in writing that 
any Painting or other Work of Art is not what it is represented to be, use 
every effort on their part to furnish proof to the contrary; failing in which, 
the object or objects in question will be sold subject to the declaration of 
the aforesaid expert, he being liable to the Owner or Owners thereof for 
damage or injury occasioned thereby. 

6. To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of the Purchases, no Lot can, on any account, be removed during the Sale. 

7%. Upon failure to comply with the above conditions, the money de- 


- posited in part payment shall be forfeited; all Lots wncleared within one day 


from conclusion of Sale (unless otherwise specified as above) shall be re-sold 
by public or private sale, without further notice, and the deficiency (if any) 
attending such re-sale shall be made good by the defaulter at this Sale, together 
with all charges attending the same. This Condition is without prejudice to 
the right of the Auctioneer to enforce the contract made at this Sale, without 
such re-sale, if he thinks fit. 

8. The Undersigned are in no manner connected with the business of the 
cartage or packing and shipping of purchases, and although they will afford 
to purchasers every facility for employing careful carriers and packers, they 
will not hold themselves responsible for the acts and charges of the parties 
engaged for such services. 


Tur AMERICAN ART ASSOCIATION, Manacers. 
THOMAS E. KIRBY, AvcTIONEER. 


BE SOLD AT THE AMERICAN ART GALLERIES 


aa Mapison SquarE SouTH 


FIRST EVENING’S SALE 
‘TUESDAY, MARCH 147TH, 1911 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 0’CLOCK 


FREDERIC HENRI KAEMMERER 
puTcH (1839- ) 
THE MORNING WALK Ad ee: ee 


WATERCOLOR 


Height, 10 inches; width, 6 inches k, DCC Jeers 


A youne lady as she walks to the left turns her face partly to the front. It 

is surrounded by the wide curving brim of a straw hat, decorated with rose- 
‘pink ribbon. Her white gown has short puffed sleeves and clings to the curves 

_ of her figure, as the wind blows from behind and the string by which she holds 

her lap-dog is coiled round her. 

Signed at the lower right, F. H. KazEMMERER. 


IS — 


PAUL JOSEPH CONSTANTIN GABRIEL : ; 
putcH (1828— ) 
No. 2— | DUTCH BARNS 


WATERCOLOR ne e Lirecnee 


Height, 11% inches; length, 11 inches 


Drowsine in twilight shadow, four big reddish brown roofs occupy he greater 
part of the background. A streak of light comes across the a and 
in this appears a woman carrying some object. 

Signed at the lower right, P. H. Gasrret., 


KAREL KLINKENBERG : 
puTCH (1852- ) 
No. 3— - STREET pala 


warencouon - Ouaidain 


Height, 101%, inches; width, 6 inches 


One looks down a narrow shaded street to a brightly lighted building that 
abuts on a cross thoroughtare. The facade is built of brick with white stone 

trim and rises, in successively diminishing stories, to a pinnacle. At the left 
of the shaded foreground the wall is pierced by a doorway, the posts of which 
support statues of standing figures. Fs AR 


Signed at the lower right, KiinKENBERG. 


J. LITTLE 


DUTCH 


rae _ Contemporary 
ce aes RETURN OF THE BOATS 


WATERCOLOR 


=e ee “Height, 8%, inches; length, 12%, inches w ee 


WILLEM CORNELIS RIP 


DUTCH (1856- ) JO 
oN ec — HOLLAND LANDSCAPE WITH WINDMILLS 4, oft 
ve No 5 2 : fe. K 5 Lo 
: WATERCOLOR 


Height, 91% inches; length, 1314 inches 


Prominent near the foreground is a windmill, rising abruptly out of the 
meadow. The sails are tawny-brown and a touch of blue appears near its top 
and on a door at the base. A black and white cow and a brown one appear 
at the left of it near a stream, which extends back with ragged margins to 
the horizon. 

Signed at the lower right, Wir1em C. Rip. 


=i. 


go— 


No. 6— BRUNNEN 


JOHN VARLEY 
ENcLIsH (1778-1842) 


warmcoun 7 ~ “Or. Wee Sroge 


Height, 14 inches; width, 101, shes 


Tue violet silhouette of a high peaked mountain, arate the J ei te “al 
dominates the scene. Nestling below is a group of three-storied houses from — 


which a canal flows to the front. A man in pink stands in a boat Sie 
with an oar. 5S 


a ; Ss 
oe 


Signed at the lower left, JoHN VaRLEY. 


JOHANNES BOSBOOM 

putcH (1817-1891) 2 ie 5, 

No: 7— STREET SCENE—HOLLAND “a 
; warencoros Gs Ch rt ee 


Height, 914, inches; length, 121 inches 


From the left three houses, two having red roofs, extend until the street in — es. 
front of them meets at right angles another, which stretches back from the a? 
right of the foreground. In the misty atmosphere the facades of the main a, 
street show lavender and rosy, terminating in a handsome church with tall eh 
spire. ; zm 
Signed at the lower right, Bossoom. . a 

Z 


WILLEM CORNELIS RIP 
puTCH (1856- ) 
No. 8— LANDSCAPE—HOLLAND ALO a 


WATERCOLOR 


ny wage 
Height, 91/, inches; length, 1314 inches peep. Ff. V\ inte 


Art the left of the foreground a sandy roadway curves to thé right and passes 
behind a line of young gray-stemmed trees. Near the turn of the road ap- 
pears a woman, who is carrying something in her blue apron. At the right 
the ground runs down irregularly to a sheet of water, which is patched with 
sedge. 

Signed at the lower left, W. C. Rip. 


LUIGI LOIR 
AUSTRIAN 
Contemporary ee ee 


No. 9— COLONNE DE JUILLET, PARIS 


WATERCOLOR 0 
Height, 1914, inches; width, 1334 inches i : 0. VY 


2 


One sees in the background the houses abutting on two sides of a city square, 
in the centre of which rises a drab-colored column from a white base. The 
shaft terminates in a projecting gallery, surrounded by a balustrade, behind 
which several figures are standing. This is continued in a cupola, which is 
surmounted by a winged figure, poised on one foot. 

Signed at the lower right, Lom, Lvutc1. 


: S& wera putcH (1855- ) 


BERNARD DE HOOG 
putcH (1866- ) 
No. 10— AN ORCHARD PASTURE 
Sein are | : 
Height, 934 inchegA length, 11 dpehes 


Parr of a roofed stack appears at left of the foreground. It is suc- ; 
ceeded by a cottage, seen behind willéw trees which extend in a row across” 
the back of the pasture. In the foreground, beside a young apple tree, lies 
a black and white yearling calf, while another, of similar color, stance beside — 
her, facing to the left. 


Signed at the lower right, Brrnarp pe Hoos. 


JOHN F. HULK 


No. 11— A CANAL IN HOLLAND 


here ee “6 Wha 


Height, 9 inches; length, 161%, inthes 


Tue water reflects in blurred tones of plum-red, purple and drab a mass a Oe 
buildings at the right of the background. Abutting on a greenish-blue wharf, aye 
the whitish-buff walls are surmounted by red gables, tiled with slates. Above ae 
them rises a tall tower terminating in a AL Bpire. ; . aan 


Signed at the lower left, Hux. 


- JOHAN MICHIEL SCHMIDT CRANS 
carat (77 putTcH (1830- ) 
_ PREPARING THE MEAL LO — 


fier ‘ j = ; WATERCOLOR MY Dremel 
mm , _ Height, 15 inches; width, 1034 inches lie WYK 


“Sits 


BERNARDUS JOHANNES BLOMMERS aa 
DUTCH (1845- ) | 


O13 THE YOUNG MOTHER / 73 ars 


WATERCOLOR 


Height, 1314 inches; width, 10 inches , Fh pre 


“Wiru her back to a wall decorated with blue and white tiles, a young woman 
sits stitching, while her baby, tucked up in a creamy-yellow coverlet, lies on 
her lap. The mother wears a coarse drab apron and a silvery lavender-gray 
waist, with a kerchief folded over it. The light strikes her white cap on the 
right side. 

Signed at the lower right, Buommens. 


We 


ee 
> 
é 


vos. 
meV 
8 


ge 
aif 


Pe F tin! OS 
a Te 


jo PAUL JEAN CLAYS 
FLEMISH (1819-1900) | | 
No. 14— _ DUTCH FISHING BOATS ia 


WATERCOLOR VARA: vA mae 
Height, 9%, inches; length, 154 inches rey 


A strip of shore at the right of the foreground is fringed with tall reedy 
growth, except where a pathway descends to the water. A fisherman is coming 
away from it, while a woman prepares to step down and another appears below. 
Close off shore a fishing boat, flying the Dutch ensign, is heeling over as the 
wind fills her buff sail. 


Signed and dated at the lower right, P. J. Ciays, ’58. 


Z JOHN VARLEY 
Pe ENGLISH (1778-1842) 
No. 15— LAKE MAGGIORE 


vn Ly (2 reauragabl 


A TRIANGLE of deep blue water appears at the right, separated by a wall/from 
a broad quay which stretches back from the foreground. It is bordered at the 
left by an irregular row of buff and creamy houses, with red corrugated tiled 
roofs. Figures enliven the scene, among which are conspicuous, one with a red 
umbrella, and a girl in blue. 


Signed at the lower left, Joun Vaney. 


H. CASSIERS 


DUTCH 


Contemporary 3 ie 
No. 16— DUTCH FREIGHT BOATS pets 9 


WATERCOLOR 


Height, 1014 inches; length, 15 inches : OL 
i 


A LARGE coasting and river-going barge lies horizontally across the left of 
the foreground of water. Her hull is reddish-tawny with a broad band of 
drab below the gunwale, while her deck-house is bright green. She carries a 
creamy-colored mainsail and tawny-red jib and topsail. A Dutch flag droops 
at her stern. At the right is a harbor signal. 

Signed at the lower right, H. Cassiers. 


JAN VAN ESSEN 
puTCcH (1854- ) 
No. 17— THE BARN Ad fy ae 
WATERCOLOR 


Height, 101/, inches; length, 15 inches A (9 TCM Sere 


Tue right of the composition is occupied by the barn, a(drab wooden struc- 
ture with double doors and a smaller single one. The upper part of the 
latter is open and an old man in a blue blouse and dark brown trousers is 
looking into the interior. 


Signed at the lower left, Jan van Essen. 


“=No, 18— SAYING GRACE 


No. 19— A BRITTANY LANDSCAPE 


JACOB SIMON HENDRIK KEVER 
puTcH (1854- ) 


WATERCOLOR 


Height, 1934 inches; width, 1434 inch 


From a window at the back of the cottage/interior a table projects, at the _ 
left of which a young mother is seated with her little one on her lap. She holds — 
a spoon in a red earthenware bowl, while the child, with her eyes closed and 
hands on the table, seems to be saying grace. “ 
Signed at the lower left, Krver. 


EK. TROUILLEBERT 


FRENCH 


Contemporary 


WATERCOLOR 


Height, 11%, inches; length, 15% inches lh 
9. {Ae Ope. 


Aw expanse of greenish-gray verdure extend from the foreground to a white 
cottage with a dull red roof and the gable end and chimney of another, beyond 
which are to be discerned faint violet hills. A scarcely indicated pathway cuts 
the foreground diagonally, and, some distance back on it, appears the figure of 
a man. 


Signed at the lower left, E. Trovi..eRert. 


THEOPHILE DE BOCK 
putcH (1851- ) 
No. 20— THE FERRY LANDING 


WATERCOLOR 


Height, 113, inches; length, 1834 inches 


Tue water that fills the foreground is interrupted with reedy gréwth and 
dappled with white and gray reflections from a volume of cloud in the centre 
of the pale blue sky. At the left of the middle distance, sheltered by some 
trees, stands a farm house, in front of which a solid causeway projects far 
into the water. At its extremity appears an ox-wagon, laden with hay, and 
alongside lies a ferryboat, containing several figures. 

Signed aft the lower left, Tu. pe Bocx. 


PAUL JEAN CLAYS 
FLEMISH (1819-1900) 
No. 21— A STIFF BREEZE _ ofa ee 


WATERCOLOR im 
Height, 11% inches; length, 18 inches HY a Vrarhiwergoth_ 
/ 


Wuutz the sea in front is a fluster of tawny and blue water, crested with white, V 
it ae deep lapis-lazuli at the horizon. Fishing boats are running before the 

wind, and one, nearest to the front, seems to be just coming about on a tack. 

She has a lavender-purple mainsail and a plum-red jib, bellying in the wind, 

while at her stern the Belgian black, white and red flag tugs at the halliards. 


Signed at the lower right, P. J. Crays. 


b6§— 
Wh. te 


ae 


WILLEM FENDEL 


DUTCH 


Contemporary 
No oe ae TWILIGHT 


WATERCOLOR 


Height, 11%, inches; length, 15%, inches 


In the dim light the low-pitched, widely spreading roof of a barn presents a 
drowsy mass of brown. A flock of sheep is approaching it, the shepherd — 
walking alongside. They are passing between two stumpy trees, the fore- % 
most of which stands on the edge of a little pond. a: 


Signed at the lower left, Fenve.. 


FREDERICUS JACOBUS DU CHATTEL 
puTCH (1856- ) 
No. 23— ON THE SCHELDT 


WATERCOLOR (ML # Vp a 


Height, 11%, inches; length, 181, inches 


Tue water, mottled with gray, pale lavender and slaty reflections from a cool 
weathery sky, stretches back to where the left and the right banks seem to 
meet. At this point, on the left, a substantial farm house is situated among 
trees. A man is rowing a boat in midstream, and under the lee of the right 
bank a punt lies moored, in which appears a figure. 


Signed at the lower right, Frev. J. pu CHatret. 


BERNARD DE HOOG 
puTcH (1866- ) 


No. 24— DUTCH CANAL a 
WATERCOLOR : 


\ ; 
Height, 1114 inches; length, 17 inches eel 1, 
: ; oo FV 


Tue centre of the water, which extends from the foreground,/reflects in a large 
patch the white clouds which are massed in the otherwise blue sky. Meanwhile, 
alongside- the banks, the water is tawny-olive and brown from the shadow 
of the bordering trees. These, at the left, are interrupted by two gabled 
buildings. The vista terminates in a white drawbridge. 

Signed at the lower left, Bennarp ve Hoos. 


JACOB SIMON HENDRIK KEVER 
putcH (1854- ) 
No: 25— GATHERING AUTUMN LEAVES 


WATERCOLOR CF Cf ~cmeor 


Height, 1234, inches; length, 151, inches oe Fhipruranre 


v 


In a small grove of trees with brownish-red undergrowth a boy is raking leaves, 
while a little girl stoops to gather them up into the barrow at her side. She 
is dressed in a dull bluish-green frock, black cap and stockings and wooden 
shoes, while the boy wears dark trousers and waistcoat over a bluish-gray shirt. 
Signed at the lower right, Keven. 


60 — 


MARI TEN KATE 
putcH (1881-—) 
No. 26— CHILDREN PLAYING ON THE SHORE 


WATERCOLOR 


Height, 1334 inches; | "Oe aman E oe 
On the shore at the left of the ee child is drawing a baby in a little 
cart, while a girl and a boy sprawl on the sand watching another boy, as he 
stands in the water holding a stick for his dog to fetch. Back of the group 
appear two figures and a cart with a man in it, approaching a cluster of sail- 


boats that are lying off shore in the shallow water. 
Signed at the lower left, M. Ten Kate. 


A. EK. RANITZ 


DUTCH 


Contemporary 


No. 27— A HUNTING PARTY 


WATERCOLOR 


' Height, 13 wee aie 19 nee 4a 7 ? 
MEApDOWLAND, covered with snow, slopes the fonfgronnd where at the right 
lies a small pool. In the background on this sid# is a spinney of trees. In 
the centre of the middle distance a cloud of smoke ascends, grouped around 
which are five figures. Another appears detached from the party, apparently 
pointing toward some trees on the left. 

Signed at the lower left, A. E. Ranrrz. 


ADRIANUS JOHANNES GROENEWEGEN 


DUTCH 


Contemporary 


No. 28— A DUTCH DIKE b ox 


WATERCOLOR 


Height, 13 inches; length, 20 inches Ss oh vA VA, 
A aL Ws 


A srpey dike extends almost directly back from the foreground, bordered on 
each side with willows, those on the right being pollarded and showing the 
creamy flesh of the recently cut wood. On the left of the water the pasture 
is crossed by a fence, through the bars of which a white cow has thrust her 
head. 


Signed at the lower right, A. J. GRozNEWEGEN. 


TONY OFFERMANS 
putTcH (1854- ) 
No. 29— OUTSIDE THE COTTAGE DOOR 7. rg Vey ree 
Lan 


WATERCOLOR ie 1 


Height, 17 inches; width, 12 inches oe 


oO 

5 
at 

5 


Tue door and window and part of the thatched roof of a cottage show at the 
right of the foreground. On a bench against the wall a young woman sits 
with a bowl on her lap, paring potatoes. She is dressed in a white, winged 
cap, pinkish body and blue apron. ‘Two hens dot the space in front of her, 
which is enclosed by a paling on the left and at the rear. In the meadow be- 
yond a dun cow forms an accent of bright illumination. 


Signed at the lower right, T. OrrerMAns. 


WILLEM CAREL NAKKEN 
putcH (1835- _) Ne 
No. 30— HAULING TIMBER Fo ee 


WATERCOLOR 7. sue Ve thane 


Height, 13 inches; lengths 19%, inches 


Snow covers the roadway that extends across the fovep ral and the Kipts a a 
of a cottage among trees on the far side. In front of it a team of hones oe 
black and bay, stand harnessed to a two-wheeled wagon, under which lie some 
sticks of timber. ‘Two men are working over them, while a third is ous a 
in the air from a lever, with which he is trying to raise them. 

Signed at the lower left, W. C. NAKKEN. « 


FREDERICUS JACOBUS DU CHATTEL 
putcu (1856- ) | 
No. 31— RIVER SCENE—HOLLAND 


Pin Ae a 
PYods f a 
WATERCOLOR “0. VV AA ee 
Height, 13%, inches; length, 19% inches ee. ‘ 


Tue water which extends across the foreground is dyed with olive tones from 
the trees which line the left bank. A barge is being poled past them by a 
man, while a woman, in white cap and blue jacket, sits in the stern. It is slowly 
moving from us to a white house, with rich brown roof, set amongst some 
trees. 


Signed at the lower left, Frev. J. nu Cuartrer. 


JOHAN HENDRIK pep TENBROEK 
putcn (1875- i) 
BREAKING UP THE WRECK 


WATERCOLOR 


. Height, 12 inches; length, 18 inches me, BE b — 
me) ONV EFL TM. 
sal: 


}ORDERED the ee on the left, there stretches from thf front a level space, 
eaked- with balks of timber, strewn with tools and busy with workmen. 
e of them, at the right, are handling some ropes by which the hull of a 
_ vessel is being heeled over. A green-colored barge lies moored behind them 
1 others appear eet. the smoke from them blurring the distant view of 


Su | 


LOUIS APOL 
putTcH (1850- ) 
WINTER LANDSCAPE — eae 


WATERCOLOR 


Height, 1234 inches; length, 181 inches inca (oaalrog 
Tue snowy landscape is silhouetted against a violet lavender sky, with slight 
suggestions of blue. From the right of the foreground slopes down an eleva- 
tion, where shreds of brown growth show ieee the grayish, dove-colored 
_ snow, faintly tinged with purple. In the distance, at the right, a farm house 
lies beneath a hill that, as it descends to the level country, is feathered with 
trees, through which appears the red light of the afterglow. 
Signed at the lower right, Louis Avot. 


So. 


No. 35— A DUTCH POLDER 


PIETER ADRIANUS SCHIPPERUS 
putcH (1840- ) 

No. 34— A QUAY IN ROTTERDAM 

WATERCOLOR 


Height, 12 inches; length, 1934 inghes 


A THOROUGHFARE, paved with cobble stones, extends directly back from the 
foreground, terminating in a building that has one pagoda-like roof, super- 
imposed on another and crowned with a spire. The roadway reaches clear 
up to the houses that line it at the left, where two men are seated on blue 
benches before a wine shop. 


Signed at the lower left, P. A. Scutppervs. 


ADRIANUS JOHANNES GROENEWEGEN 


DUTCH 


Contemporary 


WATERCOLOR 


Height, 13 inches; length, 


Near the foreground of a yellow-green polder a gate appears in perspective, 
barring the turf causeway which spans a small dike. At the right of it stand 
a black and white cow and a reddish-brown one with a streak of white down 
her face. The pasture, dotted with cattle, extends back to a line of yellow 
cottages, interrupted by a church tower. 


Signed at the lower left, A. J. GROENEWEGEN. 


F. J. VEILAND 


DUTCH 


Contemporary 


No. 36— PREPARING BREAKFAST PLS Be 


WATERCOLOR 


Height, 17%, inches; width, 13 inches ae Me, % Ad 
A WoMAN is represented at the left of a table holding a coffee-mill between her 
knees with her left hand, as she grinds with her right. She wears a white 
cap, set back on her head so as to display the front hair, a black shawl-tippet, 
which discloses a scarlet garment underneath, and a blue apron. 
Signed at the upper left, F. VEetann. 


CHARLES OLIVIER DE PENNE 
FRENCH (1831-1897) 7 


o 


B 


NOL 37 — POINTERS 


WATERCOLOR 


Height, 18 inches; width, 121%, inches Ona é ae ee ue 


Amipst some tall reedy growth in the foreground, partly trampled down, two 
pointers are marking their quarry. One, with right foreleg lifted and tail 
stiff, holds his head rigid toward the right, while the other points similarly, 
though his body is inclined in the opposite direction. 


Signed at the lower right, C. O. bE PENNE. 


/ 7 o —— Contemporary 


THEOPHILE DE BOCK 
DUTCH (1851- ) 


No. 38— EDGE OF THE WOOD : | 
WATERCOLOR £ Dt ht or" 
QS. 
Height, 19 inches; width, 1214 inches 


Gray boulders stained with lichen and overgrown with moss are piled on the 
left. A silver birch grows at the foot and another surmounts the elevation, 
seen against a mass of loose, soft foliage. Some crows are flying low over 
the level at the right, where other birches appear, beyond which is a depres- __ 
sion, suggesting a pool. ; ; 
Signed at the lower left, TH. bE Bock. 


J. SENET 


No. 39— VENICE 


vray) pee 


Height, 14 inches; length, 1914 inches 


Ar the right of the canal which extends from the front to the horizon is the 
perspective of a line of houses. Their pinkish-white fagades are interrupted 
with balconies and enlivened with greenery, while some of them have verandas, 
connected with the water by steps. A woman is gazing from the balustrade of 
the nearest one. At the end of the vista appears a cluster of bright red and 
yellow sails. Over on the left is a distant view of the Campanile. 
Signed at the lower right, J. Senet. 


" a. 
Tv Pe haem vig ae 


J. H. WIJSMULLER 
DuTcH (1855- ) 


No. 40— A DUTCH VILLAGE } oO -— 


WATERCOLOR Gi, tht g 
£6 64 5 ° heey 
Height, 121, inches; length, 203, inches 


A country road, fledged on each side with yellow grass, slopes from the 
foreground and enters a village composed of white cottages with high pitched 
red roofs. At the right of the entrance to the street there is a small garden, 
fenced with boards, wherein appears a woman in blue jacket and white cap. 
Signed at the lower right, J. H. Wissmu.ier. 


JOHAN HENDRIK MASTENBROEK 
puTCH (1875- ) | 
No. 41— APPROACH TO A TOWN—HOLLAND Pre Be, ug hel 


WATERCOLOR 


Height, 12 inches; length, 203, inches J vy) ae Ee 
po F Ve Mak 


Tue roadway in front is colored olive, drab and slaty fiyder the shadow of a 
row of pollarded plane-trees that border it on the right. A conspicuous 
feature is the iron standard of an electric light, beside which a man in a red 
shirt is walking with a bundle on his back. A gleam of white light strikes 
across the roadway beyond, where it turns to the left to cross a bridge over a 
canal. —~ 


Signed at the lower right, J. H. Mastensroex. 


5 — 


JOHAN ANTHONI BALTHASAR STROEBEL 
DUTCH (1821-deceased) 
No. 42— SEVENTEENTH CENTURY ORPHAN ASYLUM 


WATERCOLOR 


Bane 


Height, 174% inches; width, ae shee 


Tuis subject, representative of the artist, shows a gentleman in the costume — 


of the Seventeenth Century entering from the street into a hallway. He pre- 
sents a coin to a little girl standing at the left, near whom a lady, veiled in 
black, is seated on a bench. At the right of the doorway a small child stands 
nestling close to one a little older. 


Signed at the lower right, J. STRoeseEt. 


MARI TEN KATE 
puTcH (1831- ) 
No. 43— A QUAY SHOWING Se 


WATERCOLOR As are 


Height, 12%, inches; length, 181%, inches 


THe broad roadway extends back to a tower-like building, terminating in a 
gabled roof, with a spire at the right end. Conspicuous among the figures 
that enliven the scene is a grisette, carrying a brown umbrella and daintily 
holding up her blue skirt. Meanwhile, in front of her strides a fisher-girl, 
with white head-dress and some scarlet showing on the bodice of her dark 
short skirt. 


Signed and dated at the lower left, Mant Ten Karts, Movutns, ’038. 


iv. 


GERARD CAREL LOUIS WINDT 
putcH (1869- ) 


Fa Li 
No. 44— COTTAGE AT BROEK af Po Gee 
WATERCOLOR g Ge 
Height, 11 inches; length, 214% inches € Via Mera le 


Tue large trunk of a sycamore, near the left of the foreground, interrupts one V 
end of the cottage which occupies the back of the scene. A lean-to roof of 
brown shingles runs along this part of the cottage, covering a chicken-run of 

wire netting. The right-hand end of the cottage is in clearer light, the lower 

part of its walls shining white, while the upper is stained a pale plum-red. 

An old woman, carrying a broom, is entering the door. 


Signed at the lower left, Gen W1nprT. 


JOHAN HENDRIK VAN MASTENBROEK 
putcH (1875- ) 


of on 
No. 45— A WHARF SCENE Wi, fp = 


WATERCOLOR 


Height, 12%, inches; length, 21 inches fe FL orate 
; s/ 


Two sarcers, end on to the front, are lying beside a wharf at the right of the 
foreground. Abutting it are two tall masonry piers, to one of which a lamp 
is attached by a bracket. They seem to belong to an entrance gate, on the 
far side of which appears a square house with red peaked roof. 

Signed and dated at the lower right, J. H. Masrensroek, ’99, 


GERARDINA JACOBA VAN DE SANDE BAKHUYZEN | 
puTCH (1826-1895) | 


No. 46— FRUIT 
3 WATERCOLOR ~ 
Height, 13 ig Zaps ro Gat 
ComposED against a greenish-drab background is an arrangeme large i vie | 


greeny-yellow apples, grapes of a silvery yellow and a single pear. A few 
filberts are scattered in front, and some hazel leaves, slightly shrivelled, Arey Fie 2 
tastefully introduced between the fruit. y 


Signed at the lower right, G. J. v. vp. BakKHUYZEN. 


ADRIANUS JOHANNES GROENEWEGEN 


DUTCH 


Contemporary 


No. 47— A DUTCH PASTURE 


tea (0. Nae Lk aaa 
inches / ; 


Height, 13 inches; length, 2 


Tue yellow-green of the level polders stretches back to a horizon where a 
windmill and houses are discernible. In the left corner of the foreground is 
a small pool, beyond which a black and white and a white and red cow are 
standing. At the right appears a rail, supported by two posts, at the ex- 
tremity of which is a red and white cow, while behind it stands a white one, 


flecked with black. 


Signed at the lower right, A. J. GRoENEWEGEN. 


ah? fe Bn ean 


ADRIANUS JOHANNES GROENEWEGEN 


DUTCH 


Contemporary — ir 
GO— 


No. 48— SHEPHERD AND FLOCK 


WATERCOLOR 


; 
nf) ee Stee 
Height, 13 inches; length, 20 inches Lol Ee 6s 


Iw the foreground of pale brownish and yellow-green pasture a flock of sheep 
is fanned out. At the back of them the shepherd in a blue blouse leans on a 
stick, attended by his dog. The ground rises behind to a cluster of trees, 
between the stems of which distant lavender woods are faintly visible. 


Signed at the lower right, A. J. GRoENEWEGEN. 


ADRIANUS JOHANNES GROENEWEGEN 
DUTCH 


Contemporary 


No. 49— LANDSCAPE WITH CATTLE 65° ieee 


ay F VW bln 


Ar the right of the pasture a man in blue blouse and buff-drab’ trousers stands 
holding the neck of a cow as she feeds from a bucket. She is white with a 
black saddle mark. These colors are reflected in a pool, as well as those of 
a willow and bush, situated beside a fence in the middle distance. 


WATERCOLOR 


Height, 1314, inches; length, 2014 inches 


Signed at the lower left, A. J. GROENEWEGEN. 


a 4 Q “own putTcH (1831- ) 


“40 ~~ putTcH (1856- ) 


MARI TEN KATE 


" + re 


No. 50— FEEDING THE PIGS =). 
WATERCOLOR ee . , ‘ 4, poder, o . a 
Height, 131, inches; length, 20 inches a. 


At the right of the foreground is a thatched sty, constructed of boards which a 
have taken on tones of drab and pale salmon hue. The front is enclosed with 
a fence of birch limbs, through the bars of which two pigs are thrusting their 
heads. A woman is feeding them from a sack, containing some green fodder, 
while her baby, seated on the ground behind her, regards with apprehension the 
approach of a hen. 

Signed at the lower right, M. Tew Karte. 


WILLEM CORNELIS RIP 


No. 51— ROAD BESIDE A CANAL ‘e | e 
; WATERCOLOR » (9. Vie VOPR 2 
20%, - 


Height, 131%, inches; length inches 


A TWO-WHEELED wagon, drawn by a bay horse and driven by a man in a blue 
blouse, is approaching down a road which runs along the left side of a canal. 
The latter passes under an arched bridge, beyond which project the peaks of 
a buff and of an orange gable, while above a red roof to the right rises a 
windmill. 

Signed at the lower left, Wittem C. Rip. 


JOHAN HENDRIK VAN MASTENBROEK 
putcH (1875- ) y, 
No. 52— A TIMBER BARGE 


WATERCOLOR y) : 
Height, 13 inches; length, 21 inches i 


On the right of the foreground, floating in the water, are some sticks of timber, 
near which lies a barge that seems to be timber-laden. Four men are working 
upon her, three of them with poles. Across the water, toward the right, ap- 
pear a tower-like structure and indications of other buildings, surmounted by 
a windmill. : 

Signed and dated on the lower right, J. H. v. Masrensroex, ’99. 


JOHAN HENDRIK VAN MASTENBROEK 
putcH (1875- ) 
No. 53— HARBOR SCENE Vs ecw 


WATERCOLOR 


Height, 13%, inches; length, 21 inches ne. I. VEL eee 


Tue faint light is bursting from a gap in the centre of the/ gray low ering sky. 
Wharves and buildings form a background to the expanse of water in the 
front, where a group of barges is moored opposite to a structure from which 
what appears to be a red chute descends. Two row boats, with a couple of 
figures in each, are crossing the centre of the middle distance. 

Signed and dated at the lower right, J. H. v. Masrensroek, ’98. 


J. LITTLE 


oF? @ eee DUTCH ce a 2 : 


Lh He Contemporary 
3 ; No sae _ PLACE DE LA CONCORDE 


WATERCOLOR 
Height, 1334 inches; length, 20% inches : 
> aT in’ ; 7 i 
Tue obelisk of Luxor rises in the centre of the composition, between the tro 7 a 
fountains, copied from those in the Piazza di San Petro in Rome. Behind , 
them extends the facade, abutting on the Rue de Rivoli, with a distant view ; 
of the Madeleine. 


Signed at the lower left, J. Lirtte. 


sf 2 &: ADRIANUS JOHANNES GROENEWEGEN | 


DUTCH 


No. 55— LANDSCAPE WITH CAT LE tLe. 
waTERcoLoR nail 


Height, 131 inches; length, 20 inches 


Tue lavender rosy afterglow is reflected in the water which in the foreground ~ 
indents the pasture. Cattle are scattered over the soft sedgy grass, the main 
group appearing on the left of the water. 


Signed at the lower left, A. J. GRopNEWEGEN. 


— ee a 


JOHAN HENDRIK VAN MASTENBROEK 


putcH (1875- ) Z 
No. 56— IN DOCK ed yoaee 
WATERCOLOR 


fe 
Height, 13%4 inches; length, 20 inches Cn ie i, IV AP BO" 


From the left of the composition projects the hull of a two-masted schooner. 
On a platform, slung from the gunwale, two men seem to be engaged in paint- 
ing the vessel’s side. In the foreground appears the edge of a wharf, from 
which planks lead to a high fence, where the merchant flag of Holland floats. 


Signed and dated at the lower right, J. H. v. MasteNBROEK. 


BERNARD DE HOOG 
putTcH (1866- ) 
f 
No. 57— TOWING GO weno 


WATERCOLOR 


Height, 13 inches; length, 23 inches aie . U , 
ROE _ 
Tue towing path stretches horizontally across the foreground eee the 
left to a little bridge with white fence. The rope, which disappears on the 
right, is stretched taut by a white horse and a bay, the driver being seated on 
the latter’s back. As he faces us, his blouse shows bright blue against the 
paler blue of the sky. 


Signed at the lower right, Bernarp ve Hoos. 


E. TROUILLEBERT 


: FRENCH 
JO. 


Contemporary 


No. 58— AFTER RAIN 
’ warencoton’/”) “1g ‘ Pe 


Height, 14 inches; length, 21 inches 


‘Tue sky shows blue between effectively bold blotches of drab-gray cloud, which — ae 


are reflected in nearly similar tones in the water that extends from a low line 
of purple hills to the front. Here a boat with a figure in it is being made — 


fast by a man who kneels on the bank. The pasture on the right stretches = 


back to a red-roofed cottage and a stack sheltered by trees. 


Signed at the lower right, EK. TrovitieBert. 


Yi THOMAS MORAN, N.A. 
Bhat x ease AMERICAN (1837- _—) 
No. 59— VENICE 


Height, 15 inches; length, 2134 inches 


Ow each side of the foreground lies a mass of varied craft, laden with mer- 
chandise, and gay with the bright hues of the sails which hang from the masts 
or are disposed as awnings. The blue water is dyed with reflections of rose, 
yellow and tones of brown. In the central distance the Campanile and Doge’s 
Palace show conspicuously; while nearer the front on the left appears a large 
white dome. 


Signed at the lower left with the monogram, T. M. 


PETRUS PAULUS SCHIEDGES 
putTcH (1860- ) 


No. 60— A HOLLAND FARM ( £) 73, GL, 
WATERCOLOR ( C NPR a Se © aes 


f 
Height, 21 inches; width, 15 inches (3 3 en loanr 


] 
A Farm roadway, bordered on each side by a gully, leads straight back from ¢ 
the foreground. Near the end of it appears the receding figure of a woman 
in white winged cap, bluish-gray cloak and dark brown skirt. The mossy 
green pasture that extends on each side of the roadway terminates on the 
right in a hedge and screen of trees, beneath which nestles a dark red roof. 


Signed at the lower right, P. P. Scurenees. 


JACOB SIMON HENDRIK KEVER 
puTcH (1854- ) 
No. 61— A HAPPY HOME Fe 


WATERCOLOR 


Height, 161, inches; length, 194 inches Ly , (1) YM bik mle Aes 


Ar the left of a little square window which appears in the back wall of the 
room, the baby’s cradle stands on the floor. It is of wicker-work, with a green 
drapery over the hood, a lavender coverlet being tucked around the child. The 
young mother sits facing it on the other side of the room, upright in her 
chair, but with her head bowed over her sewing. Her costume consists of 
a black cap, reddish drab jacket and a deep blue apron. 


Signed at the lower right, Keven. 


A. SCHENKEL 


ee | oe 


Contemporary 
_ No. 62— INTERIOR OF A CHURCH 


WATERCOLOR 0) ; Vien 


Height, 19% inches; width, 17 inches 


Tue picture Hees the per spective of the aisle of a church, with a row of oleae 
to the left from which spring the vaultings of the roof. The bases of the — a 
pillars are grayish-buff; the coloring of the rest of the masonry being white. — Ws 
Between the pillars are tawny-brown wooden screens, with entrances to side 
chapels. At the end of the vista appear figures, among them being a woman : a 
carrying a basket, accompanied by a child. : 


Signed at the lower left, ScHENKEL. 


HENDRIK VALKENBURG 
LOS me putcu (1826-1896) 
No 63a: RETURNING HOME 


WATERCOLOR a ( a Kod. 
Height, 13%, inches; length, 25% Aces: 


In the rosy twilight a peasant is walking down a path that leads back to a 
cottage, in front of which his wife with a baby in her arms is waiting to 
receive him. Dressed in a drab vest and trousers and dark blue shirt, he 
carries on his shoulders, slung to the handle of his spade, a little bucket and 
red earthenware bottle. 


Signed at the lower right, H. VaLKENBuRG. 


MISS WALLY MOES 
puTcH (1857- ) 


THE FOND MOTHER Be. 

fs WATERCOLOR ; € i 

Height, 24 inches; width, 14 inches Kin Of = 

{ TANDING i in Sricosle, facing to the right, a young mother lifts her baby up | , 
I . full view of the spectator. The woman wears a dainty white cap, with f ty 


silk under-flap showing against her rosy cheek; a black ribbon clasped 
d her throat; a lavender red bodice with turnover collar of lighter tone 
d slaty blue apron. | 

oa Signed and dated at the lower right, Watty Mogs, ’94. 


GEORGE POGGENBEEK 


putcH (1853- ) Le 


as 


: No. 65— DUTCH PASTURE AND CATTLE? ££ cy ple Sy 
— py Mh/O — 
Height, 151% inches; length, 2314 inches Ys ,, it. 


A pike crosses the left of the foreground and then turns and passes back 

fe up the right of the meadow. A little back from the corner it is crossed by a 

ea wooden dam, affixed to two posts on the bank. At the left of these a brown 

* cow and a red one, both flecked with white, stand sade by side in the long reedy 
grass. / 

Signed and dated on the lower left, Gro. Poccrnsrrx, 84, 


_ 


WATERCOLOR 


/ o Gg Riera 


ADOLF LE COMTE 
putcH (1850- ) 
No. 66— SCENE IN A DUTCH TOWN 


Semniie Q Ulan 


Height, 14% inches; length, 22 ie 


Misty atmosphere broods over the whole scene. Up at the right side of the 
composition rises a white road, bordered with almost leafless trees, protected 
by guardposts. They stand close to a canal which, paralleling the road, dis- 
appears under an arched bridge. At the left of the water abuts an irregular 
line of houses, with roofs piling, one above another, until they are surmounted 
by the roof and part of the tower of a church. At the foot of the row of 
buildings an old woman is standing beside a window box, gay with red flowers. 
Signed at the lower right, A. L. ComTe. 


HENDRIK WILLEM MESDAG 
putTcH (1831- ) 


No. 67— FISHING BOATS 
ames 
WATERCOLOR \_A~ q. POA AP ION. 


Height, 141, inches; length, 21 inches 


Tue sky is a cold gray, silted over with sooty drab vapor. In the stress of 
the wind the fishing boats, three of which carry the Scheveningen mark on 
their sails, are rocking on the water which is curdled to olive-gray, streaked 
with agitated white. Two are conspicuous in the front; the right hand one 
carrying a tawny-buff sail, the other a purplish lavender-brown. 

Signed and dated at the lower right, H. W. Mespaa, 1899. 


NICOLAAS BASTERT 


puTcH (1854- ) Z 
No. 68— COTTAGES NEAR HOLLANDALE meses 


WATERCOLOR 


Height, 15 inches; length, 201, inches Vr. Vr as ( Lo rw 


A sanpy road, bordered on the left by brown soil and on the opposite side by 
a strip of bright green grass, leads back from the front and disappears be- 
tween two cottages. The one at the left presents a gable end, projecting 
from a long brown roof. The other, also gable-ended, shows a brownish-red 
roof, succeeded by one of dull slaty blue, whence a long reddish-buff roof 
extends at right angles. 

Signed at the lower left, N. Basrert. 


ALBERT NEUHUYS 


DUTCH (1844- ) if é os 
No. 69— CONTENTED 


WATERCOLOR 


Height, 201% inches; width, 15 inches ae J Aiea ee 


Wiru her shovel and tongs and other metal utensils hanging polished on the 
wall at the right of her, and a round table spread with a loaf, cup and saucer 
and bowl at her side, an old lady sits with her hands passively laid in her 
lap. She wears a white cap, with frills beside the cheeks, a blackish-olive 
jacket, showing an interval of pinky lavender with a spot of crimson, and a 
grayish-drab apron. 

Signed at the lower left, A. NEuHUYS. 


JAN VAN VUUREN 
putcH (1871- 


No. 70— A DUTCH INT a j0 | 
; WATERCOLOR 3 My VrKw See 
Height, 17%, inches; length, 21% inches 


passage-like room, roofed with beams, which extends to a glass door. Along 
the right-hand wall are arranged two tables. On the nearer one stand some _ 
blue and red jars and a brass bowl, while at the other a woman is seated 
holding a cup. 
Signed and dated at the lower right, J. van Vuuren, ’00. 


-HENDRIK WILLEM MESDAG 


735 — putcH (1831- _—=) a 
we No. 71— INCOMING TIDE . 
WATERCOLOR (2 Pa Ve. VW ahirn ; 


Height, 17 inches; length, 211, inches 


Own the left of the centre a fishing boat, with her tawny sails half lowered 
and two figures seated in her stern, drags at her two cables. The body of 
water is olive and buff-drab, with small white rollers following one another in 
quick succession. In the offing on the right appears a sailboat in move- 
ment. 


Signed at the lower right, H. W. Mespac. 


JOHANNES HENDRIK WEISSENBRUCH 
DUTCH (1824- ) 


No. 72— UNLOADING THE FISHING BOATS 


WATERCOLOR 


boa 


Height, 1534 inches; length, 221, inches ee dl SSP BOOS 


A FisHinc boat with a pale blue band around the gunwale and its sail loosely 
flapping, lies in the shallow water at the right. A figure is wading toward the 
centre of the composition, where some women and children are grouped on 
the sand beside baskets laden with fish. At the left a sturdy fisherman is 
approaching, accompanied by a girl. 

Signed at the lower left, J. H. WeissenBRucH. 


JOHAN HENDRIK VAN MASTENBROEK 
puTcH (1875- ) 
No. 73— A DUTCH TOWN SCENE 


WATERCOLOR 


Tue water stretches back from the foreground to a quay wall which is pierced 


Height, 161%, inches; length, 23%, inches 33, U Va Moerregat 


in the centre by the bridge entrance to a narrow side canal. Above the houses 
which, packed in picturesque irregularity, form the background, gray and 
white clouds are piled up against a cool blue sky. Among some boats on 
the left of the foreground appear a man in a white shirt and another in dark 
blue coat. 

Signed and dated at the lower right, J. H. vy. Mastensroek, 1903, 


: cf, 3 0 WILLEM STEELINK 


J. H. WIJSMULLER 
; putTcH (1855- ) 
No. 74— CANAL IN WIN 


comme i, 


Height, 16 inches; length, 243, inches 


Reriectine the pale rosy amber of a winter’s afterglow, the canal winds back 
from the front between snow-covered banks, lined with trees and houses. Con- — 
spicuous on the right is a red brick building, composed of three gables in suc- 
cession. Beyond it two women are walking along the canal path. . 
Signed at the lower right, J. H. WissMuLieEr. 


putTcH (1856- ) 
No. 75— RETURN TO THE BARN 


x \ Wavendoton 1 Cae & 6 . J “A 7 
aa W i: a ; as 
PN ; Height, 1634, inches; length, 2614, inches 


Tue barn faces us on the left of the background, its two big doors wide open, 
as the shepherd stands on the threshold. Meanwhile the flock, preceded by 
three sheep in a group, slowly advances from the front, grazing as it moves 
along. 


Signed at the lower left, Witty SrTEeELinx. 


ADRIANUS JOHANNES GROENEWEGEN 


DUTCH @ ee pe 
Contemporary fe 
No. 76— PLOWING 


Height, 201% inches; width, 1934 inches 


f a een 2 


A say horse is approaching: at the left of the foreground, drawing a plow, 
at the tail of which follows a man, clad in grayish-buff trousers and vest, and 
a blue shirt. A little behind him, toward the right, a woman in blue apron 
stoops forward so as to show the white crown of her cap as she picks up 
something from the ground. 


Signed at the lower right, A. J. GROENEWEGEN. 


WILLEM MARIS 
purcH (1844- +) es J of dee 


& gh A 2 
No. 77— THE DRINKING POOL _ if i as ) 
' AF : 2 oa 
on Tiel : f/ 4 
WATERCOLOR i so - - —_ 


Heigh i s » 22, 4 
ght, 17 inches; length, 2214, inches eet: hie Te 

Tue little pond at the left of the foreground is blotted with rich reflections 

of bluish and olive-black, gray and yellowish tones and interrupted with a 

shaggy growth of reeds. A post sticks up out of the water at the might, 

near which a dun cow with white face is standing with her forefeet at the 

brink of the pond. To her left is a white one with black chaps and saddle- 

mark, lowering her head as if about to drink. 


Signed at the lower left, W1LtEM Manis. 


(/ TO — GEORGE POGGENBEEK e. 
Mh. Le: + on puTcH (1853- _—_=») R * re 
a oceiiiil 


Height, 1714 inches; length, 2334 inches 


In a grassy retreat, backed by willow trees and a hedge, a bluish-black duck 
and two white ones are resting near the edge of a little reedy pool. | 


Signed and dated near the lower left, GEo. PoccENBEEK, ’96, 


> eh ee CAROLUS JOHANNES THIJSSEN 
putcH (1867- ) 
No. 79— BABY ASLEEP 


WATERCOLOR 0 


Height, 17% inches; length, 22%, inches 


In a simple but spotlessly clean kitchen the baby’s cradle occupies the centre 
of the red tiled floor. A green drapery hangs over the hood, and a blanket 
with orange stripes is tucked around the child. The mother, dressed in an 
olive-colored cap, buff-olive jacket and lightish blue skirt, leans over the 
cradle adjusting the pillow. 
Signed at the lower left, C. J. Tutsssen. 


TONY OFFERMANS 
purcH (1854- ) 
THE eed 


e , 7 si eae is | WATERCOLOR ee 

alee ; Height, 22%, inches; width, 1714 inches Ma UbLnvan 
RED ea of ruddy complexion, with a clay pipe in his mouth, the : 
is boring with his awl into the sole of a shoe. Clad in a light blue 


am 


nd leather apron, he sits in front of a window, an oil lamp hanging a 


e ee over his head. 


A. I. VAN DRIESTE 


ee 
il 
as 


DUTCH 


A DUTCH CHURCH IN WINTER A Oo LV 


WATERCOLOR eZ : 
Height, 253, inches; width, 1744, inches . Spinetti 


Tue church tower rises in three tiers above the snow-covered roofs of a cluster 
of buildings. The one at the left of the foreground presents a buff-drab 
, gable “end, with a door below, which a woman in a dull red shawl is ap- 
__—_- proaching. 

cf - Signed at the lower right, A. I. van Drixste. Ma 


/300— 


VICTOR BAUFFE 

putTcH (1849- | ) ‘a 
No. 82— A RIVERSIDE SCENE—HOLLAND 7 : < E ; 
Height, 17 inches; length, 24%, inches mh 


On the right bank of a sheet of water stands a little grove of young willows. —__ 
Between two of them stretches a pole on which a woman is hanging a pair of 
blue trousers. On the far side of the water the horizontal bank is dotted with 
trees and cottages, a church or schoolhouse with a small belfry appearing at 
the right extremity. at 
Signed at the lower right, V. Baurre. 


JOSEF ISRAELS 
| (1824- —) 


Mi. Kr Ge 
> Ryo 83— AMUSING THE BABY — 


ee 


¥ 


PRR SR Sec Tata | 
Ww. RCOLOR 


Height, 181 inches; length, 2534, inches 


Aw old man, left in charge of the baby, is showing it a toy soldier, whose 
scarlet trousers make a bright, sharp note in a color composition of delicate 
tonality. The rosy-faced child, esconced in a pale blue baby-chair, stretches 
out a hand gleefully, as the old man, seated opposite, holds the manikin at 
arm’s length. 


Signed at the right of the centre, Joser IsrakEts. 


ADRIANUS JOHANNES GROENEWEGEN 


DUTCH of 


A 


Contemporary é oF . goa’ 


No. 84— MILKING TIME By, SF » te 


WATERCOLOR 


Height, 18 inches; length, 25 inches 


Tue foreground is occupied by a pond in which three ducks are swimming. 
Some little distance back in the pasture, beside a two-wheeled cart with a bay 
horse in the shafts, a man is milking a black and white cow. At the right 
of the scene another man, in blue blouse, is carrying a bucket and milking stool. 


Signed at the lower right, A. J. GROENEWEGEN. 


WILLEM CORNELIS RIP 
putcH (1856- ) 


WATERCOLOR by ae 
Ms F Powe era 


No. 85— CANAL AND BRIDGE 


Height, 13%, inches; length, 17%, inches we . ; Te tl eee 


A cANAL, stretching back from the foreground, is crossed iV the middle dis- 
tance by a three-arch bridge. At the right end of it a woman in white cap 
and blue dress is walking toward some red-roofed houses, surmounted by a 
windmill. At the left of the canal a barge lies moored beside a quay that is 
bordered by a row of trees. i 
Signed at the lower right, Wittem C. Rip. 


AS ~ 


7: ee FRENCH (1829-1900) 


JOHAN HENDRIK VAN MASTENBROEK > 
puTcH (1875- 


WATERCOLOR Ptheah iC 
No. 86— HARBOR SCEN 


Height, 131%, inches; length, 2014 inches 


Wavy brown lines lie horizontally in the lower sky, against which toward the __ 
right appear a sail and the masts of a group of fishing boats. To the left of 
these, backed by a screen of trees on the far shore, lies a bulky mastless barge 
with a man in blue on board. At the extreme left are indications of feu On! “lay 
a spit of land and a boat alongside. ; 


Signed and dated at the lower right, J. H. v. Mastenproex, '96. 


EK. TROUILLEBERT | 


No. 87— eae te! ¢ Barely 


Height, 1434 inches; length, 211, inches 


Tue gray foreground, sketchily washed in, is cut at the right by a triangle 
of whitish gray water. Near the point of the latter a woman is walking from 
us, in a red tippet and brown dress. Five willows grow along the farther edge 
of the water and at the back of the meadow a barn and cottage appear. 


Signed at the lower left, E. Trov1tiesert. 


CHARLES PAUL GRUPPE 


ee a Saas AMERICAN (1850- ) 3 G 

re. a WATERCOLOR b - Sndenig | 
THE OLD WINDMILL ge V2 | 

Height, 183, inches; length, 231%, inches 


ae fe inn the right of the canal, whose surface extends back white and gray with 
the reflections of the sky, is moored a boat with a green deckhouse and blue 
B.S a ‘pennon. She lies off the angle of a bank which rises to where a shed stands, 

Boost roofed with red and tawny shingles. Beside it towers up an old drab windmill. 


ereenea at the nts might, Cu. P. Gruppe. 


ee re 


: : AIS — 
oS Ib intton hems Pr FPS 


~ OIL PAINTINGS 


4 


S 


O BE SOLD AT MENDELSSOHN HALL 


2 ForTIETH STREET, EAST OF BROADWAY 


SECOND EVENING’S SALE 
WEDNESDAY, MARCH 15ru, 1911 
AT MENDELSSOHN HALL 
FORTIETH STREET, EAST OF BROADWAY 


BEGINNING AT 8.15 O'CLOCK 


No. 89— CHICKENS FEEDING 


ot . 
Height, 714 inches; length, 131, inches iG aus vA Vinieek 


An Italian girl, with one hand raised to her head and the other holding a stick, | 
stands beside her chickens as they feed in a bunch. The group appears on a 
stretch of yellow-green grass which occupies the foreground, and extends back 

at the left, bordered by a vista of low hillside, where villas nestle among trees. 

At the right of the composition lies an expanse of blue water, into which near the 

front projects a row of boats, sheltered with awnings. 


RAFAEL PEREZ SERROT \/ 


Signed at the lower right, Rarart Perez SERRor. 


RAFAEL PEREZ SERROT a 
No. 90— AN ITALIAN FISHERBOY _— 
as } Height, 7, inches; length, 13% inches + Eee 


PANEL ye E oe Wn 


A FISHERBOY, wearing a scarlet Neapolitan cap, his brown libs bare but — ie Be 
for a white cloth tied with a crimson sash around his waist, is coming forward == 
over the sand. He carries a basket and rod in his right hand, and in his 
left a string of fish. To the left of him is a group of three children, one carry- 
ing a baby. The blue water borders the shore on the right. pare 


Signed at the lower right, Rarart Perez SERRor. 


BR oF in ~ JOSEPH VAN SEVERDONCK 
z FLEMISH 
. No. 91— CHICKENS 


Height, 7 inches; length, 10%, inches 


raat le ne hie 
On the summit of a mound, over which the roof of a barn appears, a white 
cock stands among his hens. Near him one is sitting with a chick on her back, 
while others are scattered around her. Two ducks are swimming in a pool 
at the right of the foreground. 


Signed and dated at the lower centre, J. vAN SEVERDONCK, 1890. 


git ya 


JOSEPH VAN SEVERDONCK 
FLEMISH 
No. 92— SHEEP PASTURE iA 
Height, 7 inches; length, 101/, inches 


: PANEL Se ae ae he 


On a knoll overlooking the sea an ewe is lying with her lamb beside her, while 
another sheep stands at the right of them feeding. Two ducks are swimming in 
a little pool. 


Signed and dated at the right of the lower centre, J. van SEVERDONCK, 1890. 


LEON VICTOR DUPRE 


FRENCH (1816-1879) LF 
No. 93— LANDSCAPE AND CATTLE he ; Ze 


Height, 8°, inches; length, 12 inches 


#> 


PANEL An j 
Vir es Vivores. 


Axsove the horizon, stained with scarlet rose, the sky is suffused with yellow, 
that gradually becomes greener toward the zenith. These tones are drowsily 
reflected on the surface of the water in the foreground, while the pasture which 
indents it is already wrapt in shadow. On a spot of the marshy land, extend- 
ing across the centre near the front, the red and white and brown of some 
cows afford spots of subdued burnish. 

Signed at the lower right, Victor Durnre. 


a GO —— HENRI HARPIGNIES 


GS — 


rd 
= 
= 
= 


FRENCH (1819- ) 
No. 94— LANDSCAPE STUDY 


Height, 434, inches ado = AS. > 


Looxine across a foreground of grass,/gne sees between the stems of four trees — 


a horizontal stretch of blue water, streaked with white. Above the bank, be- <a 


tween the first two trees on the right, appear two seated figures, and a man — 


standing up in a boat with a pole. The farther bank, creamy rose near the 


water, rises to pale yellow hills. 
Signed and dated at the lower left, H. Harpienies, 98 


rad 


RALPH A. bias 


AMERICAN (1847- 


No. 95— BP der 


Height, 84% inches; length, 12 inches 


Tue dark green foreground surrounds a little hollow, in the centre of which — 
are indications of puddles. At the right stands a tree whose round-shaped, 
compact mass of foliage presents a mottle of dark green, grayish-green and 
cream. Another tree near the centre and a third at the left are similarly 
represented. In the distance lie faint blue hills, over which is a surge of 
warm creamy vapor. 


Signed at the lower right, R. A. BLaKELOcK. 


G. J. KOTSCHENREITER 


GERMAN 
Contemporary b & 
No. 96— A VETERAN , | 
Height, 93, inches; width, 7 inches i) LE 
wd FM ms 
PANEL 6 


Tue head and body, seen nearly to the waist, are shown three-quarters to the 
left. The leathery featured face is surmounted by a battered black shako, deco- 
rated with a spray of green and a red flower; the body being clad in a gray-blue 
coat. A pipe hangs from the lips, its china bowl supported by the right hand, 
while the left grasps a halberd of Fifteenth Century design. 


Signed at the lower lefi, G. J. KotscHENREITER. 


G. J. KOTSCHENREITER 


GERMAN “ 
Contemporary ve Ax “ 
ne. 37 — AN OLD GERMAN 


Height, 934 inches; width, 7 inches 


f 0 oO : 

PANEL Hes Mf Ke ig e 
An old man, seen from the waist up, is seated with his left arm on the back 
of his chair and his right resting on a table, where a pipe and tobacco bag 
lie. His face, strong featured and furrowed, is surmounted by long grizzled 
hair which hangs untidily over the forehead. He wears a dull gray-green 
double-breasted coat. 
Signed at the upper left, G. J. KorscHENREITER. 


$5 — 


JULES JACQUES VEYRASSET 


FRENCH (1825- ) 


No. 98— IN THE HAY FIELD 
Height, 914 inches, length, 13 i Bat le 


A HAY wagon stands alongside a half-built ive at a left. man, W 

a white shirt and buff trousers is at work on the top, while a” woman in ae 
pink waist and blue apron forks the hay from the wagon. 'The horses have 
bright blue saddle-cloths. 


Signed at the lower left, J. Veyvnasset. 


No. 99— STUDY OF A FARM HORSE 


Height, 934, inches; length, 10 inches 


PANEL fe: Vl ‘ Fp Ahr 


A sir of the front woodwork and the wheel of a drab-hued cart appears at the 
left of the foreground, the horse in the shafts occupying the greater part of the 
composition. Bright bay in color, he stands a trifle inclined toward the front, 
so that the white star on his forehead is visible. The ground is of a warm 
reddish tone, showing a little palen of yellow-green at the back of the horse’s 
head. 


Signed at the lower right, A. M. 


CONSTANT VAN DER WYNGAERT 
No. 100— THE SMOKER 


Height, 13 inches; width, 10 inches - 
\ 
PANEL (2. . v. w 


SzaTep, with one arm resting on an oak table at the left of the room, a man 
has removed his churchwarden pipe from his lips and, holding his head slightly 
back, emits a puff of smoke. He is dressed in olive-green coat, waistcoat and 
breeches; his three-cornered hat hanging on the wall behind him. 

Signed and dated at the lower left, Cr. v. p. WyNnoarrt, 1876. 


J. PETILLION 


7o - 


FRENCH To a 
No. 101— ON THE BOULEVARD 7 


Height, 133, inches; width, 1014 inches 


PANEL ( | loa OD ager 


Tue snowy sidewalk extends back from the left of thé/foreground, separated 
from the roadway on the right by trees and an advertising pillar, covered with 
blue, red and yellow bills. A group of figures approaches, including a woman 
with a basket on her arm and a child beside her, another woman with a red 
shawl over her head, and a man in an olive-brown suit. On the road is a street 
scraper with a red scarf around his neck. 


Signed at the lower left, J. Petition. 


mI 


(| 


be 


ee VAN ie 
A 75 we \. a JEAN LEON GEROME 


ap - FRENCH (1824-1904) 


4% 


mf : 
No. 102— My THE KING OF THE DESERT 


A\a ree Height, 91, inches; length, Gr j ous 
A rocky platform projects from the right, ong gray and drab in shadow, 
on which a lion is standing, his right hind leg stretched back of the left. The 
creature’s body dominates the scene, which consists of a level strip beneath 
him, bounded on the far side by a range of rocky hills. The former is strewn — 
with stones and seems to be the bed of a dried-up water course. A yellow patch 
shows prominently at the lower part of the hills, which above it are reddish and 
buff with indications of verdure. 


Signed at the lower right, J. L. Genome. qSAI- Asti Lew 2/4oo Fee ASXX —_ 
Mau 5/401 g USX—- 


EDUARD GRUTZNER 
KMSO— 


GERMAN (1846- _—); 
No. 103— CONTENTMENT 


Height, 144, inches; width, 113%, inches 


geaien ee A. cae 


In front of a very large barrel a jolly, round-faced brother of a brown-frocked 
order is seated, facing three-quarters to the right. He is about to take a 
pinch from his snuff-box and tightens his lips, as if he were already enjoying 
it in anticipation. On the table at his left lie a glass tankard, filled with beer, 
a loaf of pumpernickel, some gruyére cheese, and a turnip. 

Signed and dated near the lower left, Ev. Grutzner, ’84. 


year 


BERNARDUS JOHANNES BLOMMERS BL 
putTcH (1845- ) Agee ¥ 
No. 104— WORK AND PLAY vy eo 


SW Ae 
ade ed / 
Height, 103, inches; length, 1314 inches Ns 2 


Wuite a mother, seated opposite to us on the far side of a table, is paring 

potatoes, a small boy kneels on a form under the window at the left. He leans 4 1a) 

his elbows on the table, preparing to roll a potato toward his sister who, stand- Ui heen 
ing at the right of the table, stretches out her hands in readiness to stop it. 

Behind her the baby is sitting up in its cradle, while a small child nestles on 

the form under the window. 


Signed at the lower right, BLommers. 


BRUCE CRANE, N.A. 
AMERICAN (1857- ) yy O 0 


No. 105— THE GLOAMING 
Height, 101%, inches; length, 133, inches ee ( ay prin Ee 


Tue water in the foreground and the marshy growth surrounding it are 
burnished to red-orange, while a band of dull lustrous red dyes the distance. 
At the right a cottage roof slumbers against the brilliant primrose sky, which 
aloft is hung with orange-red clouds, while some shreds of lavender vapor 
screen the fierce glow on the horizon. 


Signed at the lower right, Bruce Crane. 


Ce = ANTONIO TAMBURINI 


£ 

3 
= 

cd 


/ 


CHARLES THEODORE FRERE 
FRENCH (1815-1888) 


No. 106— | HALT IN THE DESERT 
Height, 10 inches; length, 1614 inches 


PANEL Wine 2 a vi 


Ar the left of the foreground is a green, UCC tent, beside 
is planted in the ground. It shelters several seated figures, while a man in | 
high black cap and lavender-rose robe stands outside. Four camels appear  — 
at the right. One, which lies with outstretched head, carries a scarlet and 
yellow riding saddle, and a white riding saddle is on the back of another 
standing behind it. The other two are pack animals. ‘Two more tents are 


visible in the rear. 
Signed at the lower right, Tu. Frere. < Lat Ys: xe BAK a mae Speen a 
Rel, a Donel, $197 i 


ITALIAN (1843- ) 
No. 107— THE MONASTERY COOK 


Height, 151 inches; width, 1a sete Sp . ALL. 
. * ey 


A portty monk with a white bib-apron over his brown habit, stands facing us, 
as he holds a copper stewpan in his left hand and inserts a spoon with his 
right. 

Signed at the upper right, A. Tamsunint, Florence. 


ANTONIO TAMBURINI 


ITALIAN (1843- ) Ze 
No. 108— THE CELLARER | ed oes Vv 


Height, 151, inches; width, 1014 inches ee O her 
Can 


A monk, whose white habit glows to primrose in the Bee stands three- 
quarters facing the spectator, in the direction of the right. He carries a lan- 
tern in his left hand and on his right arm a basket that has two divisions, each 
containing a bottle. Back of him at the right is a large demijohn. 

Signed at the upper right, A. TamBurint, Florence. 


FELIX SATURNIN BRISSOT DE WARVILLE 


FRENCH yy / a 
a eae 
No. 109— RETURN OF THE FLOCK 


Height, 16 inches; width, 1234 inches Co ae ee: ch. Boy 
Tue flock, followed by the shepherd, has just entered the yard through a gate- 


way in the rear, the posts of which are surmounted by a crossbar of timber. 
At the right projects the end of a cottage with narrow doorway and a dormer 
window in its brown roof. Five chickens appear in the foreground. 


Signed at the lower right, F. Brissor. 


x“ 


eS 


: Aaaiarkeos in the grouping is a bottle-green mobic its cup-like ody montanes ae 


‘tion, and on the right is one that has been cracked, with a portion of the eruel ae 


Signed and dated at the lower Fone Witney 1863. 


JOSEF WILMS 
GERMAN (1814- ) 
No. 110— STILL LIFE 
: | Hake SY, deohea® length, 1by, ceed S af 


on a stem that terminates in a cone-shaped base, modeled in concentric circles. f nei 


surmounted by a vine-spray. Two walnuts appear at the left of the composi 


lying beside it. 


ALFRED STEVENS 
BELGIAN-FRENCH (1824-1906) 


No. 111— OFF THE COAST 
Height, 16 inches; width, 12% Lente 


pews e:. 0, Gee | 


Tue water in front is a bluish-drab, streaked with reddish-brown and breaking 
into flurries of white. A fishing smack with tan-colored mainsail and jib is 
scudding across the middle distance. She flies a red pennon and a red jersey 
is worn by one of her crew. At the right of her is a rowboat, containing — 
two figures, while in the distance appear a packet boat and sails. The lavender 
sky warms to a rosy tone over the horizon. 

Signed at the lower left, A. Stevens 


JOSEF ISRAELS / we hs 
DUTCH (1824- ) \ 


No. 112— RESTING 


Height, 12%, inches; length, 16 inches 3 ra q- 
4 7 AKT Oman 


Ow a sandy bank, tufted with olive-green growth and surmounted by a board 
fence, a fishergirl, carrying a basket on her back, has seated herself to rest. 
Her figure, dressed in a lavender-pink waist and olive-brown skirt, fronts the 
spectator, while her head, in its olive-buff cap is turned to the right. Her eyes 
fixed in an abstract gaze, she rests her left hand on the sand and the other 
on her knee. From out of a hollow in the rear emerge the twin gables of a 
red-tiled house, beyond which lies a hill with the indication of a spire at the 
left. The sky is pale robin-egg blue, fleeced with milky white. 


Signed at the lower right, J. Isnaets. 


—_— 


DAVID ADOLPHE CONSTANT ARTZ 
— ar \ _ Ne purer (1837-1890) 


- + 
\ } 


No. 113— THE RIDE 


Height, 1114 inche eller tae 
A Bay horse stands facing us in the (shafts of a small cart. Mounted on its 


back is a bare legged boy, who holds a little girl in front of him. Meanwhile 
an older girl, dressed in a white chemisette, dull scarlet petticoat, and a blue 
apron tucked up to the waist is shading her eyes as she watches the child. 


= 


Signed at the lower left, Arrz Fy 


A. ASTI 


ITALIAN 


Contemporary 


No. 114— ORIENTAL GIRL 
Height, 18 inches; width 13 inches MAbad be Gr dytt- 
4 e) ‘3 j (Bia 7 


Tue head and bust of a girl are shown full face. A cap of geranium scarlet 
crowns her dusky black hair, which, parted in the centre, is brushed over 
the forehead and falls at the back of the shoulders. Large rings, hung with 
sequins are suspended from her ears, and a light green-blue drapery is crossed 
upon her bosom. 

Signed at the lower right, A. Astt. 


4 
HUGH MERLE ff 
FRENCH (1823-1881) 3 a5 
vox 
No. 115— NORMANDY INTERIOR POD cote, 


Height, 143, inches; length, 18 inches 


PANEL C. } J v, OV oa es 


Over a fireplace at the right of the background a man is crouching, while 
a woman in white cap, dark blue bodice and olive-drab skirt is standing with 
her back to us. On the right of the foreground two little boys, one of them 
lying on his back, are playing with a goat. Meanwhile at the left, a woman, 
nursing a child, sits at a table, on which a little girl leans her arms. A boy is 
sprawling on a chest in front of the table. 

Signed at the lower right, H. Merue. 


bh. tehunn dele 1906 -# 77. BOES 


: asa >, 


nr JOHANNES SCHERREWITZ 


puTcH (1868- ) 


“No. 116— — - MILKING TIME 


Height, 15 inches;jlength, 18 inches Mech Loe 
Ay evn nw 


In the foreground of a pasture, dotted with ith cattle white cow with a black i 
patch on her back is being milked by a man, who is‘clad in a dull red coat and 
blue trousers. Water appears at the left of the immediate foreground, and 
reappears farther back at the right, where it is crossed by a footbridge and 
bordered with some scrubby trees, clothed in tawny green foliage. 


Signed above the lower right, J. ScHERREWITZ. 


AF, WILLIAM MERRITT CHASE, N\A. 


AMERICAN (1849- ) 
No. 117— AUTUMN ON THE SHINNECOCK HILLS 


Height, 143, inches; length, 19 inches 


wel Ore Dr | 


_ Tux, long pinkish lavender grass on the¢’ hillside is spotted with clumps of 4 
white flowers and groups of dull crimson blossoms, growing on separate stems. iN 
On the edge of the slope, at the left, lies a strip of yellow, bordering a wall, - 


mauve in shadow, which forms part of the enclosure of what seems to be a 

small orchard. In the central distance appears a triangle of slaty blue sea under . 

a greeny-gray sky. 2. 
Signed at the lower left, Wm. M. Crass. ‘ : 


HIPPOLYTE CAMILLE DELPY 


FRENCH 


No. 118— - COUCHER DU SOLEIL 7 ee 


Contemporary 


, vy 
Height, 1114 inches; length, 2034, inches 6 by —*Br ee ig 

A cumBrovus river barge, with a red band around her brown hull and flying 

a blue, white and red pennon at the mast, lies warped to the right bank of the 
river. At the water’s edge a woman is washing linen. Behind her some 
steps lead up an elevation where at some distance from the front a cottage 
appears beneath a tree. At this point the drab sky shows some flots of reddish- 
orange. In mid-stream lies a boat with two figures in it. 

Signed at the lower left, H. C. Drury. 


LUDWIG MUNTHE 
NORWEGIAN (1841-1896) 
No. 119— WINTER LANDSCAPE 


Height, 1434 inches; length, 2014 inches | i? 


- 


~ 


Between snowy banks, bordered by rude fences, a stream extends back diag- 
onally from the right of the foreground. Its vista terminates in a cluster of 
houses with red and brown roofs. One higher than the rest with a smoking 
chimney shows a roof from which the snow has partly thawed. 


Signed at the lower left, L. Muntue. 


2 10 FREDERICUS JACOBUS DU CHATTEL 


WILLIAM BLISS BAKER 
AMERICAN (1859-1889) 

No. 120— ~— SWAMP LANDS 

Height, 15%, inches; length, 21%/ inches 


Sanp and stones, suggesting the dry bed of a stream, occupy the centre o 
the foreground, which is flanked on each side by luxuriant vegetation, sprinkled 
with the flowers of the golden-rod. Across the middle distance a brook threads 
its course, bordered by three clumps of willow. The background is woody, — 
rising at the right to a bushy knoll. ‘ 

Signed at the lower Icft, Wm. Buiss Baker. 


putcH (1856- =). 
No. 121— HOLLAND WINDMILL | 


Height, 15% inches; length, 22%, inches 


reo: 


Tue grayish-blue water that fills the foreground reflects near/the centre the 
drab-fawn coloring of a windmill which forms the prominen¥ feature of the 
bank opposite to us. At the foot of the mill nestles a small brown shed, while 
toward the right the white gable of a red roofed building catches a strong 
light, which is also reflected in the water. Conspicuous on the right bank are 
two white posts. 


Signed at the lower left, Frep J. pu CHATTEL. 


Poa ak, 3 eet ae 


X bs Ra 4) OE, 
ae Pes Se 


HENDRIK WILLEM MESDAG 


7) f 
putcH (1831- ) Yo < 
No. 122—  SCHEVENINGEN FISHING BOATS 
Height, 20 inches; width, 15% inches : ~ 


Tue gray-blue sea is briskened by the wind into lines of white. In the shallow 
water at the left of the foreground appears one fluke of an anchor whence a 
cable stretches to a dark gray-black hull, above which a dull reddish-brown 
sail is flapping at half-mast. From the right a fisherman in buff jersey is 
approaching the boat on horseback. Among the other craft which spot the 
water is one with a buff-white sail, registered “Sch,” that catches a bright 


light. 
Signed and dated at the lower right, H. W. Mespaa, 1897. 


\\ / OD ADOLF SCHREYER 
GERMAN (1828-1899) 
No. 123—ON THE MARCH—BATTERY. GOING INTO ACTION 


Height, 1234 inches; length, 2314 yi d Wf 
PA 


1A AdhSr— 
Ereut horses, two abreast, the near ones ae A by driver rs, are drawing a 
field-gun up the steep ascent which extends from the foreground. Meanwhile, 
the gunners have dismounted and are putting all their strength into pushing 
the gun-carriage. An officer with drawn sword rides alone at a little distance 
toward the left, and over in the distance at the right another gun is seen 
going into action under similar circumstances. ‘The men are clad in gray 
overcoats. 


Signed at the lower left, A. ScurREYER. 


TONY OFFERMANS 


putcH (1854- ) 


No. 124— THE VILLAGE POSTMASTER 


f) . 
Height, 21 inches; width, 16°, inches VV ; Co. Ce eS 
1 


Sreatep at the back of a table, facing us, an old man with head erect looks 
down through spectacles low on his nose as he makes an entry in a book. His 
white quill pen catches the light from a window at the left. A black cap 
surmounts his healthy, ruddy face, while his figure is dressed in a brown waist- 
coat and very blue shirt. The table is piled with books and papers and several 
letter stamps. 


Signed at the lower left, T. Orrermans, 


y 


WILLY MARTENS 
puTcH (1856- ) 


a 7 -_ “™~ ¥ 
No. 125— THE PET GOAT), apn ke 
Height, 1814 inches; length, 22 inches 


A sMALL boy, whose black shirt is tucked into his corduroy trousers, holds by 
a cord a white goat while it feeds. Seated at the boy’s feet is a fair-haired 
child, ‘dressed in a dark brown frock and blue pinafore, with a red shawl 
around the neck. She points a finger at the goat. 


Signed at the lower right, Wir1y Martens. 


eb 
rae 

Age JEAN JACQUES HENNER 
A> : ~ 


ar FRENCH (1829-1905) 


7 j 
‘No. 126—~“ RED DRAPERY 


Height, 2414 inches; width, 18%, inches 
A youne girl’s head and bust, the latter draped with geranium-red, are shown 
in profile, facing to the left. The chestnut hair is lighted on the crown, but 
shaded to a rich golden-brown behind the neck. The eyeball is pale blue, and a 
golden-brown shadow hovers over the lower part of the cheek and the neck. 
Signed at the lower left, J. J. HENNER. 


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GEORGE INNKSS, N.A. 
AMERICAN (1825-1894) 


No. 227 LATE AFTERNOON 


Height, 18 inches; “he 26 HO, Ld he 


THe foreground of smooth meadow, sprin 1 yellow flowers and showing 
a stick of timber lying at the left, is enveloped in shadow. But behind a group 
of trees at the right of the middle distance a rosy glow strikes across the scene, 
flinging a spot of white on a farther tree, burnishing another at the left to 
golden-red and kindling into radiance the white walls of some cottages that 
dot the horizon. Rosy-amber vapor swims above it, streaked with grayish-blue 
and passing overhead to a rich yellow-rose. Near the foreground, at the right, 
a woman in gray-blue apron and white cap walks beside a child. 


Signed at the lower right, G. Innexss. 


JULHS CYRILLE CAVE 


FRENCH 


No. 128— FLOWERS OF THE FIELD 


Contemporary 


) oo —. 7 }) ) 
Height, 25%, inches; width, 19% inlA 4 wot =) ES Os I om 


Searep with her body slightly inclined to the left, a child’s face is toward the 
front, while her eyes glance to the right. She is clad only in a white chemise; 
and her arms, folded on her lap, embrace a nosegay of narcissus and mar- 
guerites. 

Signed and dated at the upper right, J. Cave, 1896. 

From the Paris Salon, 1896. 


JOSEPH H. BOSTON, A.N.A. 


AMERICAN 


Contemporary 


No. 129— , SUMMER MOON YY. ff. ST Ln 


Height, 20 inches; length, 24 inches 


Tur margin of the water, fringed with green reedy growth, crosses the front 
and straggles back at the left. The blue-gray surface of the pond, flecked 
with blue and lavender, shows near the front some flakes of primrose, reflected 
from the full moon, which hangs in a sky diagonally skeined with lavender- 
blue and pale gray-cream. At the foot of a hill which bounds the farther bank 
lie some gray cottages, with yellow lights appearing through the windows. 


Signed at the lower right, Jos. H. Bosron. 


JOHAN ANTHONI BALTHASAR STROEBEL 4/0 — 
putcH (1821- ) ! 


No. 130— THE ANTIQUARIAN 7). So Cover rere 


Height, 1334, inches; length, 20 inches 


Tue wall of the apartment above the panelled wainscot is creamy olive in 
tone, where it is illumined from a high window at the left, from which the light 
also strikes on to a table. Gathered around this are four men in seventeenth 
century costumes, occupied with some decorated silver-gilt cups. One, at the 
left of the table in front, is making entries in a book, while a gentleman at 
the back of the table sits examining one of the pieces. To his left sits another, 
talking to one who is standing. These three are in black with steeple hats. 
At the right, behind a screen, appears an attendant stooping over other speci- 
mens. 

Signed and dated at the lower left, Srrorset, *71. 


CHARLES PAUL GRUPPE 
AMERICAN (1860- ) 
No. 131— FARM YARD IN HOLLAND 


é, heal, 
peat, 18 inches; length, 24 inches ree Ge: 


In the dull light from a pei -drab sky the litter which heaps the yard ap- a 
pears dull olive-drab and buff. Five black and white cows are strung across 

in an irregular line, at the right extremity of which a man in a blue blouse is 
pouring something into a trough. At the right, seen behind a fence and some 
trees, lie a red-walled, thatched barn and a hooded stack. The background at 

the left is formed by a screen of muzzy trees. 


Signed at the lower right, Cuas. P. Gruppe. 


i MIO mm 
Z % DANIEL RIDGWAY KNIGHT 
AMERICAN (1850- ) : ceo 
EN OS] Boe ees THE FISHERGIRL | 


Height, 22 inches; width, A8 inches 


In the foreground of sand a girl stands, wd G, e handle of her shrimp | 


net. Her head, seen in profile, is bound with a yellow handkerchief, while her __ 
sturdy figure is clad in a coarse drab jacket and pale gray-blue skirt, patched 
with rosy-lavender, turned up over a drab-fawn petticoat. A basket is slung 
at her back. é 


Signed and dated at the lower right, Riwaway Knicut, Paris, 1887. 


130 | GEORGES MICHEL 
ae FRENCH (1763-1843) 


No. 133— - LANDSCAPE WITH WINDMILL 


Fi | Height, 1934 inches; a ais i ogee 
. j Tue tawny-yellow and olive-brown ground s Be at the right to an 


eminence, crowned by a dark brown windmill with some smudges of white on 
the sails. To the right of it a thatched roof projects from a clump of olive- 
brown and golden-tawny trees. Near the centre of the foreground appears a 
figure, distinguished by a white cap and something carried over the shoulder. 
In the distance the ground descends to a hollow in which appears the sugges- 
tion of a gray pool. The sky presents a flux of drab and sooty vapor, slightly 
stirred with white. 


WILLEM CORNELIS RIP 
DUTCH (1856- ) 


No. 134— NEAR VEERE 


Height, 181% inches; length, 2534 inches (O [ 5 Y 


Tue water at the right of the foreground passes under the two Arches of a 
bridge, on which a man in blue appears. On a bank at the left of the foreground 
a woman is holding a white object above some vessel. Her figure intersects a 
fence, behind which rises a rather dilapidated windmill. In the distance toward 
the right is a group of red-roofed houses, above which looms vaguely the nave 
and tower of a church. 

Signed at the lower left, Wi11eM C, Rip. 


GEORGE WASHINGTON 


& 


No. 135— HALT AT THE WELL 


Height, 23%, inches; width, 19%, inches FLL ee to 


Tue well is surrounded on three sides by a low parapet and backed by a white 
wall, with a Moorish arch inset. On the parapet sits a man holding by the rein 
an Arab steed. Meanwhile its rider, clad in a red fez and jacket, leans ever 
the parapet as he drinks. One of his pack horses, a white, is stooping its 
head to drink, while two others, a dapple gray and a bay, laden with merchan- 
dise, stand at the left. 


Signed at the lower left, G. WasHINGTON. 


he 


feON ce 


&. 


)/3O —_ WORDSWORTH THOMPSON, N.A. 


eee AMERICAN (1840-1896) 
No. 136— GIPSIES BY THE SEA 
ae Height, 17 i } hes 


Height, 17 oh Tiles | 
Hie Gipsy wagon is halted at the ae of a3 e sandy foregroufid; the bay h 


small boy, clad only in a shirt. At the right of Ne steps a woman, ace 

_ panied by.a child and a pointer dog, shades her eyes with her hand. At 
left an older woman and a man are playing cards, being seated near a trest 

table which is crowded with objects, including a black bottle. ne 


Signed and dated at the lower left, WorpswortH TxHompson, ’80. 


z sé JOHN BUNYAN BRISTOL, N.A. 
| | AMERICAN (1826-1909) 


No. 187— LAKE COPAKE, COLUMBIA, N. Y.—JUNE 
Height, 18 inches; length30 inches . 
ry. 


A BRooK meanders through the grassy “foreground, between shelving banks © 
that are spotted with green circular leaves. It is crossed some distance back . 
by a bridge, at the right of which, on the sloping sward, a woman in pink 
stands near to the reclining figure of another in a white gown. Beyond a 
crescent of foliage appears a triangle of the lake, bounded by distant moun- 
tains. 


Signed at the lower left, J. B. Bristow. 


JACOB SIMON HENDRIK KEVER 


putcH (1854- ) 
No. 138— THE PICTURE-BOOK : : 


Height, 20%, inches; length, 26 inches fn A 

KCAL’ ARN 
Art the back of a reddish-brown octagonal table a‘small boy sits with a picture- 

book in front of him. He is pointing out a picture to his little sister, who 

also has her hand on the page. As she stands at the left, leaning across the 

table, the light irradiates her pale corn-colored hair and touches to silvery tones 

the olive-drab frock. The boy is dressed in a greenish-black cap and brown 

jacket. 


Signed at the lower right, Kever. 


»~ 


a ts CF tee JAN MONCHABLON 
FRENCH (1855- ) 


No. 139— LUCERNE ET CHAMP D’AVOINE—PRES 
DE CHATILLON, VOSGES 


HeightA18%, inches; ee ti 


A stopr extends back from the foreground, parti-colored with rectangular sec- 
tions of varied cultivation. In the front appears the mauve and green of a 
patch of lucerne or alfalfa, while the oat stubble stretches up the right, dotted 
with sheaves and two figures. But the most conspicuous feature is a strip of 
yellow-green, that reaches from the front to the top of the hill. Along it are 
approaching a woman carrying a fork and a man with a scythe over his 
shoulder. 


Signed at the lower right, JAN Moncwuasron; lower left, oz. 129. 


FRITZ VON UHDE 
GERMAN (1848-1911) GHEe 


No. 140— THE DISCUSSION 


2 inches 
Tue maid of the inn has entered the room at the left, carrying a blue pitcher—/ A 


and a tray containing three glasses. Her dainty figure, in its white cap and ‘ea 
apron, pinkish-lavender body and creamy-tan skirt, attracts the attention 
of a young man in a red tunic who sits leaning his back against a table at the 


bs Height, 23%, inches; lengt 


right. An older man, seated on the same bench leans forward to argue with 
another in the centre of the room, who inclines his head to listen. Meanwhile, 
an old man has turned his back on the discussion and sits gazing out of a 
window. Fritz von Uhde, the painter of this work, died quite recently (Feb- 
ruary 26) in Berlin. He was an artist of distinction and excelled in Genre and 
historical subjects. He was represented in the collection of German paintings 
exhibited at the Metropolitan Museum in 1910. 


Signed at the lower right, F. v. Use. 


A PAUL JEAN CLAYS 
1 bf Y J 
uN 3 \ N FLEMISH (1819-1900) Y 


~ of La 
No. 141— |. CALME—BATTEAUX RHINS \\Wt aN: 


x 


Height, 2334 inches; me inches 


A Rune barge, with brownish-buff hull, showing a sideboard, occupies the 
right of the water. She flies the Dutch ensign at her mastNead and has creamy- 
white, buff-white and buff-red sails. Her cabin top is green and near it appears 
a figure in a scarlet jersey. Other sail boats are grouped immediately behind 
and spot the distance, while toward the left are visible a windmill and house 


with white gable and red roof. 


é 
Signed at the lower right, P. J. Cruays. , 
— 


Obb/,$93. 6. £ ry obo — Sze OXKK 
Ofek ty, Storer tnnbigth 8 18x — 


£80. 


JOHN GEORGE BROWN, N.A. 


AMERICAN (1831- ) 


No. 142— THE CERAMIC CONNOISSEUR 


See es eR yoa Height, 24 inches; width, 16 PM ae Lh Li ni 4 


A sHOEBLACK stands leaning against the base of a dark green lamp-post, 
holding up in his right hand a blue teapot that has lost its handle. An ash 
barrel suggests whence he has made his find. Beside the barrel lies the young- 
ster’s box. 

Signed and dated at the lower right, J. G. Brown, N.A., 1882. 


ARTHUR HOEBER, A.N.A. JOO 
AMERICAN (1854- ) 
No. 143— EVENTIDE 


Height, 20 inches; length, 30 broke 4 ae 4) yn Leig | 
THE eye travels across a level of salt marshes, whose rich green vegetation is 
interrupted by streaks and flecks of bluish-gray water, with an occasional tinge 
of white. A bank of greenish-blue vapor hangs over the horizon, above which 
lie some wisps of rosy-pink. Flecks of the same in fainter tones, mingled with 
streaks of grayish-tan and drab, float in the luminous primrose-green of the 
upper sky. 

Signed and dated at the lower left, ArrHur Horser, 1900. 


Z1O 


JEAN JACQUES BAPTISTE BRUNET 
FRENCH (1850- ) 
No. 144— A WRAPT AUDIENCE 


; Height, 21 Menard, Vee 
3 
An old woman is seated beside her spinning-wheel on the right of/the fireplace 


telling a story to some children. They are ranged in a row ow a bench be- 
neath the sleeping cupboard, which is screened with rosy-crimson curtains. 
Conspicuous among them is one who clasps her hands, while her eyes are 
round and starting with excitement. Seated on the floor at the left of the 
fireplace is an older girl, in white lawn cap, lavender-plum shawl crossed over 
her breast, and a purplish-black dress. As she clasps her hands on her lap, 
she listens with quiet absorption. 

Signed and dated at the lower left, JEAN Brunet, 1891. 

Exhibited at the Salon of 1892. 


OG =m GEORGE H. BOGERT, A.N.A. 
AMERICAN (1864- ) 
No. 145— AN OLD MILL—HOLLAND 


Height, 20 pies eg ks (= a 
right of the centre in the 


Tue olive-buff mass of the windmill rises at the 

middle distance against a creamy-olive sky; surmounting a brownish-tan house 
with red roof and blue door and shutters. From this point water flows to the 
foreground, where, on the left, a man in blue blouse is rowing a boat, containing 
two buff sacks. In the golden-olive pasture that occupies the far side of the 
water black and white cattle are grazing. 


Signed at the lower left, Grorcr BoceErt. 


: 
iywty? 5 


ALLEN B. TALCOTT 


AMERICAN ( -1908) 


No. 146— CONNECTICUT PASTURE 


Height, 24 inches; length, 30 inches : aT ee Ochi, 
Six sheep are feeding in a little dip of the hillside pasture, sje slopes+up 
to a group of three oaks, and a single larger one at the left. Lower down at 
the right appears a birch. Both the pasture and the foliage of the trees are 
lighted with a warm glow from a blue sky in which pinkish drab clouds float, 
while a volume of white lies above the horizon. 


Signed and dated at the lower left, Atten B. Taucorrt, 1901. 


FRITZ THAULOW 
NORWEGIAN (1847-1906) 


bd a 


No. 147— | WINTER SCENE {* ‘upd a vA a Oo men 
&> 


Height, 25%, inches; length, 31% satel LOO Ripe Cs 


A sHeEeET of water, apparently a mill-pond, extends back from the foregr reas 
slaty-gray in hue, but stained in the rear with patches of orange. These are 
reflected from a reddish building, with snow-covered roof, that faces us at the 
end of the water. It projects at right angles from a bluish gabled building, 
in front of which is a lower structure of the same color, surmounted by a 
cupola. In the immediate foreground at the left stand three trees, while on 
the opposite side of the water appears the angle of a building, constructed of 
timber, red bricks and plaster, which rises abruptly above the surface of the 
pond. 


Signed at the lower right, Fritz THavutow. 


me 


jit | ee 


WILHELM RAUBER 
GERMAN (1849- ) 
No. 148— - _—*LOVE’S YOUNG DREAM 


Height, 321%, jnches; eee 1-2 dace 


A YOUTH Gad maiden dressed a Gos tuiies of the Sixteenth Century Ge 
Renaissance, are standing side by side. He holds her hand and leans his 
toward hers to meet her gaze. Her dress is of brownish fawn-colored ve 
while the youth is clad in a crimson velvet tunic, cut ge ae the neck over 
a tucked shirt and laced above the waist. ae “ee 


Not signed. © 
{7 40S: DAVID DE LA MAR. 
puTCH (1835- _—=s») 
No. 49 CARDING WOOL 


Height, he Hagin ¢ yee inches 


Tue corner of a little window at the back of FASE is cut by the wheel of © a | 
a spinning wheel, which stands beneath it. Wool is piled on the floor, at the 
right of which a young woman sits. Her healthy face gazes to the front as 
she holds one of the carders on the lap of her blue apron and draws the other 
across it. 

Signed and dated at the lower left, Davi pe 1a Mar, 1888. 


TST RR pa ST eae ae PERT ESE ET SOT T wien 
ge eas a Bs Ue ale 4 : 


ES 


Os \ ae Naya 


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4 


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Feeyce/ 
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XESS 
ae 


CHARLES HARRY EATON, A.N.A. 
AMERICAN (1850-1901) 


oo 


No. 150— INDIAN SUMMER 


Height, 28%/, inches; width, 23 Oped Ae Vy . Tags I peice 


Tue soft green grass, strewn with brown oak leaves, is intersected by a narrow 
stream that flows back to a small fence, which forms the boundary of the 
pasture in the rear. It is masked by a few grayish-drab trees, with a sprinkle 
of leaves, while toward the right is an oak which still carries a mass. of golden- 
brown foliage. A thicket of saplings grows in front of it, and another appears 
on the far side of the fence toward the left. 


Signed at the lower right, C. Harry Earon. 


wy, 


PAUL GROLLERON 


FRENCH (1850- ) 


No 151 WOUNDED 


mila var wie ¢ ial: 32 inches 


A company of French Tirailleurs are firing over the top of a broken wall at 
the left of the foreground, while the flag is held by a man who stands in their 
rear. The enemy appears at close quarters in the middle distance at the 
right. Meanwhile, in front, a wounded man is being dragged by his comrade 
out of the zone of fire. 

Signed at the lower right, P. GrotiEeron. 


Exhibited at the Paris Salon, 1898. 


EDWARD MORAN fh 
AMERICAN (1829-1901) / 


No. 152— IN FULL SAIL ns) Q. £ eae 


Height, 25 inches; length, 34 inches 
, g 


- 


A pric, flying the United States ensign and pennon, heels over to the right 
under a full spread of canvas. At the left, in the middle distance, rises a 
lighthouse, and in the foreground floats a broken spar. 


Signed at the lower left, Kpwarp Moran. 


PROFESSOR JOSEF BRANDT 
POLE (1841- ) 


ii 


No. 158—COSSACKS GUARDING PRISONERS OF WAR 


\ Height, 25%, inches; (Ore Pret 


A rRoopER mounted on a bay horse, whose head is pulled to the right, ad- 
vances at the left of the foreground with the stock of his rifle on his thigh. 
He has a wide spreading yellow moustache and wears a gray busby with a 


ad 


: : ; f a 
blue bag at the side and an olive-green overcoat, flying open. He is followed : 
at the left by another trooper, mounted on a blue roan, whose uniform includes 
a Slaty-gray cap and red coat. He holds his rifle across his body. Behind him 7 


march some men on foot, headed by a black, robed in yellow. They precede 
two camels, each with a covered litter on its back. In the distance at the left 
appears a column of cavalry. 


Signed at the lower right, Joser Branpr, 2 Wagram, Mannheim. : 


ANDRE ANTOINE CROCHEPIERRE 


FRENCH 


Contemporary 


No. 154— THREADING THE NEEDLE 


~ 


Height, 3614 inches; width, 28% inches, , VY ILE: 
| fa “VVA VLG _ 


Tue light illuminates the wrinkled face of an old/Woman, who, with her spec- 
tacles low on her nose is trying to thread a needla/ She is seated at the right 
of a little round table, partly shown, containing among other things a blue 
pineushion. <A _ yiolet-blue kerchief, striped with primrose, is bound around 
her head, showing a little gray hair. A blue shawl with a yellow design lies 
crossed over a waist with striped sleeves. Her lap is covered with a white sheet 
that spreads over an adjacent chair. 


Signed at the lower left, ANDRE CROCHEPIERRE. 


| 
| 
| 


A WILLIAM DENDY SADLER 


é te ENGLISH 
™ Contentonrr ee p 4A ) 
/) 0 4 / igh. / 3 eae 
No. 155—THE TAILOR SHOP IN(THE MONASTERY fs 
: Height, 401%, inches; width, 301%, inches | 


Four brothers in creamy-white habits and black tippets are grouped around 


a table. At the left of it one bends over his sewing machine, while another 
stands by with admiring interest. Near him, at the right of the table, a third 
sits facing us as he stitches some binding onto a piece of cloth. The fourth is 
seated on the floor, holding a yard measure to some material that he is about 


to cut. 


Signed and dated at the lower right, W. Denpy Sapter, ’82, 
g git, 


“217 - bow bf: Lf A:eth tas Landa 
Apis 30/893 faypelion 

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ANKK =e 


PAUL TROUILLEBERT 


FRENCH 


Contemporary 


No. 156— SUR LA VIENNE 


Height, 3514 inches; length, 51%, inches : Cone OG 


Near the right of the foreground of water, where lily leaves and some yellow 
blossoms are floating, a man in a standing posture sculls a boat in which a 
woman, dressed in a white cap, lavender waist and gray-blue apron, sits looking 
into the water. All this part of the composition is in shadow from a wooded 
bank, on which amongst the trees appear a belvidere and a flat-roofed villa 
with a turret, while a stovepipe projects from one of its walls. The water 
toward the left reflects the white glare of a cluster of clouds above the horizon. 


Signed at the lower right, TRovrLirBert. 


\ 


V 


CARL BOKER 
GERMAN (1863- ) 


~ 


No. 157— THE BIRD SELLER 


Height, 38% ches; length, 50 gche : 
¢ is) LA” J-%A 


In front of a table, piled with cages, at the left-of the interior, a young man, 
whose tall thin figure is clad in grayish-blue-green frock coat and trousers, 
holds up a canary in a cage. He is trying to sell it to a brisk red-faced man, 
distinguished by a red waistcoat, who occupies with much self-importance, the 
centre of the group. A young peasant girl rests her hand on his shoulder 
and another girl and a youth appear behind him. A sportsman, sitting at a 
table at the right, watches the proceedings. 


Signed and dated at the lower left, Cart Boxer, 1872 Df. 


FRANK DE HAVEN, A.N.A. 


AMERICAN (1856- ) i. / rb) ates 


No. 158— MARINE 


Height, 24 inches; length, 30 inches J i, Ay ptthak 


Tue sea, which occupies the foreground, is deep green, curdled with pale yel- 
low and cream and occasionally streaked with blue. It is in a state of heave 
and at the left throws up two bursts of spray. On the horizon lies a band of 
deep dull-blue, above which hangs a large volume of gray, tan and creamy 
cloud. At the right lowers a sooty purple mass, shaggy with the fringe of 
distant rain. 

Signed and dated at the lower right, F. pp Haven, 1902. 


ey 4 saat F 
C. FISCHER 4G ~~ Z 
‘eee i : 
No. 159— BABY ASLEEP » 4 . erty 
Height, 3334 inches; width, 281, ae (3 pales ee 
U a ] b 


A youne mother has taken off her dress and stands looking down at her baby, 
asleep in a wicker basket, which is partly seen at the right of her. The woman’s 
comely face, neck and bosom are illuminated with the glow of a light that she 
holds in her right hand, hidden from the spectator by a circular black shade. 
The fingers of her left hand, as she spreads them to keep the light from the 
child, are rosily transparent. 

Signed and dated at the upper left, C. Fiscuer, 1886. 


LO eS 


WALTER NETTLETON 


AMERICAN (1861- ) 
No. 160— WIND SWEPT SNOWS 
Height, 28%, inches; length, 3614 ae 


A very large tree whose branches ioe from a cluster of small growthya 
the crown of the trunk is conspicuous toward the left of the foreground. Its. 
base is veiled in the shadow which lies over the whole foreground of snow, 
cooling it to a grayish-blue. But as the hill rises at the left, the snow glistens 
in the light and its shadows become sapphire. Meanwhile, the strongest light 
is concentrated on the rosy cream walls of some buildings, situated on an eleva- 
tion in the rear of the scene. The sapphire snow on one of the roofs shows — 
against a background of purplish-red and buff-brown foliage. a 


Not signed. 


Ww. ELMER SCHOFIELD 
AMERICAN (1867- ) 
WINTER LANDSCAPE | 


Height, 30 inches; 1 Wy icing } aes 2 a 


THE foreground shows an uninterrupted /expanse ey snow, shaded to a gray- 
blue that is broken up with tones of grayish-cream. Beyond this, as the rismg 
ground becomes exposed to the light, the snow is creamy-white, laced with the __ 
pale blue shadows thrown by the stems and limbs of trees that are scattered 
over the slope. The latter is bordered at the top by a hedge of ve out 
of which rises in the centre a cypress. 


Signed at the lower right, ScHo¥FtELD. 


Ess 


CHARLES PAUL GRUPPE 


: oe AMERICAN (1860- __—) 


‘DEPARTURE OF A HERRING FISHER 
Height, 381% inches; length, 50 inches el, 


JI ped: mainsail and tawny-yellow mizzen are hoisted, and four men 
( ner sit with bowed heads. Meanwhile, intent upon his Play, a boy is 


rie te a 


Y *. re = eed a ? 


ia 


tras iti ae ni ato a daa ie ere ia Ee 


aS 


THIRD EVENING’S SALE 
THURSDAY, MARCH 16ru, 1911 
AT MENDELSSOHN HALL 


FORTIETH STREET, EAST OF BROADWAY 


BEGINNING AT 8.15 O'CLOCK 


170 ——= 


LEON RICHET 
FRENCH (184'7- ) 
No. 163— NORMANDY LANDSCAPE 


Height, 81%, inches; length, 1134 inches 


y 


PANEL Lote : t Vr eae 


Tue sky is piled with shaggy storm clouds, olive-drab in hue, yielding to 
cream near the upper right. Its light strikes the low white wall of a cottage 
at the left of the foreground, whose mossy thatched roof is shadowed by the 
olive and golden-brown trees behind it. In the foreground a pool, in which 
two geese appear, extends to the right, where on the farther side a golden-buff 
meadow extends to the horizon. 


Signed at the lower left, Leon Ricuer. 


> 


4 
3 
Ed 
i 
g 


\ 


1/70 Bae 


fags inches; length, 12%, inches | ne ws bee. a 
> ; Racal SS? (7: : (Q ettinrry u : 
A sMALL river makes a bend around from the front toward the right. kee 
has rowed his boat alongside the right bank where a woman, wearing a brown. AB 
shawl and blue apron, stands beside a bundle with a baby in her arms. ‘The = 


bank is closed in with willow trees. 
Signed at the lower left, E. Sancuez-Perrier, Cuillene. 


LEON VICTOR DUPRE 
FRENCH (1816-1879) 
No. 165— LANDSCAPE WITH POND 


Height, 534, inches; length, 1334 inches 


PANEL Ww : # 


TwiticuT is settling over the foreground™~of rich green swampy “foreground, 
where a pond gleams white, reflecting a mass of flocking clouds above the 
centre of the horizon. The water is also stained with the red and white and 
black of some cows which are standing in it near the farther bank. A clump 
of trees shows prominently at the right of the horizon. 


Signed at the lower right, Victor Dupre. 


LEO CHARLES HERRMANN 
FRENCH (1838-1907) 
No. 166— THE CARDINAL’S SIESTA 
Height, 9% inches; width, 1 inches AL Jef ee 
PANEL Ce ue w4, cee 
A BUTTERFLY net is propped against a pale green garden seat, on the arm 


of which hangs a specimen box. Meanwhile, as the cardinal lies asleep on the 
bench, two butterflies hover above his nose. 


Signed at the lower left, Leo Herrmann. 


JEAN LOUIS ERNEST MEISSONIER 


at 
FRENCH (1813-1891) Fi 
i 
No. 167— MILITARY SKETCHES ; 
Height, 5 inches; width, 4 inches 3 ©) cesar, 


vs WU Sica hos 


Ar the left is the study of a mounted dragoon in tall shako and red jacket, 
the latter decorated on the chest with parallel rows of gold cord and buttons. 
While the left hand has the gesture of holding the reins, the right is planted 
on the thigh, which is clad in lavender tight trousers. ‘The saddle-bag is cov- 
ered with dark green cloth. Two strokes indicate the direction of the horse’s 
neck. At the right is sketched the profile of a man’s face, rising out of a high 
collar, and surmounted by a marshal’s hat. 

Signed at the lower right with the monogram, E. M. 


/00— Peon ee 


CHARLES OLIVIER DE PENNE 
FRENCH (1831-1897) 

No, i68— FOX HOUNDS 

Height, 10%, inches; width, 81 inches 


GROUPED under a beech in a wood are four fox hounds. The 


coupled together, are white with tan ears. 
Signed at the lower left, DE PENNE. 


) 


JEKHAN GEORGES VIBERT 
Yeu FRENCH (1840-1902) 
@ A VISIT TO FIGARO 


Height, 1034 inches; width, 81% inches 


_ Ar the left a red lamp swings from a bracket, which carries aun sign “Figaro.” y . 
_It is attached to the corner of a building with a large arched door, on a shelf 
at the left of which stands a block with a wig on it. A dainty cardinal is 
knocking at the door. 7 


Signed at the lower left, J. G. Viserr. 


. < 
K 


a. 


~ 
. . 


DAVID TENIERS, THE YOUNGER 
FLEMISH (1610-1690) 


No. 170— THE OLD SUITOR 
Height, 10%, inches; width, 81, inches 


PANEL oy iy 
Vr. Cele 


Aw old man is seated, facing us, on the farther side of a table which occupies 
the left of the composition. While he grasps the handle of a red pitcher with 
his right hand, he has the other around the neck of a woman, lying on her 
left shoulder. She is holding a wine glass as she sits at the right of the 
table, her figure being seen in profile. Her blond hair is strained off the 
forehead and covered at the back with a white cap, while her costume consists 
of a beautiful old rosy-pink jacket, greenish-blue apron and silvery-olive 
skirt. 


Signed at the lower left with the monogram, D. T. 


G. KOTSCHENREITER 


GERMAN fy 


ra #3 rs 
Pat) f_- £0 OREN 


No. 171— A JOLLY TYROLEAN 


4 fy ae st aris, J i, f 
Height, 114% inches; width, 834 inches es ae Ped. 
Aw old man, as he holds his pipe free of his lips, is looking to the left out 
of the corners of his eyes. His gray hair straggles over his forehead from 
beneath an olive-green soft felt hat, decorated with a curving feather and a 
red flower. 
Signed and dated at the upper right, G. KorscHENnREITER, 795. 


CHARLES THEODORE FRERE 
FRENCH (1815-1888) 
No. 172— HALT OF A CARAVAN 


i Height, 914 inches; length, 1234 inches 
LOCO come 


ee R. rt 


Part of a caravanserai projects from the left, showing a gallery in the upper 
story, crowded with figures. It is approached by a flight of steps, which a 
man in white is ascending. ‘The under side of the staircase presents the half 
of an arch, under which lies a trough. A camel is drinking, while beside 
it stands another facing us, with a figure in black and white striped drapery 
on its back. In the distance at the right appear.a glimpse of the Nile and two 
pyramids. 


Signed at the lower left, Tu. Frere. 


JULES WORMS 
FRENCH (1832- ) 


/} 

~The lat 

A SpanisH mandolin player is seated three-quarters to the right, with his left 

foot resting on the edge of a chafing-pan. His head, bound with an orange 
bandanna, carries a black beaver jauntily over one ear, as it inclines toward 

the instrument in his hands. The rest of his costume consists of a scarlet | 
embroidered vest over a white shirt, a yellow sash and blue velvet breeches, 

slashed so as to show the full white drawers. 


Signed at the lower left, A mon ami Gilberry, J. Worms. 


: No. 173— SPANISH MANDOLIN PLAYER 
i / o Pe wie! Height, 13 inches; width, 81/, inches 
\ ©, e2 a ae 


bf 


GEORGE HENRY SMILLIE, N.A. 


AMERICAN (1840- ) 


No. 174— HARVEST TIME—NORMANDY 


Height, 9 inches; length, 16 Mel Coe 
om 


A scanty path extends from the front across a meadow of pale olive- 

and buff grass. It leads to an open gateway in a wall, above which appéars 
a thatched roof, sheltered by trees. In front of the wall the composition is 
crossed by a strip of golden-yellow. On the edge of it on the right stands a 
two-horse harvest wagon, with a man on the top of the load, while another 
works on the ground. 

Signed and dated at the lower left, Geo. H. Smiriie, Etretat, 1884. 


ALFRED STEVENS 


BELGIAN-FRENCH (1824-1906) we 


No. 175— ON THE SHORE—TREPORT 


Height, 1334 inches; width, 1014 inches 4 PA aCe 
a. cece eee 


oii: ' 

PANEL (3 te Lat Vera: Ate 
Tue foreground is composed of creamy sand, flecked with rose. Two female 
figures are standing at the water’s edge, while other figures appear waist deep 
in the shallow surf. The sea, laced horizontally with small white rollers, 
recedes to a pale greenish-blue. Here it is spotted with the brown and the 
white sails of fishing boats and with a steam packet-boat. The lower sky 
is rosy-drab, cooling overhead to a slaty-drabbish hue. 


Signed at the lower right, A. Srevens. 


ALFRED STEVENS 
BELGIAN-FRENCH (1824-1906) 
No. 176— VUE DE TREPORT 


Height, 13% inches; width, 1014 inches 


DP mmm 
(40 ee er te (I pe 


A FOREGROUND of dry sand, silvery-drab flecked with brown, extends to a narrow 
strip of tide-marked sand, where a single figure stands. Four others are 
disporting themselves in the shallow water. A two-masted fishing smack with 
brown sails occupies the middle distance, and to the right of it appears a white 
sailboat, while other white sails and a steamer dot the distance. 


Signed at the lower left, A. STEVENS. 


WORTHINGTON WHITTREDGE, N.A. 
AMERICAN (1820- ) 
No. 177— AUTUMN LANDSCAPE 


YO BO: eee Height, 16%, inches; width, 141, inch 4, 
Ah citaes Vintes 0: UC EES 


Tue pasture of pale sun-dried grass, interspersed with bunches of eddish 
growth, slopes up from the foreground, showing on the left a row of three 
gray tree-stumps. At the top two small objects, apparently dogs, are seen 
at the foot of a maple that is aglow with yellow foliage. Further to the left 
of the ridge stands another, brilliantly red. 


Signed at the lower right, W. WHITTREDGE. 


JRO — HENDRIK WILLEM MESDAG 
putcH (1831- ) 


No. 178— A GRAY DAY / 
us ee LO EE: 


Height, 151% inches; width, 914 inche 


Tue sea is curdled to olive-cream, with creamy cresting on the rollers. Stern 
to us, in the centre, a fishing boat plows through the water, her tawny-buff 
sail showing against the dull red one of another boat. The latter flies a 
purple pennon, the one in front a red. Among the other craft of the fishing 
fleet are two toward the left, distinguished by drab sails. 


Signed at the lower right, H. W. Mespac. 


HIPPOLYTE CAMILLE DELPY 


/ 6 2 —— FRENCH 


Contemporary 


No. 179— ON THE MARNE 


Height, 11144 inches; length, 20%, inches 


PANEL Lye 4. Gs C ln Yo 


Tue river, mottled with lily pads, reflects the lavender, gray and pink of 
the sky. On the right bank, where a punt is moored, three women kneel over 
their washing, while a fourth stands beside them. Conspicuous on the left 
bank is a tall, winding poplar, beyond which a scarlet-colored barge with 
green deck-house lies end to end with another one. 

Signed at the lower right, H. C. Dery. 


ke: 


iN 


hag: Sang | DUTCH (1831- ) 


Ad Wi reyes ee HENDRIK WEISSENBRUCH 


W\ putcH (1824-1880) 
, 180-4 eh MY HOLLAND LANDSCAPE 

~ ae it ht, 153 hes; width, 1 h 
et Res eig 37, inches; wi Me bie fi : 


SHADOWED ae the dark olive-green foliage of a scther trees at the right, | 7 
footpath extends back from the foreground, separated by a strip of yellow- =. 
green grass from the canal. A boat is drawn up alongside the bank and its 
occupant, clad in a light blue blouse, is talking to a man on the footpathys V j 1 
wears a dull blue blouse over dark trousers. . 
Signed at the lower left, J. H. WrIssENBRUCH. 


HENDRIK WILLEM MESDAG 


No. bis Fes ON THE BEACH—SCHEVENINGEN 


Height, 18 inches; width, 13 inches. 


- PANEL Wr. (P 2, a 


Tue tide has receded from the sand at the right of the foreground andSome — 
distance back a single-masted fishing boat, held by two anchor lines, lies partly __ 
in the water. The hull, stern toward us, is a rich olive color, with some dashes 
of slaty-blue and a white reflection. Three figures stand near her at the edge ~ 
of the water. A sail appears on the horizon where the sea is primrose, beneath _ 
an orange sky that darkens above to a brownish-drab. 
Signed and dated at the lower right, H. W. Mespac, ’81. 


SO alt gee Ce ae 


ALFRED WAHLBERG 
SWEDISH (1834- ) 
No. 182— MOONLIGHT ON THE LAKE 


Height, 13 inches; length, 20 inches 


From the left of the foreground two birch trees slope across &. sky, a branch V 
of one of them being bent low to the water. The latter extends to the horizon, 
glittering with the reflection of a full primrose moon that hangs in the gray- 
milky sky. To the right of the pathway of light appears a boat with a single 
figure in it. 

Signed at the lower right, ALF. WAHLBERG. 


JOSEPH BAIL of 
FRENCH (1862- ) : 
LOD mae 


No. 183— IDLE MOMENTS 
Height, 1414 inches; length, 2214 inches /} 
9 "a 9 Ye ; te i, ahs hae oe: 
Facine us across a table, on which he leans his arms, a cookboy, clad in a 
bright red jacket, sits smoking a cigarette, half closing one eye in his satis- 
faction. Among the objects on the table are a brightly polished brass pot 
and a tumbler, containing a little red wine. 


Signed at the lower left, Bam, Joseru. 


In the centre of the foreground of 
horizontal belt of purplish trees and undergrowth. Above the 


Signed and dated at the lower left, CHas. Wapaee Eaton, 1892. 


S ‘FELIX SATURNIN BRISSOT DE WAT 
je— 


CHARLES WARREN EATON 
american (1857- +) 


No. 184—WINTER LANDSCAPE—LATE AFTERNOON e 
Height, 16 length, 22 inche 
7. R- Vio | oe 


uish-white and cree 
with a few dry brown stalks, a track of slaty-blue footprints \ 


float streaks of creamy-orange. 


FRENCH ‘ Ng oa 
No. 185— SHEPHERDESS AND FLOCK \oue 


Height, 18 inches; length, 21%, io Gee cae, on 
Vike 


Four sheep and a lamb are disposed i in the bright yellow-green f 
at the back of which the ground rises in a step. On the brink of this 
followed by two others, is preparing to descend. The shepherdes M 
close by, her figure in its red cap and blue waist appearing between t 
young trees that are protected by fencing. A third tree, similarly 
grows toward the left beside a tract of pale yellow oats. 

Signed and dated at the lower right, F. Brissor, ’83. 


HENRI HARPIGNIES 
FRENCH (1819- ) 


No. 186— ON THE MEDITERRANEAN 
Height, 10 inches; length, 12 inches 


PANEL ti 


Tue richly verdant foreground terminates in a dipping ridge, beyond which 
appears the blue water, reflecting in its centre the white of a pile of clouds 
that surmount the horizon. The foreground is flanked by trees, two of those 
at the right uniting in a compact mass of foliage, while the third has a more 
scattered growth. Between their trunks is visible a promontory, gray-green 
at the base, pale yellow on its summit. <A further promontory on the left 
glows warm yellow in the sunlight and beyond it lie two violet mountains. 


Signed and dated at the lower left, H. Harpicnirs, 98. 


$L4S~ Och 51/1848 Arueld. Seah 
Shay 7/901 bot. A. Grow 


one AS Xxx 
x ‘eu 


Cy / WILLIAM BLISS BAKER 

AMERICAN (1859-1889) audi 4 ; 
No. 187— A BARNYARD CORNER de, Ay" 
Height, 1444 inches; length, 20 inches 


Some chickens appear at the left of the grassy foreground, which extends 
back to three haystacks built around poles. Adjoining them is a low shed, 
piled loosely on the top with straw, at the back of which rises a pale gray- 
green roof. A mass of trees with dark green foliage shows behind the stacks, 
while in the left distance stands a row of poplars. 


Signed at the lower right, B. Baxer. 


Nodak S. ebb Sl 190 #235 - 4 555— fo leanhth ta 


BERNARDUS JOHANNES BLOMMERS 


putcH (1845- _—=) 
No. 188— THE TAILORS 


Height, 18%, inches; width, lp%, inches 


-* a, 
Ren be pdt — 
n white, olive-shad- 


Slightly rosy material, 


Ow a table placed in front of a window at the left, a mz 
owed jersey, is seated cross-legged, bending over some 
which lies on his buff-olive trousers. Meanwhile, in a chair in front of him, 
with her back partly to the spectator, a woman is equally absorbed in sewing. 
She is dressed in a white cap, olive buff-brown gown and greenish-blue apron. 


Signed below the upper left, Buommers. 


FRANCOIS AUGUSTE BONHEUR 
FRENCH (1824-1884) 


No. 189—SHEEP AND RUINS IN THE HIGHLANDS 


th, 1834, inches 


vish-green grass Jand strewn with 


Height, 13% imches; lg 


Tue pasture, covered with short yel 
boulders, slopes up to a summit, crowned with fantastic ruifs. Girdling them 
are bushes and trees, and under one of the latter toward the right a shepherdess 
is seated. Her flock, including brown as well as white sheep, are scattered 
over the foreground, three of the white ones appearing in shadow at the right 
of the foreground. 


Signed at the left of the lower centre, A. BoNHEUR. 


ANTON MAUVE 
putrcH (1838-1888) 
No. 190— THE PADDOCK 


Height, 13 inches; length, 17 inches my es Lh 
it A 


Tue grass of the paddock is yellow in the changing light Li a one sky, across 
which drift large volumes of white cloud. ‘Two bay horses are feeding toward 
the rear, which is bounded by a fence and a line of willows that slope over 
toward the right. Here a lean-to shed with a yellowish-rosy roof is seen 
against the pinkish lavender gable end of a building with white walls and a 
drab roof. At the right of the foreground a aed red appears at the end 
of a line of buff strokes. 


Signed at the lower right, A. Mauve. 


\y \™“ JOHAN BARTHOLD JONGKIND 


puTCH (1822-1891) 
No. 191— LE PONT ROYAL, PARIS 


Height, 13 inches;plength, inches alle : 


Four arches of the bridge span the river in the middle distance, an omnibus 
and pedestrians showing above the parapet. Along the farther bank lies a 
swimming-house, bearing the word “Naration.” Poplars rise behind and 
houses are piled at the back of them. Meanwhile, along the near bank are 
heaps, apparently of stone, reaching back to a clump of large bushy trees, 
near which appears a figure in blue. At the left of the foreground a man, 
standing in a barge, holds out his hands for something which a woman is 
stooping to give him. 


Signed and dated at the lower right, Jonaxinn, 1868. 


EUGENE LOUIS GABRIEL ISABEY 254 ¢ 
FRENCH (1804-1886) 
No. 192—RETURN OF THE FISHING BOAT, BRITTANY COAST 


Height, 13 inches; length, 22 inches 


Iy the shallow water at the left of the foreground threeYmen are hauling//a 
boat on to the sand, which rises to where a capstan marks the summit. Midway 
up the slope lie two single-masted sailboats, beside which a sail is spread upon 
the ground, with three women seated in a row mending it. In the rear appears 
a red-roofed hut, the background of the scene being a high cliff wall of bluish- 
gray rock, that warms to cream where its projections catch the light. 


Signed and dated at the lower right, KK. Isanry, 1855. 


SN 
; \ JEAN CHARLES CAZIN 
FRENCH (1840-1900) 
No. 193— A NORMANDY VILLAGE 


Height, 20 inches; width, A6 inches eee 
Pare 


Ar the right of the foreground a woman in pale pink cap, white chemisette 


body, olive skirt and gray apron, is hoeing cabbages. Behind her appears a 
bright yellow roof, succeeded by one of lavender rose hue and another of rosy 
cream. The foreground extends at the left to a fence, beyond which a white 
gable shows conspicuously among other buildings, while a tree with a winding 
stem rears up into an ambery-drab sky. 


Signed at the lower left, J. C. Cazin. 


ii 
oeuly 
a rk 
ue 


pias 


Salt 
. 


JEAN BERAUD 
(1849-) | 
~No. 194— PARIS SALON, OPENING DAY eae J 


A racgabeE extends back from the right of the foreground, showing two stories 


Height, 15 inches; length, 21% 


of round-topped windows and pierced by a high arched entrance. Carriages 
and public vehicles are drawing up to it and the place in front is thronged with 
artists, connoisseurs and critics. Among the’portraits recognizable is the 
conspicuous figure, with a long white beard, of Meissonier, dressed in black. 
The background at the left is gay with chestnuts in blossom. 


Signed at the lower right, Jeax Brravo. 


JEAN JACQUES HENNER 


FRENCH (1829-1905 


Ke 


ne 


No. 195— IDEAL HEAD "QW 


Height, 21%, inches; width, 18 inches 


Tue bust is in profile, the head looking over the left shoulder toward the 
spectator. ‘The chestnut-brown hair, curling over the forehead and parted in 
the centre, merges into the dark golden brown of the background. The eyes 
are rich brown, floating in pale blue; the lips a delicate rosy pink. Golden 
olive-brown shadows caress the left cheek and neck, and a turquoise-blue 
drapery wraps the figure. 


Signed near the lower left, J. J. Hennen. 


CHARLES EMILE JACQUE | 
FRENCH (1813-1894) 


No. 196— A HILLSIDE PASTURE 
Height, 201%, inches; width, 181% inches (3 V/s 
VIN LON ae Fave YU Ae a 


Unver a cool vivid light from a sky of murky olive tone, cut horizontally by 
a gash of white, the tawny-yellow pasture rises steeply from the foreground 
to a very high horizon, interrupted by a small clump of dark trees. About 
midway down the slope stand two tree trunks, one growing across the other. 
Close by, at the right, is a sapling stem near which a sheep is feeding. On the 
left a barefooted shepherdess in an olive-brown dress, dull blue apron and 
white cap, as she lies prone, turns her face to the front. Here four sheep 
are feeding; the arrangement of two of them together and two detached 
forming a very decorative spotting to a canvas that is full of dignity. 


Signed and dated at the lower right, Cu. Jacaur, "74. 


FELIX ZIEM 
FRENCH (1821- ) 


No. 197— VENICE 


Height, 15% incheg lenfth, 221,»inches 


Ar the right of the foreground a qudy-wall projects, under the lee of which 
three figure es are seated. Part of a crimson sail appears above the 
top and from the side obtrudes the bow of a gondola and a bit of its blue 
canopy. Another gondola is being propelled across the left front by a single 
boatman. It holds several passengers, including two who are sitting under 
its crimson awning. In the distance at this side the dome of Santa Maria 
della Salute showed a faint cream, while over on the right the Campanile and 
Doge’s palace are roseate with light. Above the horizon is a simmer of rosy 
lavender and creamy haze, passing to pale blue, which deepens in tone toward 
the right. 


Signed at the lower right, Ziem. 


NORMANDY LANDSCAPE 
Height, 18 inches; length, 25Y, ine 


-green . meadow in the foreground is tufted with soft bushes, possibly 
i] ee, which partly hide a wall that extends horizontal Yy across the 


- DENNIS MILLER BUNKER ; , 
aa ees AMERICAN (1861-1890) GF ra) 


li ee at the right of stacks. At the left of the second meadow stands 
= yw of willow trees, while a figure i is visible near the houses toward the right. 
on Signed | and dated at the lower left, DENNIs M. Bunxer, Larmor, 1884. ° 


} 


WILLIAM MERRITT CHASE, N.A. 
_ AMERICAN (1849- ) 


STILL LIFE f fe cas 
Height, 20 inches; width, 16 inches (3 Veg ebinr 


A BRILLIANTLY polished brass samovar occupies the tert SP the composition. 
From behind it on the right projects a tin-lined frying-pan, in front of which, 
in the plane of the picture nearest to the spectator, stands a jar, raven’s wing 
black in color, with lobed body, mounted on feet. 

Signed at the lower left, W. M. Case. 


W. L. LATHROP 
2 ri om cane 


AMERICAN (1859- ) 
Nomz00—2 ==. THE MEADOWS | 
Fr ; . . Height, 18 inches length, 26 A ae ~ Aas a 
| Bley. pp Ho tane 
Tue foreground shows a level expanse of cool green grass, tufted | bac h 


brownish-buff growth, and dappled with little pools of gray water. 
back the grass becomes tawny, as it approaches a horizontal line of atone 


at the zenith. 
Signed and dated at the lower right, W. Larurop, ’97. 


PR ne ttn ee gee 6 es 


ne PAUL JEAN CLAYS 


‘ Ue iz \ FLEMISH (1819-1900) 
an g 
<= te ~ No. 201—CLAIR DE LUNE, TEXEL, ZUYDER ZEE, HOLLAND a 


; Height, 18 inches; length, 24 es Were. 
: tees re Be: ne ese 


J Over the ae eae streams a pathway of creamy tawny light, veto 
from a primrose moon at the full. It hangs near the centre of a sky that is 
curdled with silvery gray, breaking here and there into tones of slaty purple. 
From the left of the middle distance projects a spit of land, on the extremity __ 
of which appears a windmill. A paddle-wheel steamer is moored beside the 
spit, and somewhat nearer to the front rides a fishing boat with tawny hull, __ 
red on its gunwale, and milky-drab sails. Another boat with similarly colored coe 
sails lies near the right of the foreground. 
Signed at the lower right, P. J. Ciays. 


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a EDWARD GRUTZNER 
ie | GERMAN (1846-1878) oe Ee . 
: No. 202— A GAME OF CARDS Ie = 


. Height, 17 inches; length, ie fh pth 


; Ar the left of the table a man with bronzed facé and scrub grizzled hair 


has removed his cigar holder from his lips, as he considers which of the two 
cards in his hand he shall play. Opposite to him sits a round-faced monk in 
brown habit, who waits with an expectant smile. Meanwhile, beside him a 
curé, in black cap and cassock, who has seen his hand, watches the other 
player with amused attention. 


We Signed and dated at the upper left, Ev. Grutzner, 790. 


AUGUST HAGBORG 


SWEDISH (1852- ) 
No. 203— RETURN OF THE FISHING BOAT . 
Height, 174% inches; length, 26 inches pF 
4 93, 


: -/ 
_Ar the right of the beach in the foreground a woman, holding a baby, wrapped 


in a crimson shawl, stands with her back to us, a little girl beside her. She is 
watching a boat, near which two women are talking to a man who leans over 
the gunwale. From this point the ground rises to the right, where a signal 
light on a white framework crowns the eminence. 

Signed at the lower left, A. Hacnore. 


GEORGE INNESS, N.A. 
AMERICAN (1825-1894) 


No. 204— APPROACHING STORM 
; Height, 173, inches; length, 2534 inches Brats 


Tue soft-textured, golden-green pasture of the foreground shows a little t tri- 
angular interval of sandy soil and at the left a yellow orange bush. Farther 
back on this side is a mass of foliage, surmounting one big trunk and two sma I : 
crooked ones. On the right stands a clump of young trees, between the stems : 
of which appear spots of red and white as of a distant cottage. So far the | 
landscape is in shadow, but across the interval beyond strikes a gleam of cool ,, 
light, showing against a lavender slaty horizon. Above this lie some layers | | 
rosy cream, with which also the upper sky is mottled, cooling, however, to 
; rosy drab, and deepening on the right to a purplish hue. 3 


Signed at the lower left, G. Inness. 


FOO 0 DANIEL RIDGWAY KNIGHT 
as AMERICAN (1850- _—) 
No. 205— THE MUSSEL GATHERER 


Height, 22 Wet gh oes Aes (Sar 


Wir her back to us, but turning half around so that her face i eae -- 
a young girl is standing on the sand. Clad in a buff cap and waist, ae latter — 
with dark slaty sleeves, she holds her scraping iron against her apron, which is 
of silvery bluish-olive color. A basket is slung behind her back. 


Signed at the lower right, Ripeway Kwnient, Paris. pa 


LOUIS EUGENE LAMBERT 
FRENCH (1825- ) 


No. 206— VISITE DOMICILIAIRE Ad VS mee 


Height, 18 inches; length, 211, ye ve ee 


A LITTLE tawny dog, mounted on a chair at the ue is surveying the havoc 
wrought by four kittens and a young cat. The doors of the sideboard are open 


and one of the kittens appears inside, sitting on a table cloth. It seems to have 
been dragged down and to have brought with it several pieces of china that 


lie broken on the floor. 
Signed at the lower left, Eva. Lampert. 


J. FRANCIS MURPHY, N.A. 


AMERICAN (1853- ) 


No. 207— ON THE LOWLANDS 


Height, 16 inches; length, 22 Ee af 


Tue tawny-greenish expanse of the foreground is celles & what seems 
to be three gray boulders. At the right is a yellow flowering bush near which 


rise three slender trees with a little faint purplish-buff foliage at their tops. 


They are separated by a dull red bush from a fourth tree which grows at the 
extreme right. In the distance toward the left are indications of pools, re- 
flecting the creamy tones of the curdled sky. 

Signed and dated at the lower left, J. Francis Murpuy, 1907. 


£0 O = ARTHUR PARTON, N.A. 
AMERICAN (1842- ) 


No. 208— APPLE BLOSSOMS 
Height, 18 inches; para inches 


sites yellow-green pasture is threaded by a winding brook, ¢rossed some 
tance back by a footbridge. Opposite to this at the right i iY an opening in a_ 
lavender-colored stone wall that bounds a little orchard, in which are seve ral 
apple trees, white with bloom. A drab wooden house, with a door and | f 
window appears at the back of the trees. 
Signed at the lower left, ArtTHuR Parton, N.A. 


CHARLES SCHREYVOGEL aa 
O — AMERICAN (1861- ac 
No. 209— TROOPERS ATTACKED BY INDIANS 


Height, 20 inches; wi ye 16/Anches nese fa 


Two United States troopers, mounted on AS Ae i are coming straight _ 
forward at the gallop, pursued by Indians. While the right-hand one turns 
in his saddle to fire, the other holds his rifle across his chest, as if he were — 
reloading it. Meanwhile, he stares ahead with open mouth, apparently shout- — 

ing to some comrades. 


Signed at the lower left, Cuas, SCHREYVOGEL. 
And at the lower right, Copyright, 1903. 


BRUCE CRANE, N.A. 
AMERICAN (1857- ) Fi y LO mas 


A GOLDEN SUNSET 


Height, 20 inches; length, 24 inches ue Ww. Leia 


1 the ee cand. which reflects a luminous primrose glow, is sur- 
ed by masses of golden growth, suggesting bracken. Out of it, at the 
nt rise s a few slender trees, while at the left i is a small clump behind which 


{> 
' 


GEORGES MICHEL 


FRENCH (1763-1843) ) je ye 
A STORMY DAY © Ome 


Height, 19%4 inches; length, 2614 inches 


mm Bade Morrell 


i Pcs looks down over level country, swept occasionally with a gleam of buff 
and cream; but otherwise darkened to olive-green and brown. In one of these 
"streaks of shadow, near the centre, appears a church spire. Farther to the 
ES eoht stands a windmill. A band of mossy green appears below the white 
horizon, over which surges a turmoil of sooty gray vapor, deepening at the 
right to almost black. 


JAN MONCHABLON | 
j FRENCH (1855- y . 
oe No. 21 2— PANORAMIC LANDSCAPE, BRITTANY | 


Height, ance length, Pie Mork 
LIV ASP HKMVYE 


One looks across a foreground, divided longitudinally into strips. The vO 
to the left are sprinkled with green amid the stubble, on which sheep are 
ing, while the one at the right is plowed. In the former patch the 
_ already standing, the figure of a man appearing behind it on the ed 
the ground, looking down upon the red roofs of a village. It is backed 
purple-lavender woods, interrupted by a strip of evergreen growth. M 


aoe 


while, beyond and to the left, a panorama extends to distant are ; Bi 


a 
Signed and dated at the lower right, Jan Moncuaston, 1889. 


And at the lower left, o£. xxxvii. 


J OHAN HENDRIK VAN MASTENBROEK - 


go ce 
wee O — putcH (1875- _—=) 
No. 213— VERS MIDI 
Height, inches; width, P91, incke 


Re ti 


a 


_ 


Some barges lie end to end along the quay at the right gf the canal, which — 
extends back from the front, disappearing under a bridge in the distance. 
Above the houses which border the quay rises conspicuously a reddish church | 
tower, with three lancet windows in its upper story around which hover a  _— 
flock of birds. A fluster of creamy clouds, surmounted by a mass of drab | 
vapor, appears in the upper left of the sky, the tones being reflected in the 
waters of the canal. 


Signed and dated at the lower right, J. H. Mastensroek, ’96. 


GEORGE INNESS, N.A. 


AMERICAN (1825-1894) 


No- 214— SHOWERY WEATHER 


Height, 20 inches; length, 26 inches 


Tue immediate foreground is embrowned with shadow, beyond which the pas- 
ture extends, a yellowish-green. At the left of the middle distance the light 
shines on the olive-gray stems of two maples which unite their greenish-yellow 
foliage overhead. In the same plane, at the right, is a gray wall, over 
the top of which appear a green and a golden-yellow bush. Above the latter 
rise two slender trees. In the distance a stream crosses the landscape hori- 
zontally, bounded by red and golden woods. A strip of slaty vapor lies over 
the horizon, above which is a turbulence of white clouds, showing peeps of 
blue. 


Signed at the lower left, G. INNEss. A 


{hh 


————— 


ETIENNE ADOLPHE PIOT 


FRENCH 


Contemporary 


No. 215— GIRL READING 


Height, 25%, mo aa Pp inches 
Tue girl’s figure is seen as far as the waist{/almosf facing thé Spectator, wit 


the head inclined a little to the right. The blond hair arranged in three rolls 
over the top of the head, appears against a scarlet cushion. Dressed only in 
a white chemise, leaving the neck and-arms bare, she is holding open a yellow 
bound book, decorated with red arabesques. 


Signed above the lower left, A. Ptor. 


¥ 


oe i A oybely % 


FERDINAND ROYBET 
FRENCH (1840- ) 
No. 216— A SPANISH NOBLEMAN 


Height, 24 inches; width, 171% inches Yj iY. 
(p) 
Tne figure, dressed in a black costume of the Seventeenth eZ efandsd 


front of a table, backed by a tapestry, both of which involve tones of Sat: 
tawny. ‘The velvet cloak is wrapt around the figure, the right foot advanced 
and the right hand planted on the hip. 


y= 
& 
Y 


Aha 


Signed at the lower right, F. Royse, 


~) aN ; Ye 
a \ i 2 So f* VA, \ 


, JOSEF ISRAELS \y* 4 Y 
putrcH (1824- ) < Ot fr 
No. 217— THE NEIGHBORS 


Height, 23%, inches; length, 281% inches 
c 5) 4. =) Ay /2 


Turee old villagers are seated at a table, while an old woman, standing in the 
rear, pours something from a pitcher into a mug. ‘The man in the centre of 
the group, seen across the table, on which he rests his hand with a short clay 
pipe in it, is dressed in a brown hat and coat, beneath which appears a touch 
of blue. He extends his right hand to his companion at the left, who is filling 
his pipe from a box which he rests on his leather apron. His grayish-blue 
shirt sleeves are illuminated from a window at the left. Meanwhile, the third 
man listens to the talk, leaning his elbow on the table and holding his pipe 
in his mouth. 


Signed at the lower left, Joser Israrts. 


y Ch. bebumudele 906 -#U7- SNEXx. 4. Brea, 


ANTON BRAITH 
GERMAN (1836- ) ; 


No. 218— THE DRINKING PLACE 


Height, 1934 inches; length, 311% inches {> : ( A-A- 5 L 
4" A Are / 4 th, ‘VU AR 


Ar the left of the foreground a little wooden chute projects from the bank, 
conveying a thread of water into the pool below. ‘Toward it are approaching 
three calves. A white and blackish-red one, with a bell around its neck, is in 
advance of a red dun on the left, and a creamy dun, also carrying a bell, 
on its right. A peasant boy and girl, the latter with a red bodice, are seated 
on the brink of the knoll in the rear. 


Signed and dated at the lower right, Anton Brarru, Miinchen, 1891. 


Sd 


~_ 


} oe 
LUM SEA 
MADAME MARIE DIETERLE 


FRENCH (1860- ) 
No. 219— A CORNER OF THE PASTURE 


Height, 23%, inches; length, 291%, inches 


In a little pool, ragged with grass and reeds, near the right of the foreground, 
a white calf stands gazing toward the front. A handsome reddish-brown cow 
with a dark brown neck and a white face and belly is approaching from the 
left, her nose lowered as if about to drink. Farther back on the left a red 
dun with a white face lies near two apple trees. In the back of the pasture 
which is dotted with cattle and bounded by trees, appears a man in a blue 
blouse between two horses that he seems to be leading forward. 


Signed at the lower left, Marte Dieverte. 


q 


an eet er nem tenements ary 


JULIEN DUPRE 
FRENCH (1851- ) 
No. 220— MILKING TIME 


| 
. 
1 
. Height, 254% inches; length, 32 inches Gs LOPS ie 
i S a “ 
. THe scene presents the corner of a very verdant pasture, backed by a wood, 
which leaves an interval at the left, showing a peep of sunlit yellow meadow 
and distant violet hills. At the left of the foreground a red cow, flecked 
with white, is lying behind the standing bulk of a white and black one, while 
. toward the right the milkmaid, carrying a zine bucket heavy with milk, 
crosses a plank footway that bridges a rivulet. A rosy kerchief is wound 
around her head and her buxom figure is dressed in a blue apron with lavender- 
blue bib, strapped over the shoulder of a full white chemisette. 


Signed at the lower left, JutmN Dupre, 


JACOB SIMON HENDRIK KEVER 
; puTcH (1854- ) 


No. 221— ) BESIDE THE CRADLE 


Height, 26%, indhes; Ve Pl ee 5 


A mossy green cloth hangs over th head of the cradle in whi 
haired baby in a blue frock. On the latter rests the big-br 
the mother, as she leans forward in her chair at the left. She is seen in 


sits a fair- 
ned hand of 


profile, dressed in an olive-brown cap, brown waist and olive-tawny apron. 


Signed at the lower right, Knverr. 


ash hintaan 


JEAN LEON GEROME 
FRENCH (1824-1904) y? 


No. 222—THE PRAYER MOSQUE OF CAID-BEY, CAIRO 


Height, 24 inches; length, 35 inches YL %¢ ed Lice 


A recTaAncte of light falls on the carpet from above, and beside it stands a 
black-bearded figure in a white robe. He extends his hand toward a green shrine 
that occupies the right of the chamber. Its side is pierced with lattice and 
hung with a yellow drapery, while the top is arched and at the left rises in a 
dome, surmounted by a white flag on a pole that is tipped with a crescent. 
Six other flags droop at the corners and centre of the sides. Crouched in front 
of the shrine on the ground is a figure in black, with red turban. 


Signed near the left centre at the foot of an arch, J. 1. Grrome. 


yr ADOLF SCHREYER 
GERMAN (1828-1899) 


No. 223— THE RECONNOITRE 


Height, 27%, inches; length, 391, punches Gy 


A panp of Arab cavalry is passing across the foreground from the left, where 
the leader brings up the rear. He is mounted upon a proudly stepping white 
horse, dappled slightly with gray, on which the sunlight glows, touching 
to brightness the rosy-pink headgear and bluish-green saddle cloth, from 
which hangs a decoration of scarlet cords. ‘The chief, clad in a white drapery 
over his head and back, a lavender-rose jacket and a rosy sash, carries the stock 
of his musket on his thigh. He is immediately preceded by a Nubian in red 
fez, with a musket slung across the back of his green embroidered jacket, who 
leads a bare-backed blue roan. Among the figures in front is one carrying 
the standard. 


Signed at the lower right, Av. ScuREYER. 


FRANCOIS PIETER TER MUELEN 
putcH (1843- ) 


No. 224— RETURN OF THE FLOCK 


Height, 32 inches; length, 35%, inches 


A rupbeE stable, constructed of gray horizontal boards, occupies the left of 
the foreground. The upper half of the door is open and the shepherd, dressed 
in a light blue blouse and buff-brown cap and trousers, is drawing back the bolt 
of the lower part. Meanwhile, the sheep, standing in a cluster, are watched 
by a yellow-brown dog that has his back to the front. A willow tree and a few 
sapling willows border the fence in the rear. 


Signed at the lower right, Ter MEULEN. 


EUGENE JOSEPH VERBOECKHOVEN 
- PLEMIsH (1799-1881) 


No. 225— LANDSCAPE AND SHEEP 


Height, 35 inches; th, 43 Anf~hes «: ioe 


A sBiLack ram lowers his head as he sidles up to an ewe that lies at the right 
of him, with her two lambs beside her. A little drab shed with thatched roof 
rises behind the group, and in the distance at the left appear two goats. 


Signed and dated at the lower left, Kuc. VerBorcKHoveN, 1872. 


CHARLES PAUL GRUPPE 
) | we 
, eee L&E Bg 
|‘ THE FAGGOT GATHERER Fs if csandet 2 
De eign 28%, inches; width, 22%, inches 0 ee QO. Green Zhe 
f xtends Pack from. the foreground to a drawbridge. A boat 


| t bank, where a woman in blue apron and white cap stoops over 
pee is near a hooded stack which appears behind three gray- 


AMERICAN (1860- 


FRANK DE HAVEN, A.N.A. 


AMERICAN (1856- _) tk 5 = 


AUTUMN 


Height, 24 inches; length, 30 inches Ol Od yi 
Loy Cy a 


c, Tue ee nd. 3 is flanked on both sides by oaks, ablaze WE yellow, orange 
and golden-red foliage. A rough road, with deep ruts, curves back from the 
foreground, at its extremity appearing a flock of sheep, driven by a shepherd 
in a light blue blouse. The distance shows a vista of pale greenish woods with 
a winding road. 

Signed and dated at the lower right; F. pe¥Haven, 1902. 


No. 227— 


450 — 


ee 
No. 228— FETCHING WATER 


Height, 32 monet width, vi mt inte i 
Surrounpep by bulrushes and flags Caine are sprin ed with a few yellow | 


iris blossoms, a girl stands beside a little pool in the foreground, holding a as 
bluish-gray pitcher. Her costume consists of a pinkish-lavender cap, drab te . 
body with brown stripes on the sleeves, and a drab skirt spotted with dull red, oh ae a 
tucked up over a slaty petticoat. Rose and purple streak the lower Bigen: of ies 
the primrose twilight sky. PR 


AMERICAN (1850-— 


Signed at the lower right, Riwaway Knicut, Paris. 


HERMAN JOHANNES VAN DER WEELE | 
puTcH (1858- ) 
No. 229— SHEEP GRAZING 


Height, lee dee eo ae i apes Ce 


Tue flock, grazing as it moves, is finite: ee the front. Here the 
herbage grows in wiry tufts, showing intervals of brown-buff soil. It appears 
to be marshland for there are pools of water back at the right, and sheets of 
water at the left. In the foreground at this side is a hedge of saplings with 
a few red leaves. The shepherd in a blue blouse, with a stick tucked under 
his arm, walks behind the sheep. . 

Signed at the lower right, H. J. v. vp. WEELE. 


WILHELM VON GEGERFELT 
SWEDISH (1844- ) 
No. 230—TWILIGHT ON LAKE SILJANSHO, SWEDEN JZ ce 


Height, 261%, inches; length, 3714 inches bs (0. ee 
: : : E 


Tue white orb of the sun is half hidden in a bank of rosy | nder mist, and 
gloom is gathering over the surface of the ice which is scored with the marks 
cut into it by five skaters. At the right a boat is drawn up onto the bank 
which, covered with snow, extends back to a rude fence and rises to a slight 
elevation. Here a sailless windmill rises forlorn against the misty obscurity 
of the upper sky. 


Signed and dated at the lower right, W. v. GrcErFeLt, *80. 


GEORGE H. BOGERT, A.N.A. 
AMERICAN (1864- ) 
No. 231— THE LAST GLEAM : ¢, 


Height, 28 inches; length, 35% inches 

Tue foreground of rough grass, strewn with three large boulders, need 
in shadow, save where the water that indents it reflects the cream and rosy-gold 
of the wisps of vapor which float in the pale greening-blue sky, arching around 
a white glow toward the right. Against this is silhouetted the rich browns of 
an oak, which stands detached from a dense clump of trees at the right. Ris- 
ing above the lavender-blue hills on the horizon is a small tree that glows 
with red. 


Signed at the lower right, Georce H. Bocerr. 


ACy 
TA; YESIULES ADOLPHE BRETON 


FRENCH (1827-1906) 


“se 


No. 232— THE COMMUNICANT 


Height, 49 ae width, 33 ,~nmches 


A Breron peasant, with dark brown hair curling over his shoulders, stands 
holding his stiff felt hat under his right arm and a taper in his left hand. His 
figure, seen as far as the knees, is clad in brown full breeches, a short greenish- 
blue jacket, trimmed with black braid and buttons, and a black vest bound 
with a dark blue sash, while a red band is buttoned beneath the upright white 
collar. 


Signed and dated at the lower right, Jutes Breton, 1872. 


2ssh- diph Sho Srupucl - he, 
Thay £485 / fe £ frhamen 


Lee US XX = 


&MASx- 


JOHANNES HUBERTUS LEONARDUS DE HAAS 
putTcH (1830- ) 


No. 233— CATTLE IN HOLLAND é 
Height, 2934 inches; length, 49 nga Thr. VY) 


In the foreground of the richly verdant pasture, which is spotted in the 
tance with cattle, three cows are feeding; in order from the left, a white 
dun head, a red and a black with white between the horns. At the rigM of 
the last a white and dun is drinking at a brook, on the far side of which 
appears a clump of willows. 

Signed at the lower right, J. H. L. ve Haas. 


HENDRIK WILLEM MESDAG 
puTcH (1821- ) 
No. 234— START OF THE FISHING FLEET 


Height, 554, 6h: You aay 


Rockne on the swell of the amber-gray water, feathere white, five fish- 
ing boats are lying off-shore, their bows pointing seaward.// The three, count- 
ing from the left, have lines running back to the foreground, where in the shal- 
low water a man is handling that of the second boat, while that of the third, 
which has “H. 799” on its tawny sail, is being adjusted by two men. Mean- 
while, the fourth boat, No. 67 of the Scheveningen fieet, has all her white sails 
set, and besides a pennon carries the Dutch ensign on a flagstaff fastened to 
the mast. Other boats already spot the distant water. The sky is greenish- 
blue, with balloons of dove-gray, slightly whitish clouds. 

Signed and dated at the lower right, H. W. Mespae, 1901. 


[ANNES SCHERREWITZ : 
ee puTcH (1868- - ) | ey ea Oo } 


THE FARMYARD 


ition is occupied by a small red brick barn, 
roof, over the ridge of which appear the tops of four 
trees. Near the door of the barn a man, distinguished by the — 
of his shirt, bends over a heap of refuse which he is forking 
reeled wagon. One of the team, a bay, faces us, while the other, 
stands free of the cart, almost in profile. 


a FRIDAY, MARCH 177, 1911 


AT MENDELSSOHN HALL 4 


BEGINNING AT 8.15 0’CLOCK : . F 


G. KOTSCHENREITER 


GERMAN 


MAN SMOKING b S 
Height, 91, inches; width, 7 inches a 


PANEL a YL - VU ihe aie ae 


‘Tu sharp peated profile is turned to the left, an olive-buff cap mounting 
to a point over the crown of the head. The man is dressed in an old slaty-green 
coat and blue waistcoat with red tie. A pewter is beside him. 

_ Signed at the upper right, G. KorscHENREITER. 


- 


Lae 
ee 
wi 5 


> a Sars ; 
ree ees a 
etre 


mt Mass 


oe ys Owen Be IVAN POKITONOW 


RUSSIAN 
Contemporary 
No. 237— - LANDSCAPE WITH SHEEP 


Height, 7 inches; length, 101%, inches 


paren Ly Cd: to Wee 


Tue sheep are grouped around a yellow patch near the centre of the pasture — ca, i 
which slopes up to the back, where the shepherd, is standing on the ridge. 
Beyond appears a round-topped hill, divided into sections of cultivation. eet era 
Signed and dated at the lower right, I. Poxrronow, 1887. 


“So \y 
ae yt JAN MONCHABLON 
— prencu (1855- _) ss 
No. 238— VALLEE D’ENFOUVELLE, HAUTE MARNE we a 
Height, 9%/, inches; sgt 14 inches Ve VV ee R 
AMPA “x : 
Tue ground slopes down from the front, divided into longitudinal tracts of 
green, lavender-pink and yellow, which are terminated by horizontal strips of 
lavender-rose and other colors. These extend to a village with purplish-red 
roofs, nestling in the hollow. Beyond it appears a winding white road leading 


off into a far-reaching panorama, bounded at the left by successive mountain 
ridges. . 


5! ee ee ee ee rr eee» + ee Ra 


‘3 


Signed at the lower right, Jan Moncuasston; and at the lower left, ox, 134 Bis. ae, 


it 


5 8 . . 
yt & 9% Soo — Lion 10,4 A. Sisbekw BOS - —a 
Auk Y) 900 A. Srore #oms — 


FELIX SCHLESINGER 
GERMAN (1833- ) 


No. 239— THE LITTLE WASHERWOMAN 
Height, 91, inches; length, 121% inches he 4 eo 


Be. CO thy 


In front of a doorway, part of which appears at the right of the foreground, 
with a broom leaning against it, stands a washing bench. In place of the 
tub it supports a bowl in which a little fair-haired child, as she kneels on a 
chair, is dabbling with her hands. An older sister stands behind, holding up 
a pair of dripping socks. A doll lies on the ground. 


Signed at the lower left, F. Scu.estncEr. 


ANTOINE VOLLON | Ve 
FRENCH (1833-1900) | 
No. 240— STILL LIFE 6 1 OF hie 


OS eect lai IS a pe oe CPL Y phherree 


Tue central object is a cream-colored china sugar-bowl, that stands on a 
saucer. At the right is placed a brass Turkish coffee-pot, while on the left a 

wine glass with a lid appears above a spray of roses. Two old-fashioned pearl 
earrings complete the arrangement. 

Signed at the lower right, A. Vouion. 


CHARLES EMILE JACQUE { I 
al - 

FRENCH (1813-1894) Ap = 

N a" 775 — 
oo 24)— FEEDING TIME : © 


Height, 6 inches; length, 91 inches 


aR Mek p 
ae gee Lee 


Five sheep stand in a row, gazing through the open door of a barn, in the 
dark interior of which appears a well filled rack. The shepherd, in a brown 
hat and pale gray vest, is entering ahead of the sheep with an armful of fodder. 
In the front of the yard stand a white hen, a black one and a red and gold cock. 


Signed and dated at the lower left, Cu. Jacaug, ’79. 


JEAN JACQUES HENNER | 


FRENCH (1829-1905) \" AS 2 


HEAD AND BUST OF A GIRL Nit “a 


Height, 16 inches; width, ty inches 4. 4. 


= 


Tue bust of a girl, draped in turquoise-blue so as to leave a OL recta 
opening, shows three-quarters to the front, inclined toward the left. Th ee 
however, is full to the front and slightly lowered, so that the parting of tl e i 
chestnut hair is visible on the crown. The whole is sketchily rendered age roy, 

a dark green background, mottled with elton 


Signed at the wpper hee J. J. HENNER. 


4 Voi g Se FRANZ VON DEFREGGER  ——— 
; GERMAN (1835- ) 
No. 243— ‘THE LOVE LETTER ~ 


Height, 1744, inches; width, 1114 inches 


PANEL Se, RE : 1 ‘ 
A PEASANT girl rests her rake on the ground, Ne: reads a etter (Sh is F 


dressed, Tyrolean fashion, in a straw hat with a pink ribbon and redVflower, 
a purplish-brown jacket, a laced red corset and a slaty-blue apron, turned up 
over an olive-brown skirt. | 


Signed at the right side, De¥rrEccER. ' ‘ 


MLLE. ROSA MARIE BONHEUR 


FRENCH (1822-1899) 
No. 244— HIGHLAND CATTLE 


Height, 6 inches; length, 9 inches /) KO 
: » SAN 


Tue olive-green, reddish vegetation of the moor is interrupted with out-crop- 
pings of slaty-gray slabs. A long-horned, red dun cow stands across the fore- 
ground in the direction of the left, her calf of the same color facing us under 
her head. A bell hangs from the leather strap around the mother’s neck. ‘The 
background shows the indication of a mountain lying against a milky-drab sky. 


Signed and dated at the lower left, R. Bonuevr, 61. 


» 


ae PY F oe 
x ) \WF JEAN CHARLES CAZIN 


> 


FRENCH (1840-1900) 


No. 245— THE HARVESTERS | . 
Height, 12%, inches; with, YA inches, 3 I 
| (REG) 
y, “ LAS * / x AALY U / cx And 


Some distance back in the stubble field a man in a blue blouse stands on a 
ladder, putting the finishing touches to a rick. At the right of it is one near- 
ing completion, a man being at work on the top, while another is unloading a 
wagon alongside. A white horse stands by, at the left of the foreground a 
man walks toward the rick with a sheaf in each hand, and at the right three 
figures are busy binding other sheaves. 


Signed at the lower left, J. C. Caztn. 


nian 


JOSEPH BAIL 4 
FRENCH (1862- ) 


% ’ 
wr \ 


No. 246— TEASING THE KITTEN 


Height, 114%, inches; length, 14° inches . a wy, 
pair iC. SRO wart fh. 


A cooxk-Boy, as he smokes a cigarette, leans his arms on the right-hand end 
of a kitchen table, pointing one finger at a kitten. The figure, clad in white 
apron, scarlet jacket and white cap, is shown as far as the knees, seated so 
that the back is partly toward the spectator, while the face is in profile. From 
under the boy’s left arm a white cloth hangs over the edge of the table, in 
front of which is a stool, holding a bottle, brass lid and two ladles. 


Signed at the lower right, Bait, JosEerH, 


JULES DUPRE 
FRENCH (1812-1889) 


No. 247— MARINE 


Height, 121%, inches; leng pp Riots 


THe sea is a cool olive-green, shot with silvery-grayish light anf breaking 
into white on the crests of the waves. Into the trough of one of them, near the 
centre of the composition, a fishing boat is dipping her bow. She has a dark 
hull and drabbish-white sails, shading to brownish-olive. A touch of red ap- 
pears on her deck. Farther back on the right another boat is heeling over in 
the wind, and smudge of a distant sail appears near the left of the horizon. 
The lower sky is a silvery greenish-gray, above which floats a scarf of creamy- 
white cloud, while toward the zenith pale gray-blue shows through a veil of 
drab and gray vapor. 

Signed at the lower left, Jures Dupre. 


From the Staats-Forbes Collection. /90b —# I3 fans Stade tx 


“a f 
Paul LAZERGES 
(899. 


/ 


JEAN BAPTISTE PAUL LAZERGES 
FRENCH (1845- ) 


No. 248—ARAB ENCAMPMENT—NIGHT IN THE DESERT 


Height, 15 inches; length, 18%, ie ve : f, ( drrith 
, nv 


Unver the slaty-violet sky, pricked with stars, two low spreading tents are 
pitched. An orange glow appears inside the right-hand one and in front of 
it ascends a small column of smoke. A single figure in white stands sentinel, 
looking toward the front which is spotted with camels, two of which are stand- 
ing, while the others are stretched on the ground. 


Signed and dated at the lower right, Paut, Lazerces, 1899. 


% eas 
WILLEM MARIS VW * 
putcH (1844-1910) 
No. 249— DUTCH LANDSCAPE 


Height, 1714, inches; length, 23 inches 


Tue greenish-yellow pasture at the left of the foreground juts out with little 
spits of reedy bank into the river which occupies the right of the composition, 
stretching back to the horizon where a dove-gray sail appears. ‘The water is 
silvery-drab, ruffled to white as, driven by the wind, it laps against the curving 
projections of the pasture. Here a cow stands looking over the river, while 
farther back three more are grouped near a man in a blue blouse, The 
distance is closed in by bushes and feathery trees, sheltering a cottage and 
hooded stack. 


Signed at the lower left, Wi11em Maris. 


— 


ee ee Re ne ee a RT tS th oT 


J. FRANCIS MURPHY, N.A. 


AMERICAN (1853- ) va 
No. 250— INDIAN SUMMER ans 


Height, 16 inches; length, 22 inches 


Tue dead grass of the pasture in the foreground presents creamy tones slightly 
tinted with rose. In the centre an irregularly trodden path leads back and 
winds behind some trees in the middle distance, in the rear of which a range of 
steep buff hills show against a white sky, which is sifted over with grayish- 
drab vapor. At the right of the middle distance a cottage with white walls 
and buff thatch appears in the interval beyond a maple, which is sprinkled with 
a few brick red leaves, and a leafless willow. 

Signed and dated at the lower left, J. Francis Murpny, 1904. 


FRANCOIS AUGUSTE BONHEUR 
FRENCH (1824-1884) 


No. 251— CATTLE BY THE SEA 


Height, 1734 inches; length 2714 jn ey 


In the distance at the left appears a strip df greenish sea, streaked with white 
surf. Bordering it is a belt of sand, succeeded by a level stretch of grass. 
From this a red and a brown cow are ascending to the foreground, where a red 
yearling calf is lying close to a white cow splashed with red. Another lies 
behind her and two more are seen in the shadow of an avenue of stunted, slop- 
ing trees, which occupies the right of the foreground. 


Signed at the lower right, Aucusre Bonuevr. 


ALFRED STEVENS 


hg es BELGIAN-FRENCH (1824-1906) 


MARINE J GO — 


_ Height, 16 inches; width, 12%, inches 


Stes Ga Gv Mae 


is a little below the centre of the composition. Above it 


tant | “234 is dotted with five sailboats. Near the front the eibieey 
[eae and jib of a fishing smack cast their reflections on the pale green 
ater, , which is streaked and flecked with tones of cream, lavender and deep 
"een and blue. At the right of the smack i is a row boat in which two figures 
ire seated. 
Tass eae: = right, he STEVENS. 


= 


ALFRED STEVENS / ne O 
BELGIAN-FRENCH (1824-1906) 


No. 253— , VUE DE TREPORT 
Height, 16 inches; width, 12%, inches 


cde VW ove oar: 


Tue water reaches to the foreground, churned by the action of the tide and 
wind to an agitated mass of creamy-buff, flecked with white. Conspicuous in 
the center of the middle distance is a fishing boat with two red markings on 
| her stern. She has a port-name on her mainsail and flies a tricolor pennon. 
.: Numerous other sailboats spot the distant water. Over a creamy-drab horizon 
the sky grows to a pale greenish-blue, interrupted by a few white clouds. 


Signed at the lower left, A. Stevens. 


v) 
a 
= 
i 


ei oee pte: LEON VICTOR DUPRE 


3 


aS 


FRENCH (1816-1879) fhe oe Ore 


No. 254— LANDSCAPE AND COTTAGE ee 


Height, 213, inches; width, 181, inches ‘ie Gi ¢g are 


Near the centre of the foreground appears a woman in blue skirt and crimson 
cap, who is moving in the direction of two trees which occupy the immediate 
right. At the back of them the olive-green turf, streaked with tan and cream, 
rises to an elevation where, sheltered by trees, stands a cottage with very dark 
red roof and a white wall that is strongly illuminated. In the distance the 
ground slopes up to the left in shadow. Over the horizon hangs a large fluster 
of creamy-tan clouds, the upper sky being drab in hue with two intervals 
of blue. 


Signed at the lower left, Victor Dupre. 


LEON VICTOR DUPRE 
FRENCH (1816-1879) 
No. 255— LANDSCAPE WITH POOL AND COWS 
Height, tr inches; length, 23 4 . 


A poor in the foreground, shaped like the segment of ‘Cake catches the light 


from a cluster of creamy volumes of cloud in the centre of the sky, and also 


reflects the shaggy fringe of reeds and rushes which line its farther bank. The 
latter is bounded by two fences that leave an interval in the centre, beyond 
which three dun cows and a red one are grouped. The herdswoman is seated 
under one of the two trees that have been borne over by the wind in the direc- 
tion of a cottage on the right. Farther back, near the centre of the middle 
distance, appears another cottage whose white gable end is strongly illumi- 
nated. The intervening pasture is dotted with cattle, while toward the left 
are the figures of two women, one of whom is distinguished by a white cap. 
Signed at the lower left, V. Dupre. 


_ H. BOLTON JONES, N.A. 


: pes S AMERICAN (1848- ) 


Bens: NOVEMBER DAY “ued . 
j ea rs Height, 174, inches; length, 3114 inches ‘ 


traggles back from the foreground, winding in and Out of rie 
yf f bank that are clothed with bright green vegetation. In the distance 


1S 0, 


GEORGES MICHEL 
FRENCH (1763-1843) 

LANDSCAPE WITH WINDING ROAD D, y Le 

; Height, 19%, inches; length, 291, inches Gv 
< “Tus Bey bur foreground, sketchily rendered, rises from the left to a plateau 

, at the right. A cream-colored road ascends to a little below the summit, where 

it makes a turn to the left and then disappears behind the hill. Approaching 

the turn is a hooded wagon drawn by one horse, which the driver holds by the 

head and urges with a whip. Ahead of him, around the bend of the road, a 


shepherd follows his flock. The sky is filled with sooty vapor that breaks into 
white at the zenith. 


Be Fo aoe a AUGUSTUS KOOPMAN 
vv AMERICAN (1869- ) ; 


No. 258— _ THE BOATMAN 
Height, 23%, inches; length, 281% inches 


A patHway of rosy-yellow intersects the green water, reflected from t 
which lies low i in a blur of primrose, tinged with rose. At the right of t 


propels from the stern, his oar leaving a wake of green and rose and , 
swirl. . 


Signed at the lower left, Avecustrus Koopman. 


: 17D} WILLIAM BLISS BAKER 


j Xx aoe Autenican’ (1859-1889), a. T Sn 


No. THE OLD MILL 


Height, 22 inches; length, 27 ied i 
TM: renasdecae 


Tue view from the front extends across a rere’. to the level line of the 
overflow. Here appears the reflection of a ragged willow that grows below, 
near some wooden buildings. Beyond this plane is a vista of wooded landscape, 
bordered by faint mountains. At the left of the foreground a brown and a 
white-stemmed tree lean over the water, where a punt is moored amid lily-pads. 


Signed near the lower left, Wm. Briss Baker. r 


4 


JOSEF ISRAELS 


i+ 
puro (1824 _—»+) ner 


No. 260— MOTHER AND SON—TWILIGHT 


: Height, 1734 inches; length, 23%4 inches d ‘ a 
Iy the dimness of the twilight a woman, with a laden basket on her arm, ac- 


companied by a boy carrying a stick, is walking along a road that crosses the 
foreground. She is clad in a lavender reddish-plum cloak and skirt, and 
pale blue apron, while the boy wears a blue jacket of lighter tone and olive- 
buff trousers. The portion of a pale red brick cottage, with some vertical 
streaks of blue in the upper part of the gable, appears across the road at 
the right. To the left extends a meadow, grayed over with mist, bounded 
in the distance by indications of a village. 


KA: 


Signed at the lower left, Josey Israxis. 


ALEXANDER H. WYANT, N.A. 


AMERICAN (1836-1892) 


No. 261— AUTUMN LANDSCAPE AND POOL 
Height, 19%, ee length, 24 peed caro? bbe 
QYVSWN 


A mELLow glow envelops the brownish-olive foreground of rough grass, which 
is interrupted by a pool. Its irregular margin is fringed with shaggy growth, 
while its whitened surface reflects the primrose-yellow of the upper sky. In 
a hollow in the middle distance appear a roof and chimney, to the right of an 
oak whose round mass of foliage is golden-brown. From it a silvery-brown 
hill slopes up to the left. The distance at the right is olive-gray, streaked with 
pale lavender-pink, beneath a white horizon above which are layers of dove-gray 
cloud. 


Signed at the lower left, A. H. Wyant. 


JEAN JACQUES HENNER 


FRENCH (1829-1905) fe" A 3 
No. 262— MAGDALEN : 
INO. 262 . MAGDALEN 
Height, 18%, inches; length, 264 inches /) : / 
ALY 


f~ GN AAANMH 
Acatxst a golden-brown background, breaking into an (interval of pale yellow- 
gray in the upper right corner, the figure is lying prone across the foreground, 
the head toward the left. The forearms are raised, the hands supporting 
the head, around which pours a wealth of red auburn hair. A Nile-blue drapery 
covers the thighs. 


Signed at the lower left, J. J. Henner. 


\\ r EMILE VAN MARCKE 
FRENCH-FLEMISH (1827-1890) 


Pe Bi 
No. 263— ‘THE GOOSE BOY tf ee tye 


- 


Height, 1914 inches; length, 2734 inches 


A urrrLe pool occupies the foreground, its surface interrupted with reedy 
growth, while rushes and flags fringe its bank. Some geese have just entered 
it, followed by others who are being driven forward by a small boy, dressed 
in a straw hat, short coat and vest of blue material, and whitish drab trousers. 
Meanwhile, undisturbed by these arrivals, a reddish-brown cow, streaked down 
the face with white, is standing in the water at the right, drinking, with a lamb 
beside her. At the left of the pool, on a little projection of ground, stand two 
geese. The pasture behind the boy, dotted with a single sheep and many cows, 
slopes up to a clump of trees, sheltering a dark olive-brown roof. 


Signed at the lower right, BM. VAN Mancke. 


Janne he Camseh — CkMkb- Yrsofige) A. $20 PMSxx— 


= — 


BERNARDUS JOHANNES BLOMMERS fj 
putcH (1845- ) 


No. 264— BABY ASLEEP dt 


Height, 22 inches; length, 27%, inches 
3 /4 


THe sunlight pours through the uncurtained half of a window in the rear and 
floods the floor with a square of rosy cream illumination. It les just behind 
the hood of the baby’s cradle, which is draped with a cloth of peacock blue. 
On the opposite side of the room, at the right, the young mother is seated near 
a table, sewing, her white cap being relieved against the silvery-drab wall. 
She wears a bluish lavender, pink waist and an apron of the same color as the 
drapery that hangs over the baby’s cradle. 


Signed at the lower right, BLomnoers, 


7442 b ~ Soph [bas 0. bts devs MRXX — 
Uful 7/,8 96 aes Ian Lage p EE SKE 


\- 
| / JEAN CHARLES CAZIN 
Ne 
FRENCH (1840-1900) 
No. 265— A MILL IN FLANDERS 


h, ifr inch@s 3 


-tawny grass to a windmill, sur- 


Height, 23% inches; Y, 


A roorpatH straggles up a knoll of oli 
mounting it at the right. The structure is drab, erected upon a creamy-white 
base that catches the light. Trees appear at the rear of it while a rosy-yellow 
roof shows above the edge of the ground. At the left a building with light 
red roof and white walls stands beside a brownish-red gable end. 


Signed at the lower left, J. C. Cazrn. 


ANTON BRAITH \ 


GERMAN (1836- ) — 
No. 266— ON THE WAY TO THE PASTURE 


Height, 20 inches; length, 311% he SOB ie Y Lr Ps 
f HA 


Ar the right of the foreground a white and a black lamb are skipping ahead 
of the flock, which includes two brown sheep. One of the latter, beside a 
yearling lamb, is looking at three fowls on some straw at the left. The shep- 
herdess is seen some distance back on the top of the green knoll. 


Signed and dated at the lower right, ANvon Brarrit, Munchen, 1893. 


(V0 41109? Taek 


sete 


Fee 


mitts avauas q 
(eres SONU TITER SB ie 


CORNELIS SPRINGER 
putcH (1817-1891) 
No. 267— THE STATE HOUSE, BOSWARD, HOLLAND 
PANEL 


Height, 244, inches; length, 32% inéjles [) 


Pte Lrr.44nnr 

Tue Seventeenth Century Stadhuis, recently restored, occupies the middle dis- 
tance; an edifice of red brick, trimmed with white stone, the roofs high pitched 
and pierced with dormer windows, the whole crowned by a spire that reaches 
almost to the top of the picture. The shadowed street at the right which reaches 
to the foreground is crowded with figures, among which appears a man leading 
a red cow. In front, a woman is seated near a pile of cabbages, with her 
back to a narrow canal. 


Signed and dated at the lower right, C. Sprixcer, 1872. 


GEORGE INNESS, N.A. 
AMERICAN (1825-1894) 


No. 268— GATHERING CLOUDS 


Height, 25, inches; length, 324%, ee VY Vnthnr 
RHhAMRr’ 


Aa 
Two rep cows and a white one are standing in a pond which occupies almost 


the entire foreground. Near the right extremity of the water rises a tree, 
bare of foliage, except for a few flecks of green and orange-red at the top. 
In the further plane, near the centre, a bushily clothed maple stands on the 
edge of the shadow, which up to that point has wrapt the whole scene in a 
transparent veil of golden-brown. The meadow beyond is golden-yellow in a 
gleam of light which reaches back to some creamy-white cottages in the 
distance. The lower sky, grayish-blue, tinted with amber, shows the lines of a 
rain shower at the left, while overhead hangs a canopy of olive, drab-brown 
stormclouds. 


Signed at the lower right, G. INNEss. 


a ae 


A. J. CONANT 


AMERICAN 
No. 269— PORTRAIT OF ABRAHAM LINCOLN 


Height, 30 inches; as Apt (3 Lb jhe 
Cm Do 


In an oval canvas with an olive-green background the bust is shown full to the 
front, while the head is turned a quarter to the left. The very dark brown 
hair is brushed in a roll above the forehead and spread loosely over the ear. 
The eyebrows are dark brown, the eyes blue, and the mouth, set firmly with the 
suspicion of a smile, displays the lower lip full and slightly out-turned. 
Beneath the black Prince Albert coat is a black satin vest, cut in a low VY, 
which discloses a shirt-front with three tucks. A black satin bow-tie fills the 
wide opening of the turned-down collar, under which the ends of the bow are 
tucked. 


A manuscript at the back of the canvas reads as follows: 


“Beheving that this sketch of Mr. Lincoln will possess in coming time 
some historic value, I make the following statement. It was painted by myself, 
from life, at Springfield, Ill., in the summer of 1860, between the time of his 
nomination and election for the presidency. It is the only attempt that I 
know of to give Mr. Lincoln’s social, genial expression. The testimony of 
Mrs. Lincoln to its truthfulness was: ‘That is excellent; the best that has 
been taken. He looks there as he does when his friends are about him.’ His 
intimate friends, Mr. Dubois and Mr. Hatch, made similar statements. 

I have retained it until now in the vain hope that the citizens of St. Louis 
would honor me with a commission for a full length, historic picture in which 
Mr. Lincoln’s pre-eminently social and genial nature should be represented. 
And it is with much reluctance, and sorrow even, that I am now compelled to 
part with it, which is mitigated only by the fact that it passes into the hands 
of my most esteemed and valued friend, Col. James Eads. 

St. Louis, February 11th, 1868. 

(Signed) A. J. Conant.” 


% 
‘ i i FRITZ THAULOW 
NORWEGIAN (1847-1906) 


No. 270— THE MILL of (p oe 


Height, 214%, inches; length, 251%, inches 


Tue surface of the mill-pond, dappled with gray from the sky and with olive- 
green from the trees that line the banks, catches some orange from a bush at 
the right, and is flooded at the centre with the coppery reflections of the mill. 
The latter, with the wheel at its side, appears beyond the sluice-gates. Farther 
back toward the right, where the water is bounded by a fence, a man and a 
woman stand talking in front of a white-walled cottage. 


Signed and dated at the lower left, Frivz Traurow, ’94. 


CHARLES PAUL GRUPPE 
AMERICAN (1860- ) 


No. 271— WET DAY AT THE HAGUE | 
Height, 28% inches; width, 22%, inches Ldn, & Se Bare 


Ar the right is the perspective of a row of city houses, with glimpses of red 
roofs and brownish-drab fagades broken up with various colors and details, 
among the latter being a gray disk, suspended over a doorway near the front. 
The street, which glistens with rain, is bordered on the left by a row of nearly 
leafless trees. At the near end of it stands a lamp-post toward which a woman, 
earrying a baby under an umbrella, is advancing. At the left two men, one 
holding an umbrella over his head, are in conversation. Behind them appear 
the tops of several barges, lying in a canal, which again is bordered on its left 
side by a line of trees. 

Signed at the lower left, Cuas. P. Gruppe. 


HENRY G. DEARTH ; 
AMERICAN (1863- ) 
No. 272— PICARDY MARSHLANDS 


Height, 3114 inches; length, 451/, inches Tirrdlrs fon 


A voot in the foreground reflects on its creamy-green surface the orb of the 

moon and some of the stems of the tall poplars, which form a line in the right 

of the middle distance. The pale buff, creamy and tan pasture extends back 

to a hedge which is interrupted by a few deep blue bushes and small trees, 

showing against the low hills on the horizon. Over the latter lie streaks of 

creamy tan, while clouds of similar hue are scattered over the upper sky and 
. massed at the two sides. 


Signed at the lower right, H. Dearrnu. 


aahiv: 


\A 


DANIEL RIDGWAY KNIGHT 
AMERICAN (1850- ) 
A BREEZY UPLAND 


Height, 32 inches; width, 251%, Vy 


Resting her rake on the ground, a girl stands(/facing to the left, with h 
to the wind. The body of her dress is lavender, and the skirt lavende¥-gray, 
partly covered by a lavender-red apron. Behind her, a man is mowing the 
long grass, which is sprinkled with yellow flowers. In the distance the ground 
slopes down to a river that curves to the left. 


Signed at the lower right, Ringway Knicur, Paris. 


G3 Skh- Aeb21/ 01 - Catia Jew 6XXK —, 
hay 4/ot bot 4. Gr B AOSx — 


FRANK KNOX MORTON REHN, N.A. 
AMERICAN (1848- ) : 


No. 274— GRAY DAY, CAPE ANN 


Height, 22 inches; Ay 36 pcre 


Ar the left is a mass of rocks, in diagonal strata, purplish-réd and buff, 
against the far end of which the waves are breaking in bursts of’spray. The 
gray-green and drab water is approaching in successive swells, over which two 
gulls are flying. A schooner and small sail make spots on the horizon. 


Signed at the lower right, F. K. M. Reun. 


74 


WILLIAM MERRITT CHASE, N.A. Lone 


AMERICAN (1849- ) 
No. 275— SEASIDE FLOWERS 


Height, 29, inches; length, 383, inches Y oA ero 


Aw expanse of tan and green grass, sprinkled with pale rosy-pink flowers, 
stretches from the foreground, bounded on the left by lavender-blue water, the 
vista terminating in a suggestion of sandy cliffs. Near the foreground is a 
ridge of green growth, punctuated with a taller bunch that is laden with white 
blossoms. ‘Two children stand close by, and a third is stooping to pick flowers 
at the left of the foreground, while near a path which leads back at the right 
appear two other children and a lady in white. 


Signed at the lower right, Wm. M. Cuase, 


BRUCE CRANE, N.A. 


Ye 
AMERICAN (1857- ) C 
No. 276— HAYMAKING 
Height, 24 inches; length, 36 inches 6) WN. UNL, 


Tue recently mown field, yellowed by the sunshine, stretches back with t 

~ rows of haycocks on the left. At their extremity appears an ox wagon with 
a figure atop of the load of hay and another on the ground with a fork, while 
a third man, some distance off toward the right, is busy tossing hay. He is 
separated from the wagon by a footpath which curves to the centre of the 
meadow and then comes to the front. The left of the composition is closed in 
with a bit of bright green pasture, bounded by foliage. 


Signed at the lower right, Bruce Crane. 


wo CONSTANT TROYON 
\NO rrencn (1810-1865) 


No. 277— A GROUP OF ANIMALS 


Height, 25% inches; wid , 20 adaches ~ 


In the foreground, with her tail toward the spectator, lies a white goat whose 
face and back reflect a yellowish-brown glow. Behind her héad a sheep lies, 
with her head toward the background where three other sheep, one of them of 
blackish color, are standing. Behind the goat, at the right, stands a donkey, 
three-quarters turned from the front. All the animals are represented with 
extraordinary naturalness, and with effects of light that lend remarkable 
richness to the color scheme. In the background a field of tall grass extends 
to the horizon, where some trees and a red-tiled roof appear. The sky is 
streaked diagonally with scuds of amber-white cloud. 


Signed at the lower right, C. Troyon. 


ETIENNE PROSPER BERNE-BELLECOUR 
FRENCH (1838-1910) 


No. 278— DESPATCH BEARER 


Height, 20%, inches; length, 29%, "SE f, of. : wy 


Aw officer in light blue tunic and red breeches, a despatch bag slung at his 
side, stands with a pipe in his hand, as he talks to an officer, mounted on a 
chestnut charger. he latter officer is in the uniform of the Garde Civile—a 
helmet with horse-hair plume, black tunic and red breeches. His troop is 
marching away at the right in file. At the left. of the foreground another 
officer, uniformed like the one with the despatch bag, is adjusting the girths of 


a bay horse. 


Signed and dated at the lower right, %. Berne-Beitecour, 1908. 


DAVID COL 


FLEMISH (1822- ) 


No. 279— THE FINISHING TOUCH 


Height, 28%, inches; length, 36%, inches 


vaxee Cy (QL By y 


Heap on one side, palette in hand and gallipots lying on the gropnd beside 
him, a man is putting a dab of red on the nose of a painted statuette, repre- 
senting a countryman with a basket on his arm. Several other painted figures 
decorate the low wall which separates the yard from the little garden at the 
back, where two ladies are playing piquet at a round table, while a third 
looks on. At the artist’s back, intent and critical, stands a sturdy woman 
holding a watering pot. The costumes are of the late Eighteenth Century. 


Signed at the lower left, D. Cot. 


4 
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a 


—— ——- ae er a ee : AR I a 


FRITZ THAULOW ly yA: 
NORWEGIAN (1847-1906) 
No. 280— A BRITTANY FARM 


Height, 25, inches; length, 32 inches 


PANEL Os 2. Pe é /) 


Tue water extends back from the foreground, mottled with silvery-gray, blue, 
olive and lavender, and splashed with vermillion from the sunlit roofs of Kome 
cottages in the rear. They lie behind a stone wall, topped by shrubbery. The 
vista terminates in a hill, clothed with golden and olive-yellow foliage. Near 
the foreground at the right a woman walks away from thé edge of the water, 
‘arrying a pitcher. 


Signed at the lower left, Frivz Tuavrow. 


FRANZ VON LENBACH 
GERMAN (1836-1904) 
No. 281— MOTHER AND CHILD 


Height, 30% inches; width, 28 inches 


"ne t Oe 


Tuis sketch-portrait of Frau Von Lenbach and her little daughter has not 
been carried beyond the stage of a preliminary study. The mother’s bust is 
shown nearly in profile, the head, however, inclined to the front and leaning 
back, while the body of the child is turned toward her, though her face is 
directed slightly to the right. he mother holds her on her left arm while her 
right hand grasps the arm of the child. The lady has golden-auburn hair in 
ringlets around her forehead, gray eyes and very red lips. The child’s hair is 
a light chestnut, her eyes being grayish-blue. A string of little red stones 
hangs around her neck. 


Signed and dated at the right side, F. Lennacnu, 1902. 


LEON BRUNIN 


BELGIAN (1861- ) 
No. 282— THE ANTIQUARIAN 
Height, 27 inches; length, 31% inches 
PANEL mare LAALSL Y Lo 


Ar the left of an apartment, filled with a profusion of bric-a-brac, a man, 
supporting his vandyke beard between the thumb and forefinger of his left 
hand, sits examining a silvery object. He is dressed in a black beaver and 
doublet, vest and breeches of silvery black, tinged with greenish and. bluish 
tones. A table at the right, covered with a grayish-green velvet cloth, supports 
a varied assortment of objets d’art, including a statuette of Christ with hands 
bound and a crown of thorns on His head. 


Signed and dated at the lower left, Leon Brunin, Anvers, 1895. 


ah GIOVANNI BOLDINI 
ITALIAN (1844- ) 


No. 283— LA PLACE CLICHY 


Height, 23%, inches; length, 38 inches 


ie (ae & / . 
THE square, paved with cobblestones and animated with figures, shows at the 
left a statue-group upon a pedestal, in front of which is passing an omnibus 
drawn by two white horses. It is lined at the back with houses; toward the 
right being a row of small shops, surmounted by a taller building, placarded 
with an advertisement: ‘‘Nouveautés de la Place Clichy.” 


Signed and dated at the lower left, Boupin1, 1874. Tt 
From the William H, Stewart Collection. 1SG8 - 4 gS = AMMSX ae anvnr 
Trot. 24 saghh fol Byxxx.. te &. Sacro 


AB il CG te ara Ee met ent AR a et a Nn 
* A Ny 
t ‘ 


PAUL JEAN CLAYS |}~ ae Sh 

FLEMISH (1819-1900) ) nary Al j 

No. 284— NEAR AMSTERDAM | 
Height, 27%, inches; length, 391, inches 7} } ie 


\ 
C 


Tue shipping, moored at the right of the foreground, sists of three craft, 
the foremost being a Rhine-going barge, with buff, lavender-brown hull tinted 
with a little crimson, and crimson and silvery-rose and white and drab sails. 
In the rear to the left is another barge with white canvas, and to the right 
a brig, her black hull striped with white, and all her square sails set. <A 
rowboat in the immediate front contains two figures, one of them in a red 
jersey. The blue sky is freely scattered with white clouds, 


Signed at the lower right, P. J. Crays. 


0h. Schum Jald gob — xyes — J Mxxx— h-bros 


A 


é 


es He HENRI HARPIGNIES 
r FRENCH (1819- ) 


No. 285— SUMMER 


Height, 254, inches; length, Oye nat Gis 


Tue foreground is in shadow framed at the sides by trees, dark against the 
lighted sky. It is intersected in the centre by a stony roadway, along which a 
woman and a boy are approaching. In the sunny middle distance stands a 
central group of tall young trees at the foot of which are some small buildings, 
abutting on a flat-roofed yellow-walled structure, which projects from a mass 
of foliage at the right. The blue water beyond is flecked with white and 
bounded in the distant left by creamy-buff cliffs, crowned with yellow vegeta- 
tion. A volume of gray-white cloud lies piled above the centre of the horizon, 
and a few downy tufts of similarly colored vapor float in the upper blue. 


Signed and dated at the lower left, H. Harpienies, 1900. 


GAGS - junu bigot aude» Sif Fee AXXXX — 
Yuk 41908 A. brorws AB MEXX — 


S. SMR. 


ALBERT NEUHUYS \ re 
No. 286— THE MORNING KISS 


putcH (1844- ) 


Height, 324%, inches; length, 36 inches 


SrearepD in a chair facing the left, a mother is’ turning the head of her baby 
as it lies on her lap so that the little sister, standing at her knees, may kiss it. 
The woman’s costume consists of a blackish-gray gown and grayish blue-black 
apron, against which appear a bit of the baby’s yellow frock and a dark blue 
wrap. The little fair-haired child is dressed in gray. 


Signed at the lower right, Atrnerr Nevunvys. 


- 


: JACOB SIMON HENDRIK KEVER 


putcH (1854- ) 


No. 287— EARLY MORNING 


« 


Height, 32%, inches; Nat 8 ingkes 
\ 9 fae 


A youne woman, clad in a gray-olive kh, black waist and olive- skirt, 
bends forward in her chair, holding her arms around the back of a//little fair- 
haired child who stands with her face in the mother’s lap, saying her prayers. 
The figures appear at the right of a table, on the far side of which sits a boy, 
holding a baby which is dressed in a red frock. 


Signed at the lower right, Keven. 


| 
| 


ay aa ‘a t \? 
BERNARDUS JOHANNES BLOMMERS |. 4 
putcH (1845- ) 


ay \/~ 
No. 288— THE FAMILY MEAL 


Height, 36 inches; length, 43%, the: Be 
Ue ae 


Tue table is set in front of the window, the far side being occupied by a boy 
whose head and shoulders appear through the steam of a dish of potatoes. The 
mother, seated at the right, leans forward to help them, while a little girl, 
standing on a low armchair with her back to us, waits her turn. Meanwhile, 
the father rests his arm on the left end of the table and holds his right hand 
toward the baby who is placed beside him in a red baby-chair. 


Signed at the lower right, BLommers, 


etl 
LYS ACME 


JEAN LEON GEROME 
FRENCH (1824-1904) 
No. 289— ‘THE PURSUIT 


Height, 251% inches; oly 5 gi SH tives 


Tue desert spreads before us, plane after plane of sandy hills, clothed sparsely 
with yellow vegetation, here in ight and there in violet shadow. In the middle 
distance a small herd of antelopes are fleeing along a sort of gully, racing for 
their lives. For on the edge of a platform at the right of the foreground a 
lion is in full pursuit. His tail is raised stiffly, the hind legs drawn up under 
the belly, the right foreleg brought back, and the other extended forward in 
his stride. 


Signed at the lower left, J. 1. Grrome. 


< 
ri 


WILLIAM ADOLPHE BOUGUEREAU 


uch 


* FRENCH (1825-1905) ’ 


yh ait 
No. 290— ww THE VEIL ia 
Height, 45%, inches; end inch Cee. : ae 


A YOUNG woman is seated at the left of a marble sedilia, a bunch of violets by 
her side. She is clad in a white chiton, the loose folds of which overhang the 
girdle. It is clasped upon the shoulders, leaving the arms bare. Her black 
wavy hair, which descends over her left shoulder, is covered by a white veil, 
which she is drawing open with both hands, one end of it lying across her lap, 
the other floating down her right side. 


Signed and dated above the lower right, W. Boucurrrav, 1898. 


$H383—- Mar 5)f98 B. Tooth + Sarr 
Muay 20/1898 b. Gre 


PMNSM.EX 


2B ONXx — 


- 
J ~%& FRANCISCO DOMINGO | : 
a | ¥." ut SPANISH (1843- ) 4 


; - No. 291—¥ THE LOVE SONG G an 1906 ~ # 132- : 
a Height, 40 inches; i Gare? GDvtnasa fp ASxus A. Se 


THe scene represents the patio of a Spanish(inn, enlivened with a gr¥up of 
} ; 


. 
+ 


. 
guests, clad in gay rococo costumes. While the host busies himself peers: his 3 
duties, the maidservant, with a pitcher in her hand, has stopped to listen to ‘ | 
a singer who is accompanying his voice on a lute. Seated outside an arbor = | 
that is sheltered by a tiled roof, partly overgrown with grapevine, he is hand- 
somely attired in a plum-red suit, the sleeves of which are rosy-saffron, while 
large greenish bowknots are fastened below the knees. 


Signed and dated at the lower right, F. Domrneco, Paris, 1894. 


7688 layegigs dah Js 
dang 7/195 E.G. AES Xie 
407 ~ Oh tafidqg. Ab. BEX Kees 
Oh 2699, LL bigunss Ae 
FoIS Moot t/i99. b.L Biman £5 x% ~~ 
M2 ysgos- Q. tacts BI xxn— 


FELIX ZIEM apy 
é w - : 
FRENCH (1821- ) yr 
No. 292— A FETE DAY, VENICE 
Height, 321%, inches; length, 474/, inch, igre 
Crossine the centre of the foreground of deep blue er is a gondola, pro- 


pelled by two oarsmen and brilliant with the scarlet blue and white of the 
costumes of the passengers. Back of it a vessel with two square rigged masts 
and one schooner rig with auxiliary smokestack is gay with the flutter of 
bunting. Farther back on the right, glowing with luminous color, appear the 
facades of the Doge’s Palace, the domes of St. Mark and the Campanile. 


Signed at the lower right, Ziem. 


re 


MARTIN RICO 


No. 293— SANTA MARIA DELLA SALUTE 


Height, 3134 inches; length, ee Obes 


Tue view is from the Canal Della Giudecca, showing over the top of trees the 
white domes and towers of Santa Maria Della Salute, and at the extreme right 
the Dogano de Mare with the gilded vane of Fortuna surmounting its tower. 
Between these two objects the canal is bordered with masts from one of which 
hangs a red sail and with a large black barge that has a pale blue band around 
its gunwale and a white deckhouse. 

Signed at the lower right, Rico. 


. 


SPANISH (1850-1908) \e 


— 


713 .49- bw 28/1900 Atal. Fu EXAK~ 


Ma t5/go1 4. Sans p OXXK~ 


PT RED EPR eR — CRE 
a> 4 ¢ 


JOSEF ISRAELS 
puTCH (1824- ) . 
WATCHING AND WAITING “7 hg oo 


Height, 37°, inches; length, 52%, inches 


No. 294—. 


On a grassy elevation overlooking the sea a young Dutch I, w Hs Ae knits, 
is watching two fishing boats that seem to be putting into shore. Her figure, 
seen in profile, is dressed in a loose waist of creamy, pinkish, lavender hue, 
a dull red skirt and blackish apron. Her face is ruddy and the brown hair 
shows from under a white cap which receives an accent of light. Her ball of 
wool has fallen on to the grass beside her. The sea is a faint olive gray-blue, 
with cream on the crests of the gentle rollers, while the sky is pale blue, sifted 
over with milky drab. 


Signed at the lower left, Joser Israrts. 


Ct. toh PLS lgob—#/k9- BENKK— Q. Hy,,, 


CA. Oey xxx — 


FRANK BRANGWYN 


_— ENGLISH 


Contemporary 


No. 295— SPANISH FISHERMEN 


Height, 40% inches; length, AAS Vere 


Tue deep blue water is dyed with flots of color reflected from a gondola, which 
the gondolier, leaning his weight on the oar, is bringing alongside another 
in the rear. In each is a boatman playing an accordion; and the two, as they 
raise their instruments, seem to be challenging each other to a rivalry of music. 
The boats have other gaily dressed occupants. At the back of them is a mass 
of shipping, with buff and creamy sails spotting the solid blue of the sky. 


Signed and dated at the lower right with the monogram, F. B., °95. 


JULIEN DUPRE : 


% 


% 
*y 


FRENCH (1851- ) \ 


: Re ine 
No. 296— THE VALLEY OF THE AES: Lae, —— a A 
Height, 4434 inches; length, 57%, inches £ flee | | 


Over the right of the background hill the sky hangs, an almost “fa mass of 
slaty-purple drab, which breaks into white over the left horizon. It is a stormy 
day and the cool sunshine streaks the pasture fitfully, the foreground being 
in shadow. In the front plane at the left approaches a milkmaid with two 
zine pails, attached to a sling around her neck and kept apart by a frame of 
bound sticks. She wears a crimson rose kerchief on her head, a black bodice 
over a white chemisette and a blue apron, tucked up above a brown skirt. At 
the right a white and dun red cow stands beside another, similarly marked, 
which is lying down, while in the rear appears a man, running alongside a dark 
brown cow. 


Signed at the lower left, Jurze~ Dupre. Cx feoeuinn. hwvcll bans /G9oo— # 70g 
04. Sthumntate /90b6-#/27- PESX — GG sya5_ 


CHARLES EMILE JACQUE 
FRENCH (1813-1894) 
No. 297— THE FARMYARD 


Height, 39%, inches; length, vy is fe Far Abr- | 


Tue farmyard, strewn with straw, is bordered at the back and right with brown 
roofs and silvery-drab walls; a conspicuous feature being a high gable in the 
rear, the side of which catches a strong light. A loaded wagon with a man on 
the top stands beneath it. At the left of the foreground a flock of sheep, 
followed by the shepherd, is coming around the angle of a wall which seems 


i 
io 
! 


to enclose a drinking pool. The two foremost sheep are warily nosing their 

way up a small incline where two cocks are regarding each other threateningly. 

At the right of the foreground a man in gray-blue blouse is bending over a 

plow, while the team, a handsome white, reflecting the evening glow, and a 

bay, looking over his back, rest alongside. Each of them has a violet-blue , 
sheepskin over his collar. e | 


Signed at the lower left, Cu. Jacque. 


—— ee 


ADOLF SCHREYER 
GERMAN (1828-1899) 


No. 298— A WALLACHIAN TEAMSTER—ENTANGLED IN THE 
MARSHES 


Height, 4814 inches; length, 79 inches L Y 
4 Vy. 4 +’. 4 


One of the wheels has sunk into the soft earth, causing the wagon to careen 
over to the left. The two pole-horses, a white and a chestnut, have been brought 
to a violent standstill, and with their heads thrown together, strain back on 
the harness. The shock, however, seems to have unhitched the four leaders, 
which are still plunging forward at a gallop, a bar attached to the slack 
traces showing on the ground beneath the white horse that is the nearest of 
the four to the spectator. Meanwhile, the driver, a Wallachian peasant in 
loose white shirt, blue Turkish jacket and scarlet sash, stands up in his wagon 
firmly planted above the struggling horses with an iron grip upon the leaders’ 
reins. 


Signed at the lower left, Av Scureyer. 


§, Juergarr 
Collection of John Wolfe, New York, =. /S$S2Z— FIF - BP SAX bo. #4 
Jollection of Hon. E. D. Morgan, New York, Be-./£26- 4 JK£ + PNRXK~ Z espa 
O 


ee a Ss 


HENDRIK WILLEM MESDAG 
putcH (1831- ) 


No. 299— WINTER DAY AT SCHEVENINGEN 
Height, 55 inches; "Spr th, 71 inches 
‘Tux snowy shore bristles with the boats of the fishing fleet Penis D1 raed up in serried 


ranks, three deep, their sails and masts sprinkled with white rime. Near one 
that bears the mark “Scheving. 60,” three men are grouped at the right of 
two carts. One of the latter, which has a blue backboard, is piled with tawny 
nets; the other shows brown nets above a backboard which is red. Two horses 
are standing, free of the carts, at the left. A party of women all in long 
cloaks and some in white caps, a red and a blue skirt showing among them, 
approaches the boats at the right of the foreground. The distant sea is a 


dark slaty-olive with a creamy bar at the horizon, above which are scudding 


clouds in a faint blue sky. 
Signed and dated at the lower right, H. W..Mespaa, 1899. 


Ld. Seen Jal 906 -# /S5~ B S$x% — a. Sao. 2 


Mg Se ay RN eee 


- 
a om 


Diassitumadt bien’ 


ey ne Le see an 


THEOPHILE DE BOCK 


putcH (1850-1904) 
No. 300— TRUCK FARMING—HOLLAND 


Height, 514%, inches; length, 78% inches Wy We SV IIT 


Tue level stretch of cultivated land is shaded in the foreground, where grow 


some scanty bushes at the right and a few green and purple cabbages at the 
left. In the sunlight beyond, where the red soil is patched with green, two 
women are kneeling at the right; one of them, dressed in a blue gown and 
white cap, stooping as if in the act of planting or sowing. Further back 
on the right two other women are similarly engaged, and in the distance, where 
the ground is again in shadow, figures are seen around a column of smoke. 
The level ends in a high bank which, bunched with foliage and sprinkled with 
trees, follows around the right to the front. Here a woman and child are 
walking along the top of the bank, above which appears a cottage roof and a 
red chimney. 


Signed at the lower right, Tu. pe Bock. 


wv 


a 


BERNARD DE HOOG 
puTCH (1866- ) Q- His Y 


No. 301— A HUMBLE INTERIOR iM = 


Height, 591%, inches; length, 801%, inches ee pf dodios 


A younG woman, with her hair neatly parted beneath an olive-brown cap, sits 
at the right of a table, three-quarters turned to the spectator, diligently sew- 
ing. A greenish-gray tippet-shawl is worn over her silvery-rose waist and a 
greenish-blue apron covers her lap. With one hand on it a little fair-haired 
child stands in front of her mother, holding something which strongly reflects 
the hight. A tawny-colored dog lies prone at the right, while at the left 
of the scene the baby is asleep in its cradle, over the hood of which hangs a 
bright green drapery. At the back of the group a young man leans his 
elbow on the table, as he lifts to his lip a white teacup. 


Signed at the lower left, Bernarp pE Hoos. 


GEORGE INNESS, N.A. - 
AMERICAN (1825-1894) 


No. 302— ITALIAN WASHERWOMEN 


Height, 72% inches; width, 54 le thr tte 
LV od LE 


From under the arch of a bridge in the middle distance a shallow yee curls 
in a reversed S to the front. Here in midstream a woman in white dhemise and 
plum-red skirt stoops over the water, washing a piece of linen. Farther back 
another woman stands in the brook wringing a garment, held at the other 


end by a woman, who ace on ie bank beside Pele ke el : 
washing. Other figures, ae and toceneie Soria 


On an eminence at the right of the Paceee ne a villa ee 
Signed and dated at the lower left, Grorcn INNEss, Rome, 1873. % 


Turomas E. Kirsy, 
Auctioneer. 


\RTISTS REPRESENTED AND 


THEIR WORK 


on aS 


 BASTERT, Nicoxaas 
a : ane oe Cottages Near Hollandale 


AUFFE, VicToR 


oat 


aus A Riverside Scene—Holland 


© Bs 
ne 
+ 
J 


rad, Paris Salon, Opening Day 


BERNE-BELLECOUR, Ertenne Prosper 
Despatch Bearer 


BLAKELOCK, Ratru A. 
Landscape 


BLOMMERS, Bernarpus JOHANNES 


Baby Asleep _ 7 
The Family Meal 


RTISTS REPRESENTED AND THEIR WORK 


Seaee 
UMB 


33 


113 


114 


183 
246 


187 
120 
259 


46 


68 


82 


194 


278 


95 


264 
288 


| < 
4 7 a 
e 


The Young Mother 
Work and Play 


BOGERT, Georce H., A.N.A. 
An Old Mill—Holland 
The Last Gleam 


BOKER, Cart 
The Bird Seller 


BOLDINI, Grovann1 
La Place Clichy 


BONHEUR, Francois Aucuste 


Cattle by the Sea 
Sheep and Ruins in the Highlands 


BONHEUR, Mute. Rosa Marte 
Highland Cattle 


BOSBOOM, Jonannes 
Street Scene—Holland 


BOSTON, Joseru H. 
Summer Moon 


BOUGUEREAU, Witi1am ApoiPHE 
The Veil 


BRAITH, Anton 


On the Way to the Pasture 
The Drinking Place 


BRANDT, Proressor JosEer 
Cossacks Guarding Prisoners of War 


BRANGWYN, Frank 
Spanish Fishermen 


BRETON, Juves Avo.rueE 
The Communicant 


BRISTOL, Joun Bunyan, N. A. . 
Lake Copake, Columbia, N. Y.—June 


ees Os ae i d / whe 
: : 7 = O 
' “yy x: « 


4, yeas 
4 a a * b Pe 
Jail oe mF 


Beer enraiagge 
BROWN, anes Grorcer, N.A. 
— ~The Ceramic Connoisseur 142 


B RU NET, Jean Jacaves Baptiste 
2 _ A Wrapt Audience — 


’ =» © P%'-- 
B RUNIN, Lion 
The Antiquarian 


BUNKER, across MILLER 
| aay pee acepe 


- Flowers of the Field 


_ CAZIN, Jean Po rins 
<a A Mill in Flanders 
A Normandy Village 
‘The Harvesters 


CHASE, Wiriuam Merairt, N.A. 
‘ Autumn on the Shinnecock Hills 


Seaside Flowers 
Still Life 


CLAYS, Pauu Jean 
A Stiff Breeze 
Calme Batteaux Rhins 
Clair de Lune, Texel, Zuyder Zee Holland 
Dutch Fishing Boats 
Near Amsterdam 


COL, Davin 
The Finishing Touch A 279 


CONANT, A. J. 
Portrait of Abraham Lincoln 269 


CRANE, Bruce, N.A. 


A Golden Sunset , | 210 
Haymaking 276 
The Gloaming : 105 


CRANS, Jouan Micuret ScHMIDT 
Preparing the Meal 


CROCHEPIERRE, Anpr&t AnTOINE 
Threading the Needle 


DEARTH, Henry G. 
Picardy Marshlands 


; DrBOCK, Tutopnite © e ie 

: Edge of the Wood . 
The Ferry Landing a 

: Truck Farming—Holland 


DE HAAS, Jouannes Husertus Lronarpus 
Cattle in Holland 


DE HAVEN, Frank, A.N.A. 


Autumn 
Marine 


DE HOOG, Bernarp 


A Humble Interior 
An Orchard Pasture aes 
Dutch Canal ~ . 
Towing 


DE LA MAR, Davi 
Carding Wool 


DELPY, Hieroryte CamiItie 


Coucher Du Soleil 
On the Marne 


DE PENNE, CnHarues OLivier 


Fox Hounds 
Pointers 


DE WARVILLE, Féurx Sarurnin Brissor 
Return of the Flock 
Shepherdess and Flock 


DIETERLE, Mapame Mantz 
A Corner of the Pasture 


| 


— 


ges 


CATALOGUE 
NUMBER 


291 


[ATTE oe JacoBus 
ybtland Windmill 
ai On the Scheldt 


: ndscape and Cottage 
Z ees pe with Pond 


an oe ie ds . Landscape wath Pool and Cows 


‘ je, belle 


] :ATON, CHaRLEs moses, A.N.A. 
~ Indian Summer 


S a : s ATON, as WarREN 
=. Winter Landscape—Late Afternoon 


_ FENDEL, WILLEM 
— Twilight 
_ FISCHER, C 
| Baby Asleep 
-FRERE, Cuartes THEODORE 


Halt in the Desert 
Halt of a Caravan 


GABRIEL, Pau JoserH ConsTANTIN 


| a = Dutch Barns | peal 

| GEROME, Jean Lion ‘ 
| aa _ The King of the Desert 102 
| ; The Prayer Mosque of Caid-Bey, Cairo 222 


The Pursuit 289 


5 ee Ser 
Neca * 

eed fF 
j=: Shee 


et 


Mt Uh Pes ; 
so SP ae ee 


wes ~ wg, Sal ie 
*, ‘so 


GROENEWEGEN, Aprianus JOHANNES 
A Dutch Dike 
A Dutch Pasture 
A Dutch Polder 
Landscape with Cattle 
Landscape with Cattle ae 
Milking Time . a 
Plowing 
Shepherd and Flock 


> GROLLERON, Pact 
Wounded 


GRUPPE, Cuarues Pav 


Departure of a Herring Fisher 
Farmyard in Holland 

C The Faggot Gatherer 

; The Old Windmill 
Wet Day at The Hague 


7 GRUTZNER, Epvarp 


A Game of Cards 
Contentment 


HAGBORG, Aveust 
Return of the Fishing Boat 


HARPIGNIES, Henri : 


Landscape Study 
On the Mediterranean 
Summer 


HENNER, Jean Jacques 


| Head and Bust of a Girl 
| Ideal Head 
Magdalen 
Red Drapery 


HERRMANN, Léo Cuartes 
The Cardinal’s Siesta 


HOEBER, Artruur 
Eventide 


HULK, Joun F. 
A Canal in Holland 


CATALOGUE 
NUMBER 


INNESS, Georceer, N.A. 


Approaching Storm 204 
J Gathering Clouds 268 
; Italian Washerwomen 302 
Late Afternoon 127 
re Showery Weather 214 
} ISABEY, Everne Louis Gasrien 
if Return of the Fishing Boat, Brittany Coast 192 
| ISRAELS, Josrr 
Amusing the Baby 83 
Mother and Son—Twilight 260 
Resting — 112 
The Neighbors 217 
Watching and Waiting 294 
JACQUE, Cuaries EMILE 
A Hillside Pasture 196 
Feeding Time 241 
The Farmyard 297 
JONES, H. Bourton, N.A. 
November Day 256 
JONGKIND, Jonan Barruoup 
Le Pont Royal, Paris 191 
KAEMMERER, Freperic HEnnz1 
The Morning Walk 1 
_ KATE, Manzi Ten 
A Quay Showing Boats 43 
Children Playing on the Shore 26 
Feeding the Pigs ; 50 


KEVER, Jacoz Simon HENDRIK 


A Happy Home 61 
Beside the Cradle 221 
Early Morning 287 
Gathering Autumn Leaves 25 
Saying Grace 18 
The Picture Book 138 


KLINKENBERG, Kare 
Street Scene—Hague 3 


KNIGHT, Dantex Rwcway 
A Breezy Upland 
Fetching Water 
The Fishergirl 
The Mussel Gatherer 


KOOPMAN, Aveustus 
The Boatman 


KOTSCHENREITER, G. J. 


A Jolly Tyrolean 
A Veteran 

An Old German 
Man Smoking 


LAMBERT, Louis Evcrne 


Visite Domiciliaire 


LATHROP, W. L. 
The Meadows 


LAZERGES, JEAN Baptiste Pau 
Arab Encampment—Night in the Desert 


LE COMTE, Avour 7 
Scene in a Dutch Town s 


LITTLE, J. 


Place de la Concorde 
Return of the Boats 


LOIR, Luter | 
Colonne de Juillet, Paris 


MARIS, Wittem 


Dutch Landscape 
The Drinking Pool 


MARTENS, Witty 
The Pet Goat 


MAUVE, Anton 
Study of a Farm Horse 
The Paddock 


a teh 


MEISSONIER, Jean Louis Ernest 
Military Sketches 


MERLE, Hvexu 
Normandy Interior 


MESDAG, Henprix WitLEM 


A Gray Day 

Fishing Boats 

Incoming Tide 

On the Beach—Scheveningen 
Scheveningen Fishing Boats 
Start of the Fishing Fleet 
Winter Day at Scheveningen 


MICHEL, Gerorcers 


A Stormy Day 
Landscape with Winding Road 
Landscape with Windmill 


MOES, Miss Watty 
The Fond Mother 


MONCHABLON, Jan 
Lucerne et Champ D’Avoine, Pres de Chatillon, Vosges 


Panoramic Landscape, Brittany 
Vallée D’Enfouvelle, Haute Marne 


MORAN, Epwarp 
In Full Sail 


MORAN, Tuomas, N.A. 


Venice 


MUNTHE, Lupwic 
Winter Landscape 


MURPHY, J. Francis, N.A. 


Indian Summer 


On the Lowlands 


NAKKEN, Witiem Care. 
Hauling Timber 


NETTLETON, Watrer 
Wind Swept Snows 


CATALOGUE 
NUMBER 


167 


115 


139 
212 
238 


152 
59 
119 


250 
207 


30 


160 


NEUHUYS, Ausert 
Contented 
The Morning Kiss 


OFFERMANS, Tony 


Outside the Cottage Door 
The Cobbler 
The Village Postmaster 


PARTON, Arrtnuovr, N.A. 
Apple Blossoms 


PETILLION, J. 
On the Boulevard 


ira CG d bs Errenne ADOLPHE 
Girl Reading 
POGGENBEEK, Grorcr 


> Ducks 
Dutch Pasture and Cattle 


POKITONOW, Ivan 
Landscape with Sheep 


RANITZ, A. E. 
A Hunting Party 


RAUBER, WILHELM 
Love’s Young Dream 


REHN, Frank Knox Morton, N.A. 
Gray Day, Cape Ann 


RICHET, Lion 
Normandy Landscape 


RICO, Martin 
Santa Maria Della Salute 


. RIP, Wititem Corne is 


Canal and Bridge 

| Holland Landscape with Windmills 
! Landscape—Holland . 

Near Veere 

Road Beside a Canal 


ROYBET, Ferprnanp 
A Spanish Nobleman 


SADLER, Wiiiiam Denpy 
The Tailor Shop in the Monastery 


SANCHEZ-PERRIER, Emitt1o 
Summer 


SCHENKEL, A. 


Interior of a Church 


SCHERREWITZ, Jonuannes 
Milking Time 
The Farmyard 


SCHIEDGES, Perrus Pautvus 
A Holland Farm 


SCHIPPERUS, Pierer Aprianus 
A Quay in Rotterdam 


SCHLESINGER, Fetuix 
The Little Washerwoman 


SCHOFIELD, W. Eimer 
Winter Landscape 


SCHREYER, Apour 


A Wallachian Teamster—Entangled in the Marshes 
On the March—Battery Going into Action 
The Reconnoitre 


SCHREYVOGEL, Cuartezs 
Troopers Attacked by Indians 


SENET, J. 


Venice 


SERROT, Raraet PEREZ 


An Italian Fisherboy 
Chickens Feeding 


SMILLIE, Grorce Henry 
Harvest Time—Normandy 


CATALOGUE 
NUMBER 


216 


164 


62 


116 
235 


60 


34 


239 


161 


298 
123 
223 


209 


39 


90 
89 


174 


SPRINGER, CorNeELIs~ 
The State House, Bose: Holland 


STEELINK, Wittem | so 
Return to the Barn odes et we 
{ ia 
STEVENS, Atrrep aes. “ Di, 
Marine . ie 
Off the Coast 
On the Shore—Tréport 
Vue de Tréport 
Vue de Tréport 


STROEBEL, Jouan AntTHONI BaLTHasaR 


Seventeenth Century Orphan Asylum 
The Antiquarian 


TALCOTT, Aten B. 
Connecticut Pasture 


TAMBURINI, Antonio 


The Cellarer 
The Monastry Cook 


TENIERS, Davin, THE YouncER 
The Old Suitor 


TER MUELEN, Francois Prerer 
Return of the Flock 


THAULOW, Fritz 


A Brittany Farm 
The Mill 
Winter Scene 


THIJSSEN, Caroxius JoHANNES 
Baby Asleep 


THOMPSON, Worpsworrn, N.A. 
Gipsies by the Sea 


TROUILLEBERT, E. 


After Rain 
A Brittany Landscape 
Landscape 


CATALOGUE 
NUMBER 


156 
Q77 


63 


"NGA: RT, ConsTANntT 
eee a | 
ker | 100 


81 
The Barn 17 
MARCKE, Eaux | 
_ The Goose Boy 263 
v An 5 . 
Ours vA ASTENBROEK, Jonan Henprix 

ey ’ A Dutch Town Scene 73 
Approach to a Town—Holland 41 
A Timber Barge 52 
A Wharf Scene 45 
Breaking up the Wreck 32 
Harbor Scene 53 
Harbor Scene ; 86 
In Dock 56 
a sya Vers Midi 213 

_ VAN SEVERDONCK, Joseru — 
igs Chickens . 91 
Sheep Pasture A 92 

VAN VUUREN, Jan 
A Dutch Interior 70 
~VARLEY, Joun 

Brunnen Z 6 


. Lake Maggiore 15 


Paes a 
ars ay i ie 


VERBOECKHOVEN, Eveiwe Josern 
Landscape and Sheep 
\ 
VEYRASSET, Jutes Jacques 
In the Hay Field 


Na 


= VIBERT, Jenan Grorcus 

. A Visit to Figaro 

ay y a 

: VIELAND, F. J. Reeve? 
Preparing Breakfast 3: ie 

4 VOLLON, Anrore eer 
; Still Life : | 


VON DEFREGGER, Franz 
The Love Letter 


" VON GEGERFELT, WitHetm 
Twilight on Lake Siljansh6, Sweden 


VON LENBACH, Franz 
Mother and Child 


VON UHDE, Fritz ‘ 
The Discussion ees 


WAHLBERG, Aurrep 
; Moonlight on the Lake 


WASHINGTON, Grorcr 
Halt at the Well 


WEISSENBRUCH, Jonannes Henprix 


Holland Landscape 
Unloading the Fishing Boats 


WHITTREDGE, Worrnuinerton, N.A. 
Autumn Landscape 


WIJSMULLER, J. H. 


A Dutch Village 
Canal in Winter 


“Sen 
ds oe e and Pool 


ith 
S 


= 
as 


ka oat 


Pear, 
~*~ 


Se oe 


See 


natn 


jremarkably high. 


nyt W. Ae Clark, $1425. 
2egaene tap ond ata” 


Sons, 
wh Corner of 


the Pasture, Me Diterte: 


Knoedler. & Co., $2,000 | 


| “Milkin Time,” ‘Jullen Dupre; 

fare. E Hott, $5650. 

aemies the Cradle,” Kever; O. Ber-| 
5 | 


“The Prayer Mosque of Cald-Bey, 


0,” Gerome; W. L. Austin, $875. 
- Ry conde Schreyer; Martin 


“Landscape and Sheep,” Verboeck- 
» n; M. C. Migee, $925. 

“Fetching Water,” Ridgway Knight; 
M. ‘©. Anderson, $1,000. 
| “The Communicant Jules,” Breton; 
T. Brandus, $525. 
i *“Catle In Holland,” De Bas; B. M. 
Bee muire, pee fe 

‘Start of the Fishing Fleet,” M sdag 
a 4. ae ag $550. Y 4 


esa 


AR THDAHUS 
‘PDINNES PICTURES 


Son of Painter Questions the 
Authenticity of Paintings in 
Schemm Collection, 


s 


| Sixty-seven pictures sold at the last | 


session of the Peter A, Schemm sale in 
Mendelssohn Hall last night for $102, - 
800, thus -bringing “the grand total to 
$185,805. Thomas HE, Kirby, of the} 
American Art Galleries, conducted the 
sale, 

It was full of surprises. It was ani- 
mated, and its prices were at times. 
The highest was| 
$8,200, and given by W. Sharpe Kilmer 
for Schreyer’s “The Wallachian Team- 
ster—Entangled in the Marshes,” which) 
had been advertised before the gale 
as this painter’s masterpiece. ‘That 
price as compared to those that have) 
been given for Schreyer’s canvasses) 
heretofore in this country, must be 
considered small. 

Next to the price given for that. 
picture in importance wes the an-! 


nouncemieént made by Mr, Kirby re-! 
garding Inness’s “Approaching Storm’’ 


and “Showery Weather,” as follows: 


‘the two Nerorcee 

There were many specula 
as to the dealer or pe 
‘these pictures ‘to Mr, Savanna By 
_ Another’ American picture, | 
Murphy’s “Indian Summe 
the Knoedlers for $1,825, 


Yother, “Wyant's ts. Sell See BaLaee and) 
} Pool,” to O. Bernet, as agent, for $2, 100, | 
| 


}May Be for Union League. 

Some time after these had ‘been dis-| 
posed of, A. J. Conant’s “Pontrait of} 
Abraham Lincoln” was sold to Mhomas| 
Benton for $3,700, It was whispered) 
that the purchaser had acted as agent 
for the Union League Club, and that) 
ithe picture is ito be hung in ithe elub 
trooms, When this picture was offered, 
‘Mr. Kirby announced ‘that the painter 
of the portrait, who is ninéty years of 
age, and executed it in 1860, came to the 
gallery ‘to view it, and said it. was, at. 
ithe time, considered a faithful likeness 
of the Martyred President. 

Mr. Kirby backed that statement by 
announcing that on the Fourth of July, 
'1861, he had seen President Lincoln 
jraise the flag over Independence Hall in, 
Philadelphia, and that he was certain of 
the accuracy of the likeness. That state- | 
ment produced a storm of appliques and 
(a storm of Ibids, / 

Other good- prices “during: the evening } 
were ‘realized on Cazini’s ‘‘A .Mill, in} 
Flanders,’ which went to W. W. Seaman,} 
an agent, for $4,500; Lenbach’s ‘Mother 
and Child,” to Mrs, Frederick F, "Thomp-| 
ison for $8,200; Israel’s “Watching and} 
|Waiting,’”’. to O. Bernet for $4,500; Rico’s 
“Santa Maria della Salute,’’ to W,. L.} 
‘Austin for $5,600, and Harpignies’s “Sum- 
mer,’’ which went to Martin Beck for 
$5,100. ; 


Purchasers and Prices, | 
There Were many other good prices. 
These, with the names of pictures, paint- 
ers, purchasers and prices paid for works 


that brought: $200 or over,’ are’ in the 
following list: I 


Pokitonow; / 


| “Landscapes with Sheep,” 

George A. Hearn 0/4. . 05). -pamnneeees $20 

“Vallee D’Bafourelle, Haute Marne,” 
Monchablon; O. Bernet .;..2002..-+s I 450 


“The Little Washerwoman,’’ 


i. DB. A. Kopp 
| “Still Life,’’ PR oiion! Holland “Ast “Gallery 270 
| “Feeding ‘Time,”’ Jacque: Martin Beck. . 


“Bead and Bust of a Girl,”* aye Ww. 
8.) Kealmer’ i Wigs ys 9 sss Cae «ce 650 
“The Love Letter,’ Defregge “Dery 775 
“Highland one by Me. one Xi ia ~-Bon- 
heur; Geo. PLONSL ye cs De sume tink 250 
“The Ei eeaters ” Canin; O, D, Daubosch. . 925 
| 'Peasing the Kitten,” Bail; BL A. ponte 475 
pert Jules Dupre; A, A, Healey... 1,200 
“Arab Pncampmont-—Night in the Desert,”’ 
Lazerges; W. H. JOWNSON sada yess 675 
“Dutch Landscape,’” Willem ~ Maris; 
Knoedler & : Co! isk. 'sany - ae. = 8,200 
“Indian Summer,” J, Francis Murphy; 
Knoedler (& Co o,Aii. saedee ses Kis ee 1,825 
“Oattle by the Sea,"’ Francois Auguste 
bonheur; J. M, Culver ..v,..s008 400 
"Vue De Trepott,’’ “Alfred Stevetia;® Ww 
W Beaman cio do ks& viel sein ae va 180 
‘Landscape and Cottage,’ "Leon Victor ; 
; , Upre ; A... Be. Vetneys oes ¢). cas came Jat 250 


ve $2,650. The next | 
was $1,100, paid by, 
0. for Henner’s “Red Dra- 
below this was Israels’s 
went to C, Fliermans for 
W. S. Kolmer gave $1,050 for! 
Seas: March—Battery-: Going | 
» Act John E. D. Trask of the | 
ynsylvania Academy of Fine Arts. 
h wha Elmer Schofield's. “Winter 
for $150; Henry Schultheis. 
tor Boker’s “The Bird Seller’; , 
ae paid $600 for Crochepierre’s 
ng the Needle’; O. S. Loeb paid. 
} for Brandt's “Prisoners of War”; W.| 
, Seaman, agent, gave $900 for Seat 
Gasin'e “In Ful, Sail’; Harry Sachg paid | 


i 


$2,000 be 
to Spanish, "Nopie- 
S ie Ko for | 
ssa. atherer,” 
or Henner’s ‘‘Ideal 
Jan by the ea Gediers for Hat 
hon the ‘te liter 


1ean,”’ and 
| George D r) Vibert/s ‘Visit bea 
. hs ala 


ft eM 
LINCOLN PORTRAIT — ; 
~ FOR $8,700 IN SCHEMM SALE 


‘Two Alleged eae Works hee 
Withdrawn by sored 4 | 


ARTIST'S SON | QUESTIONED THEM 


: 
| 
: 
{ 
} 


| Unusually High Prices Bring Even- 
| ing’s Total to $102,009 ard 
‘Sale to $185,000, 

Persons who went to the final Session 
|of, the sale of the Schemm collection of 
|paintings in Mendelssohn Hall last night 
{had the opportunity of enjoying more 
sensations than usually attend the dis- 
persal of paintings at auction, The chief 
of these unusual happenings was the’ for- 
mal statement made by Thomas E. Kirby 
|regarding the two canvases attributed to 
Inness that had heen passed in the sale 


on Thursday night and the little speech, 
he made regarding the Lincoln portrait, 


that aroused an outburst of applause and 
bids. This is the American Art Associa- 
tion’s formal statement regarding the 
Inness pictures made through the auc- 
tioneer: 

“Dhe two »paintings, bueaiamene Nos, 204 
and 214 of the Peter A. Schemm collec- 


ry pene ora 7a] 
vas ‘of his character. It was purchased 
_by a buyer who uses the name of Th 
Benton, It is expected the portrait | 
‘become one of Be eer anaees treasures of 
the Union Leag 

' In addition re tints ieer de of ora 
there ws much t mon 


‘were as erratic as the March Bus 
‘example, a Martin ee ta, Me 
‘Della Salute’ * was’ a ponent ey iby. W. Aus- 
itin for $5,600, and a arplanies went — ei 
Martin Beck for $3,100. A splendid B 
lmers brought ‘only $2,550 and a Uae 
\brought esi of e average of the priges 
(ee so hi igh $1 02, was obtained far th 
lsame number of paintings that average 
less than’ half that amount on the two 
bie nights. 

| Amen toe best prices. tory Ses n ht 
were: 


Hee tes by é 
Bock’s. “Truck” Farming,” 
W. Fuller for Jacque’s “ 
$4,650 by an agent for Israels’s .** atch-- 
ing ‘and Waiting,” $3,900 by James. 
Elverson, Jr., for Ziem’s ‘Fete Day,” 
$2,800 by M. C. Anderson’ for Bouguereau’s 
“The Vell.’ $3,000 by Knoedler & Co,: for 
Neuyhuye’s ‘The Morning Kiss,’ $2,450 hy 
ithe Georece Petit Gallery of bids for 
atone “Ta Place Clichy,’ $3.200 b: y Mrs. | 
Thompson for: Lenbach’s “Mother 
and vend. Ke $2,500 for Innees’s “Gathering” 
Clouds,” $3,500 by A, A. Healy for Israels’s 
“Mother and Son” and $3,200 by bee is 
& Co. for Maers’s “Dutch Landscape.” 

| The total for the whole sale was 805, 


The Pans rasa w, 


tion, which were withdrawn last evening, 
were exhibited in our galleries duving the 
epening and press day of the exhibition, 
Friday, March 10; and were commented 
on favorabiy by those who viewed them. 
Toward ‘evening of the opening day 
George Inness, Jr., who was visiting the 
exhibition, informed me of his Goubts as 
to these two paintings, Nos. 204 and 214, 
being by his father, Accepting Mr. In- 
ness's opinion, I ieee - withdrew 
tre palitings from the exhibition and ul- 
timately frem the sale, and in further- 
ance of our efforts to prevent the pic- 
tures passing into the hands of other 
arties, I have suggested to the exect- 
ors of Mr. Schemm that they obtain the 
consent of the heirs to destroy the two 
pictures.” 


| $85 for Clay's ‘‘Calme-Batteaux Rhins”; | 
ithe Bhrich Galleries, as agent. paid $900 | 
‘for Von Unde’s ‘The Discussion” ; George | 
i A. Hearn gave $875 for Kever’s “The sil 

ture Book’; A. H. Cosden gave $450 for 
‘The Fisher Girl’ by Ridgway Knight, | 
and Mrs. A. R. Kolb paid $525 for Cave’s | 

“plowers of the Fields." The sale con- 
'tinues in the same hall to-night. | 


A 


GETTY RESEARCH INSTITUTE 


THEA 


ae 


1 Ptg, by 


y leo Hermann, 
“Meditation” 


1 Ptg, by N, Diag, 
"The Coronation” 


1 Ptg. by Julien Dupre, 18 x 214 
_ "The Shepherdess" $325.00 
1 Ptg, by Jan Monchablon, 18 x 24 
“Village of Lironcourt" 775,00 


1 Ptg. by Jan Monchablon, 132 x 9§ 


“The Cow Herder" _. 400,00 _ 


1 Ptg, by Francisco Domingo 
"The Halt at the Inn" 


C.R.C.P, 1 Pte, by Prof, W, Schuch, 


"GEXA. 
W.C,2383 1 Grolleron P, 


red) _ “Skirmish between Swedes & Tarbars" 
€.W.0.L. & Co, 1 Ptz, by Eugene Verboeckhoven, 
PER L Pee. ty 3 20 x 143 
"The Sheepfold" 
7459 1 Ptg. by Chas. Jacque, 
"The Shepherd and the Flock" 5250,00 
7528 1 Pts, by W. Bouguereau, 
"Going to the well" __2250,00 
7515 1 Pte, by G, Jacquet, 
"Expectation" 1450.00 
7558 1 Pte. by A. Lesrel, 
“The Music Party" 800.00 
6627 1 Pte. by P, Kraemer, 
FEE ' “The Lost Game" 150,00 
7529 1 Pte, by H, Laissement, 
rye "His Eminence's Coffee" 
6705 1 Pte. by George Washington, 
"arabs" 
WERSHAK XE PERC ROMSHHSE, 


XE mE PURXXXRRVA 
"Drummer Boy" 


1 Ptg,. by Meyer von Bremen, 


"The Little Reader" 400,00 
1 Pte, by J. C. Cazin, 
"At Sunset” 2,000, 00 


1 Pte, by M, de Munkacsy, 
“afternoon Tea” 


C.E,W.N, 1 Ptg. by Ny Diaz, 


7481 
7662 
7741 


7400 


7700 


"The Pool” 
1 Pte. by V. Chevilliard, 1,200, 00 
1 Ptg. by P, J, Clays, 
“Calm on the Maas” 800,00 
1 Ptg, by Raymond de Madrazo, 
"Two Friends” 700,00 


1 Pte, by Loustaman, A, 223 x 283 C, 
"She loves me she loves me not" 


~ 


Pte. by Rosa Bonheur, 39 x 252 ¢, 
"Scotch Cattle and sheep” 9,500.00 


$500, 00 


10,000, 00 


1, 500,00 


4,500, 00 


2,000, 00 


1,350.00 


5,500, 00 


2,400.00 


500, 00 


2,400.00 


5,000, 00 


1,000, 00 


2,700.00 


600, 00 


ee 


wR nINGs GROSS VAN GIGCH™ 
C.L,Stern » Ptg. ‘by Prof. J. G. von Bremen, 16 x 20 C, 


"Decorating the Shrine” $2,000 
7659 «1 Ptg, by B, Sanchez Perrier, 143 x 108 p, 
-- “La Guardina” Alcala, 500s $11,800 
7687 1 Ptg, by Jules Dupre 18 x 132 ¢, 
* "Cattle in a Pool” 4,300 
7817 1 Ptg, by G, Jacquet, 
“Girl Writing" 400 
7737 1 Pte. g. bY J. G, Meyer von Bremen, 53 x 42 300 
"The endangered study" 
7770 1 Pte. by W, Bouguereau, 255 x 414 ¢, 
"The Gleaner” — 2,600 7,600 
7734 1 Ptg. by EB, Van Marcke, 28 x 20§ C, 
domi "Cattle at Rest" 4,000 
7569 ; 1 Ptg, by Jan Monchablon, 20g x 282 
fi ; | “Prairies Fresnes" 1,000 
7748 i Pte. by M, Rico, 285 x 18 
haar ‘Jardin Guidecsa Ponte L Lungo" 1,000 
7168 1 Pte. by F. Chaigman, i18f x 142 
"Flock in the Woods” 275 
7837 1 Pte, by G. Clairm, 353 x 50 
“After the Masquerade™ 800 1,075 
C.J.5,.J, 1 Pte. by BR. Sanchez Perrier, 
"River Bank and Hut" 450, 
C.G.M, 1 Pte. by A, de Neuville, 
"On Guard Winter" 1,000 1,450 
7616 1 Pte. by Jan Monchablon, 132 x 93 C, 300 
7980 1 Pte. by B, Sanchez Perriar, 22 x 12: P : 
“El Vado de Castillaro” 450 
7879 1 Ptg. by A, Pasini, 133 x 102 ¢, 
"Le Santon" 550 1,500 
7159 1 Pte. by H, Breling, 
"Dutch Smoker" 225, 
7504 1 Pte, by E, Berne Belcour, 105 x 14> 
“Officers de Chasseuia cheval" ak, 325, . 
- 8030 1 Pte. by J. J. Henner, 24 x 18 
“Penserosa” 1,750 
7824 1 Ptg, by Theo, V, Cederstrom, 98 x 143 
"The Solo" 450, 
7456 1 Pte. by P, J, Clays, 215 x 282 | 
"Boats on the Rhine” 650, 
7926 1 Ptg, by B, J. Blommers, 275 x 22 
"Baby's Sleep" 750, 1,400 
1347 1 Pte. by V. Chevillard, 6gnX 8 P, 
"Youth will,play” 400, 
6931 1 Pte, by P, J. Clays, 17 x 12 
"Calm in Holland" 400, 
7994 1 Ptg. by G, Jacquet, 10$ x 12% 
"In the country" 450, 


7516 1 Pte, by W. 7, Richards, 255 x 143 
"Surf Sunset" 300, 1,550.00 


_——, 


7 Y, Bp. Pa 


AE 


SS ee ee 


Ee =e ‘ "oe rs “ 2 alee we Chel D ae ae 


f EN ARN Oe: SAE hy pend iis meats 


f 


oo lpg Tie quan 
ane 


Ce oP) 


pr “ 


9203 1 Pte, by NM. Rico, 18% x 283 C, 
"Riodei Giardini Publico Venice" $1250.00 
9329 1 Ptg. by M, Rico, 495 x 32 ©, 
"La Salute, Garden of the Seminary and 
Custom House, Venice", 5000, 00 
9085 1 Ptg, by F, Domingo, 403 x 40% P, 
“Chareson d*Amom", 6000, 00 
9077 1 Pte, by M. Rico, 92 x 143 p. 
"“Poutel del Redentore” *600,00 
9377 1 Pte, by A, Pasini, 74 x 93 6, 
"Blacksmith” 500, 00 1100, 00 
8996 1 Ptg. by M, Rico, 28 x 182 ¢, 
"Ponte del Redentore” $1250,00 
62623 1 Pts. by W.T,Richards, 27 x 46 C, 
"Brigantine Beach 
Afternoon", 600,00 1850.00 
9028 1Ptg, by J. J. Hemer, 18 x 24 ¢, 
“Penserosce" $2000.00 
9362 1 Pte, by R. Knight, 255 x 32 C, 
"Bruzy uplands" 1350.00 3350.00 
8648 Pte. by H. Harpignies, 122 x 10; P, 
"Souvenirdu Dauphine” 650,00 
9431 Ptg. by F, Thaulow 32 x 254 C, 
"Winter" 1900, 00 2550.00 
8982 Ptg. by Chas, Jacque, 252 x 322 ¢, 
"Landscape & Sheep" 6600, 00 
9515 Ptg. by A, Schreyer, 334 x 21 ¢, 
"Arab Horseman" 5000.00 
62426 1 Pts, by B, Van Marcke, 28 x 193 ¢, 
"Cattle at the Pool” 2500.00 
9649 Ptg. by J. J, Henner, 103 x 152 P, 
"Poetry" 1000, 00 
8849 Pte, by F. Ziem, S12 x 214 
"Pecne dans la Lagune" 
de 1*Erasone" 1600.00 
9651 Ptg, by E, Sanchez Perrier, 
“Le Passeur” 365,00 1965, 00 
9498 Pte. by H, Harpignies, 32 x 258 
"La Mediterranei"” 
Entre le Cap Martin Menton 2700,00 
9626 Pte, by P, J, Clays, 24% x 16% C6, 
Clair.de Ime" 800,00 ©500, 00 
9691 Ptg. Jan Monchablon, 9g x 133 P, 
"Un Coin de la Saone" 575,00 
9827 Pte. by Fritz Thaulow, 183 x 212 ¢, 
*"Oudenarde temps gris" 1000, 00 
9638 Ptg. by J,S.H.Kever, 255 x 198 
"Around the table™ 725,00 
9688 Ptg, by J,C,Cazin, 255 x 32 C, 
"Canal and Windmill" 7750.00 
9504 Pte. by Josef Israels, 126 x 6% 
“Children of the Sea" 1300,00 9050.00 


___ PAINTINGS BOUGHT BY COL, 4. GROSS, 


tit a 
r pee ae 


“1 he 
\ 


re 


et aia 
Ae casa 2 
LP ya! 


FRENCH TELEGRAPH CABLE, 


a apiece 
DOLLARS THOEUTHAULOTS FACH 6 DOMINCO sONG S00 


LEROY WANTS PURCHAS® sCHEMM saLy{BOLDINI CLICHY 1000 
be Tera ’ Hysias, 


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TEASING 40 000 \7TEN TETE 2800 (RENNER 


RSET 


CONGKINZ PONT 600¥YCGROLLFRON 
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iB Cable and a1 
by this Hne. No inquiry respecti g th 
heould be obtained through ¢ 


The message is delivered to the addressee and received by him subject to the following Terms and Conditions,. 
. e A a — 
which the addressee hereby ratifies and agrees to, viz.: 


BERMS AND CONDITIONS 


To guard against mistakes or delays every message should be Repeated; that is, telegraphed back to the 
originating office for comparison. For such repeating an additional] charge of one-quarter the regular rate will be 
made. 

The Compagnie Francaise des Cables Télégraphiques will not incur or accept any liability whatsoever, either 
for the due transmission of Messages to the Cables, or fo- their safe delivery at their destinations: nor will they 
accept any liability arising from delay or stoppage by reason of any accident to the cables or instruments, or from 
errors in cypher, or obscure messages, or caused by indistinct handwriting; nor will they consent to be liable, under 
any circumstances, for any sam whatever, as damages or Otherwise, for loss resulting from errors, mistakes, 
delays, mis-delivery, non-delivery, or other causes, in resect of any message entrusted to them, beyond the re- 
turn in the case of repeated messages, of that portion of the charge which may accrue to-this Company out of 
the amount received from the sender for this and the ot{ier companies by whose lines such message may pass 
to reach its destination. ‘This Company is not to be liable in any case where the claim is not presented in writing 
Within sixty days after the sending of the message. This Company is hereby made the agent of the sender, 
without liability, to forward any message over the lines o/ any other company to reach its destination. The 
above terms and conditions shall also bind the addressee of the above message. 


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